Friday, June 28, 2013

Notes For June 28th, 2013


This Day In Writing History

On June 28th, 1888, the legendary Scottish writer Robert Louis Stevenson left San Francisco and set sail for the South Seas.

Stevenson was searching for a new home with a healthier climate, as he was suffering from tuberculosis. He and his family would settle on a Samoan island, where Stevenson would spend the last six years of his life.

No stranger to such voyages, Stevenson was an avid traveler and adventurer. He began his writing career authoring travelogues. His first, An Inland Voyage (1878), was an account of his 1876 canoeing trip through France and Belgium.

He followed it with Travels with a Donkey in the Cévennes (1879), a memoir of his twelve-day, 120-mile solo hike through the Cévennes Mountains in France.

Though he would write several more travelogues, Stevenson made his name as a writer of fiction, first with his short story collections, then with his adventure novels.

His most famous adventure novel was the classic Treasure Island (1883). Set in mid-18th century England, it told the story of Jim Hawkins, a young boy from a seaside village who works at his parents' inn.

One of the lodgers at the inn is Billy Bones, a rum guzzling ex-pirate whom Jim comes to like. Bones is hiding out from his former crew mates, but one of them, a sailor called Black Dog, tracks him down.

They come to blows and Black Dog flees. Another man, a blind fellow named Pew, arrives with a message for Bones - a pirate's summons that causes the rum-soaked Bones to have a stroke and die.

Jim and his mother then open Bones' sea chest, hoping to find enough money to cover the rent that Bones owed them. Later, they discover something unexpected in the chest - a map.

It's a detailed map of an island where Bones' former commander Captain Flint buried his treasure. Soon, Jim finds himself on a ship bound for the island, where he runs afoul of other pirates, including the legendary Long John Silver.

Robert Louis Stevenson later wrote another seafaring adventure, Kidnapped (1886), set amidst the intrigues of the Jacobite movement in 18th century Scotland. David Balfour, an orphaned young man, arrives to stay with his Uncle Ebenezer.

David's stingy, money hungry uncle, scheming to steal his inheritance, sells the boy to Captain Hoseason of the brig Covenant, who forces him to work as cabin boy. Hoseason plans to resell David to another slavemaster.

Other classic Stevenson novels include The Black Arrow (1883), an adventure novel set during the Wars of the Roses - the English civil wars that took place in the 15th century - and The Strange Case of Dr. Jekyll and Mr. Hyde (1886).

In this celebrated horror tale, Dr. Henry Jekyll, a respected doctor and scientist, invents a miracle drug to eliminate the evil side of the human psyche.

Unfortunately, instead of eliminating Jekyll's evil side, the drug causes it to emerge as a separate personality - that of Edward Hyde, a depraved, murderous psychopath who terrorizes London.

After Robert Louis Stevenson and his family arrived in Samoa, they settled on the island of Upolu, where they lived on a 400-acre parcel of land in the village of Vailima. Stevenson took the native name Tusitala, which meant teller of tales in Samoan.

The Samoans came to love him and often turned to him for advice. He became active in local politics, and, believing that the European rulers of the Samoan Islands were incompetent, blasted them publicly in a non-fiction book called A Footnote to History: Eight Years of Trouble in Samoa (1892).

The book caused such an uproar that Stevenson feared he might be deported. He wasn't. The scandal blew over and he remained in Samoa until he died from his tuberculosis in 1894 at the age of 44.

Of the European leaders whom he had blasted for their mismanagement of Samoa, Stevenson would famously quip, "I used to think meanly of the plumber; but how he shines beside the politician!"


Quote Of The Day

"Fiction is to the grown man what play is to the child; it is there that he changes the atmosphere and tenor of his life." - Robert Louis Stevenson


Vanguard Video

Today's video features a reading of the first chapter of Robert Louis Stevenson's classic adventure novel, Treasure Island (1883). Enjoy!

Thursday, June 27, 2013

Notes For June 27th, 2013


This Day In History

On June 27th, 1953, the famous American writer Alice McDermott was born in Brooklyn, New York. She was born into an Irish Catholic family, which would influence her writing.

Alice attended Catholic schools until college, where she studied at SUNY (State University of New York) Oswego and the University of New Hampshire.

In 1982, Alice burst onto the literary scene with her novel, A Bigamist's Daughter. It told the story of Elizabeth, a young woman who works as an editor for a sleazy vanity press whose bland office she compares to an unlicensed electrolysis salon.

Tupper Daniels, a handsome young writer, shows up with the manuscript for his first novel, which is about a bigamist. Tupper has a problem - he doesn't know how to end his novel, so he seeks Elizabeth's advice.

As Elizabeth helps Tupper work on his novel, she falls in love with him. The novel's subject matter forces Elizabeth to recall the painful memories of her own father - a mysterious man who may have been a bigamist with two families.

Alice's second novel, That Night (1987), was a haunting period piece set in early 1960s Long Island and based on an incident from the author's childhood. The novel is narrated by 10-year-old Alice.

Sheryl, the nice teenage girl next door, is in love with Rick, a handsome hoodlum who belongs to a street gang. Rick's father is a doctor, his mother a schizophrenic.

Though her parents hate Rick, Sheryl sees the good in him. She also sees him as a kindred spirit who, like her, suffers at the hands of the soul-crushing suburbia they live in.

After Sheryl's father dies and she becomes pregnant, her mother sends her away and orders Rick to never see or contact her again. This provokes the troubled, lovesick boy to violence.

That Night was a finalist for three major awards - the National Book Award, the PEN / Faulkner Award, and the Pulitzer Prize. Her next novel would again be a finalist for the Pulitzer Prize.

At Weddings and Wakes (1992), set in early 1960s Brooklyn, was a melancholic, impressionistic tale that starkly and beautifully captured the poetry of one Irish Catholic family's pain and joy. Mostly pain.

Momma Towne is a widowed stepmother who lives with her three unmarried stepdaughters in a small, gloomy apartment. May is a kindly ex-nun, Veronica is a solitary, alcoholic spinster, and Agnes is a busy career woman.

A fourth stepdaughter, Lucy, lives on Long Island with her husband and children. Twice a week, Lucy and the children visit Momma, to whom Lucy complains about her unhappy marriage and her unfulfilled dreams.

During these visits, Lucy's children Margaret, Bobby, and Maryanne learn from their aunts and grandmother the often painful history of the family, which has been smothered by Catholicism and marinated in alcohol.

Alice's first award winning book, Charming Billy, was published in 1998. In this novel, the Irish Catholic family of Billy Lynch, a storyteller, dreamer, and hopeless alcoholic, gathers for his funeral.

Forty years earlier, Billy had been madly in love with an Irish girl named Eva, who went back to Ireland and tragically died of pneumonia before she could return to him. He married another woman and began drinking to forget Eva. He ultimately drank himself to death.

One of the mourners at Billy's funeral is Dennis, Billy's cousin and best friend. Dennis is accompanied by his unnamed daughter, who narrates the story. During the funeral, Dennis makes a shocking confession to his daughter: "Eva never died. It was a lie. Just between the two of us, Eva lived."

The stunned narrator then takes the reader along on her quest to find the truth and learn how her father could have told such a lie to a man he considered his best friend - a lie that drove Billy Lynch to despair, to drink, and ultimately, to his death.

Charming Billy won Alice McDermott the American Book Award and the National Book Award. Her most recent novel, After This, was published in 2006. It takes place from the late 1940s through the 1970s.

After World War II ends, Mary, a 30-year-old spinster, finds herself swept up in a whirlwind romance with John Keane, her true love, whom she marries. The happy couple starts a family that will include four children.

Mary and John see themselves and their children as a good, traditional Irish Catholic family, but as the years pass, the winds of change steer the children away from tradition and faith.

Their eldest son Jacob is killed in Vietnam. Their younger son Michael, racked with guilt over the way he'd treated Jacob, seeks escape through drugs and casual sex. Their eldest daughter Anne quits college and runs off to London with her lover, and teenage Clare becomes pregnant.

After This was a finalist for the Pulitzer Prize. Its author, Alice McDermott, lives near Washington DC with her husband and three children.


Quote Of The Day

"I suppose I've never set out to write a novel in which nothing happens... only to write a novel about the lives of certain characters. That nothing 'happens' in their lives is beside the point to me; I'm still interested in how they live, and think, and speak, and make some sense of their own experience. Incident (in novels and in life) is momentary, and temporary, but the memory of an incident, the story told about it, the meaning it takes on or loses over time, is lifelong and fluid, and that's what interests me and what I hope will prove interesting to readers. We're deluged with stories of things that have happened, events, circumstances, actions, etc. We need some stories that reveal how we think and feel and hope and dream." - Alice McDermott


Vanguard Video

Today's video features Alice McDermott being interviewed as part of the 2010 F. Scott Fitzgerald Literary Conference at Montgomery College. Enjoy!

Wednesday, June 26, 2013

Notes For June 26th, 2013


This Day In Writing History

On June 26th, 1892, the famous American writer Pearl S. Buck was born. She was born Pearl Sydenstricker in Hillsboro, West Virgina.

Her parents, Absalom and Caroline Sydenstricker, were Christian missionaries for the Southern Presbyterian Church. After they married, they went to China and set up a mission.

Since three out of their four previous children, who were born in China, died from cholera and other ailments shortly after their birth, the Sydenstrickers returned to the United States so Pearl's mother could give birth to her there.

When Pearl was three months old, the family returned to their mission in China. Pearl was given a Chinese name - Sai Zhen Zhu - and Chinese became her primary language.

She was tutored in Chinese language and history by a Confucian scholar, Mr. Kung. Her mother later taught her English. Pearl came to love China and the Chinese people.

When she was eight years old, the Boxer Rebellion took place. It was a revolt against foreign imperialists and the Christian missionaries who were interfering with Chinese culture in their pursuit of converting and Westernizing the Chinese.

Pearl and her family were evacuated to Shanghai, where they spent almost a whole year living as refugees. The family then left China for San Francisco, only to return a year later, when the Boxer Rebellion had ended.

In 1911, Pearl left China again, this time to attend a woman's college in America. After graduating in 1914, she returned to China and served as a missionary until 1933. In 1917, she married fellow missionary John Buck.

She later became a major figure in the Fundamentalist-Modernist Controversy of the 1920s and 30s - a schism within the Presbyterian church that pitted liberal (modernist) against conservative (fundamentalist) factions.

In a 1932 article published in The Christian Century magazine, Pearl Buck voiced her support for Re-Thinking Missions, a controversial study by a Presbyterian lay group that argued for the scrapping of traditional missions.

Instead of trying to convert all the peoples of the world to Christianity, the study stated, a Christian mission's main function should be to help those in need through humanitarian efforts.

The study also stated that Christian missionaries should ally themselves with all religions instead of trying to win converts. In her article, Buck mocked the biblical literalism of the fundamentalists.

She said that the study was
"the only book I have ever read that seems to me literally true in its every observation and right in its every conclusion."

Later that year, Buck gave a speech before a large audience at the Astor Hotel, where she elaborated on the views expressed in her article, describing the typical Christian missionary as "narrow, uncharitable, unappreciative, [and] ignorant."

Pearl also rejected the concept of original sin and the need to believe in the divinity of Christ in order to live a Christian life. She wrote another article that was published in Cosmopolitan, and established herself as a leading liberal voice in the Presbyterian Church.

The Re-Thinking Missions study, along with the efforts of Buck and other liberals outraged the conservative, evangelical faction in the church, and a schism resulted that saw most conservatives bolt from the Presbyterian Church. The few that stayed were willing to compromise and accept modernist ideas.

At the time of her participation in the Fundamentalist-Modernist Controversy, Pearl Buck had also established herself as a bestselling writer. Her first novel, East Wind:West Wind was published in 1930.

A year later, she would publish her most famous novel, The Good Earth, which was the first in a classic trilogy of novels called The House of Earth.

The Good Earth told the epic story of Wang Lung, a poor Chinese peasant farmer who marries a slave girl named O-Lan, lives a hard life, then unexpectedly rises to prominence, only to encounter more hardships.

The second book in the trilogy, Sons (1933), follows Wang Lung's sons, and the third book, A
House Divided (1935), follows the third generation of Wang Lung's family.

The Good Earth won Pearl Buck the Pulitzer Prize for Literature. It was adapted as an acclaimed feature film in 1937, starring Paul Muni as Wang Lung and Luise Rainer as O-Lan.

I was thirteen years old when I first read this great novel as a social studies class assignment back in the early 1980s. It remains one of my all-time favorite novels.

Pearl Buck used her experiences in China as the basis for her novels, and in doing so, helped introduce Chinese culture to the West. No stranger to controversy, she would later write China Sky (1941), a tale of the horrors of the Japanese invasion of China during World War 2.

She also wrote Peony (1948), a haunting, riveting story of a Chinese servant girl, Peony, who is sold to a wealthy Jewish family and embarks on a forbidden romance with the family's only son.

All in all, Pearl Buck wrote over 40 novels (four of them under the pseudonym John Sedges) and numerous short stories, including children's stories.

Her last novel, The Rainbow, was completed before she died in 1973 at the age of 80. It was published posthumously the following year.


Quote Of The Day

"The truly creative mind in any field is no more than this: a human creature born abnormally, inhumanly sensitive. To him, a touch is a blow, a sound is a noise, a misfortune is a tragedy, a joy is an ecstasy, a friend is a lover, a lover is a god, and failure is death. Add to this cruelly delicate organism the overpowering necessity to create, create, create — so that without the creating of music or poetry or books or buildings or something of meaning, his very breath is cut off from him. He must create, must pour out creation. By some strange, unknown, inward urgency he is not really alive unless he is creating." - Pearl S. Buck


Vanguard Video

Today's video features the original theatrical trailer for the classic 1937 feature film adaptation of Pearl S. Buck's Pulitzer Prize winning novel, The Good Earth. Enjoy!


Tuesday, June 25, 2013

Notes For June 25th, 2013


This Day In Writing History

On June 25th, 1903, the legendary English writer George Orwell was born. He was born Eric Arthur Blair in Bengal, India, to an affluent family. His father, Richard Blair, was a civil servant. His mother, Ida, was a Frenchwoman.

When he was a year old, Orwell's mother moved him to England, settling in the town of Henley-on-Thames. As a young boy, Orwell met poet Jacintha Buddicorn. The two children became inseparable.

When they first met, Buddicorn found Orwell standing on his head in a field. When she asked him why he was doing that, Orwell replied
"You are noticed more if you stand on your head than if you are right way up."

Orwell and Buddicorn spent a lot of time reading together, writing poetry, and dreaming of becoming famous writers. He also became close to the rest of the Buddicorn family and spent time hunting, fishing, and birdwatching with Jacintha's brother and sister.


While at prep school, Orwell wrote two poems that were published in the local newspaper. He won a scholarship, but during his college years, he proved to be an average student at best.

He co-created and co-edited a college magazine and spent more time writing for it than paying attention to his studies. He dropped out of school due to both his poor academic performance (which made future scholarships unlikely) and his desire to travel to the East.


In October of 1922, Orwell went to Burma, now known as Myanmar, where he joined the Indian Imperial Police. He was posted briefly to Maymyo, then to Myaungmya. By 1924, Orwell was promoted to Assistant District Superintendent and posted to Syriam. In 1925, he went to Insein, home of the second-largest prison in Burma.

A year later, he moved to Moulmein, where his grandmother lived. At the end of 1926, Orwell moved on to Kath, where he contracted Dengue fever. He was allowed to go home to England on leave.

While home and recovering, Orwell decided that he was tired of colonial life and police work. He resigned from the Indian Imperial Police and decided to become a writer. He used his experiences in Burma as the basis of his first novel,
Burmese Days, which was published in 1934.

Orwell's first published work was a non-fiction book called Down And Out In London And Paris (1933), an account of his life as a struggling writer, as he worked at menial jobs to support himself while he wrote.

He had moved to Paris in 1928 because of its low cost of living and the bohemian lifestyle that attracted many aspiring writers. In 1929, Orwell fell ill and all of his money was stolen from his room at the boarding house where he lived. He later returned to London and took a job teaching at a boy's school.


Orwell's early books were published by Victor Gollancz, whose publishing house was an outlet for radical and socialist books. Orwell wrote two more novels, A Clergyman's Daughter (1935) and Keep The Aspidistra Flying (1936).

He later disowned these novels, claiming that they weren't his best works - he had just written them to earn money at a time when he was broke.
Of the two, Keep The Aspidistra Flying is the better.

It's a grim black comedy about an aspiring poet, Gordon Comstock, who comes from an affluent, respectable family, but believes that in order to be a poet, one must denounce wealth. So, he quits his promising new job as an advertising copywriter and takes a menial job while he writes.

Living in a grubby rented room, he both loves and loathes his new existence. Comstock finally feels like a real poet, but he resents having to work at boring menial jobs to support himself while he writes. His poverty is a frequent source of humiliation, and he soon becomes a deeply neurotic, absurd parody of himself.


Later, Gollancz encouraged Orwell to investigate and write about the depressed social conditions in Northern England, and he went to the poor coal mining town of Wigan, where he lived in a dirty room over a tripe shop.

He met many people and took extensive notes of the living conditions and wages, explored the mine, and spent days in the town's library researching public health records, working conditions in mines, and other data. The result was
The Road To Wigan Pier (1937).

The book is divided into two parts. The first part is a straightforward documentary about life in Wigan. The second is Orwell's philosophical attempt to answer the question that if socialism can improve the appalling conditions in Wigan and such places around the world - which it can - then why aren't we all socialists?

Orwell places the blame on the ferocious prejudices of the white Christian middle class against the lower working class, the poor, and other people they associate with socialism, such as blacks, Jews, atheists, hippies, pacifists, and feminists. (Orwell's words)

He concludes that "The ordinary man may not flinch from a dictatorship of the proletariat, if you offer it tactfully; offer him a dictatorship of the prigs, and he gets ready to fight."


The second section of The Road To Wigan Pier shows the early development of Orwell's personal philosophy and his skill as a satirist, both of which have been misconstrued as endorsements of fascism or conservatism. Orwell was, in fact, a lifelong socialist.

Not long after writing
The Road To Wigan Pier, Orwell volunteered to fight General Franco's fascists in the Spanish Civil War, using his comrades in the Labour Party to get a letter of introduction.

In Spain, Orwell joined the POUM - the Workers' Party of Marxist Unification - which was allied with the Labour Party.
The POUM had joined a coalition of leftist factions that supported the Spanish Republican government against the fascists. Another member of the coalition was the Spanish Communist Party.

The Spanish Communist Party was controlled by the Soviet Union, who saw the POUM as a Trotskyist organization and embarked on a campaign to suppress it, first by falsely claiming that the POUM was collaborating with the fascists, then, near the end of the war, outlawing the party and attacking its members.

When Orwell was falsely accused of being a fascist collaborator, he came to hate Soviet communism. He still fought the fascists and was shot in the throat by a sniper. After recovering in a POUM hospital, Orwell and his wife barely managed to escape Spain following the fall of Barcelona.


Orwell's exposure to Soviet communism and its methods of propaganda and oppression - which broke the coalition and caused its members to lose the Spanish Civil War, would have a lasting effect on him and lead him to write his two greatest novels, Animal Farm (1945) and Nineteen Eighty-Four (1949).

Animal Farm was an anti-Stalinist fable set on a farm where the animals are ruthlessly oppressed and exploited by the humans for whom they toil. So, the pigs Old Major, (who symbolizes Lenin) Napoleon, (Stalin) Snowball, (Trotsky) and Squealer (Soviet propaganda minister Vyacheslav Molotov) orchestrate a violent revolution.

The humans are overthrown and the animals are free, but soon, Napoleon assumes dictatorial power. He establishes totalitarian rule, and the animals' new utopia becomes even more oppressive and miserable than their existence under human rule.


Declared unfit for military service during World War II, (though he supervised broadcasts to India for the BBC to help the war effort) Orwell had completed Animal Farm in 1944, but no publisher would touch it because the Soviet Union was a key member of the Allies.

The highly acclaimed novel was published after the war and later adapted as an animated British feature film in 1954, and later in 1999 as a live-action American TV movie.


Nineteen Eighty-Four, published in 1949, was Orwell's last and greatest novel. Set in Oceania, formerly England, now a dystopic, totalitarian state of the distant future, it tells the story of Winston Smith, a civil servant who works in the propaganda division as a historical revisionist.

Smith grows disillusioned with the regime and its pervasive surveillance and control of the people, so he decides to start a rebellion. The regime's leader is a mysterious figure known as Big Brother, and he's always watching. His face always appears on posters and monitor screens.

The phrase "big brother" was introduced into the English lexicon by Orwell's novel. Other clever touches include names such as the Ministry Of Peace, which deals with war, and the Ministry Of Love, a reeducation center where people are tortured until they submit.


Winston commits the ultimate crime against the sexually repressive regime - he falls in love with a woman and they have a passionate affair. He and the girl try to escape detection but are arrested by the Thought Police, brought to the Ministry of Love and tortured until they denounce each other.

Now reeducated - brainwashed - to be obedient, Winston is readmitted into the state as a citizen. He's calm, happy, and soulless, and as the novel's last sentence reports, "He loved Big Brother."

A masterpiece of science fiction and political allegory, Nineteen Eighty-Four was published in June of 1949 to great acclaim. It remains a classic to this day.

Orwell managed to complete the novel despite being severely ill with tuberculosis. He also wrote frequently to friends, including his childhood sweetheart Jacintha Buddicorn, who was shocked to learn that the celebrated novelist George Orwell was her childhood sweetheart, Eric Blair, writing under a pseudonym.

Sadly, Orwell died of tuberculosis in January of 1950, at the age of 46. He'd had numerous lung problems over the years, including chronic bronchitis and pneumonia. He was also a heavy smoker - a habit he took to his grave.


His greatest literary legacy, the classic novel Nineteen Eighty-Four, would become the bible of anti-communists during the Cold War and remains a favorite among right wingers today who appreciate it for all the wrong reasons.

George Orwell was a lifelong socialist who always hoped for a better world where the extremes of wealth and poverty didn't exist and everyone was truly equal. Nineteen Eighty-Four was a warning that even the noblest ideas can become corrupted and perverted if allowed.


Quote Of The Day

"There is only one way to make money at writing, and that is to marry a publisher's daughter." - George Orwell


Vanguard Video

Today's video features the full length BBC documentary, George Orwell - A Life In Pictures. Enjoy!

Monday, June 24, 2013

IWW Members' Publishing Successes



Wayne Scheer

A science fiction love story, “Cloning Clark,” has been bought by Big Pulp for publication next year.  They accept genre fiction--crime, horror, science fiction, romance, etc.--and pay a penny a word.  Good people to work with. www.bigpulp.com

My short story, “Three Generations,” critiqued in Fiction about a year ago, is up at Infective Inkwww.infectiveink.com Infective Ink uses a theme for each issue, pays $10 a story, and responds promptly. Good people to work with, too.

Sarah Corbett Morgan

My light-hearted essay, “The Cédula Wars,” all about tangling with Costa Rican immigration requirements, is up over at the Costa Rican Times. http://bit.ly/1009A6U Many thanks to the good people over at NonFiction who helped make this piece stronger.

Joanna M. Weston

A poem, “The way to you,” up at Our Day's Encounter. http://adaysencounter.com/wordpress/?p=1959

Lynne Hinkey

My guest blog about my path to publishing is up at Mona's Montana Scribbler site:
http://montanascribbler.com/2013/06/partnership-publishing-is-it-right-for.html

Myra Nelson

My review of Too Cool for School is up at the Internet Review of Books.
http://internetreviewofbooks.blogspot.com/

Jack Shakely

My new novel, Che Guevara's Marijuana and Baseball Savings and Loan: a novel of the early days of the Peace Corps, is out, published by Xlibris. An e-book version will be available in a week or two.

Sunday, June 23, 2013

This Week's Practice Exericse


The Shadow Knows

Prepared by: Alice Folkart
Posted on: June 23, 2013

-----------------

Exercise: Write a piece of no more than 400 words in which a shadow or shadowing plays an important role. This could be a character sketch, a flash piece, memoir, poem, or a start on something longer.

-----------------

You may write anything that concerns 'a shadow,' but you could start with one of the following:
* Is someone being "shadowed?" (i.e., followed)
* Does a character discover his "shadow" side, i.e., the dark side of his personality?
* Does someone live "in the shadows?" (e.g., is depressed, in hiding, or under some constraint)
* Does someone live in the shadow of another person, e.g., son overshadowed by a father?
* Does a character have a strong impact on others or situations, e.g., "cast a long shadow?"
* Does a 'shadowy character' figure importantly?
* Perhaps a shadow on an X-ray or a window curtain plays an important part.

Be creative and imaginative. Enjoy the exercise.

-----------------

Exercise: Write a piece of no more than 400 words in which a shadow or shadowing plays an important role. This could be a character sketch, a flash piece, memoir, poem, or a start on something longer.

-----------------

In your critique consider the writer's creative approach to the idea of the shadow. Is it fresh, unique, interesting? What do you like about it? What works or doesn't? Could the idea be explored further? Could the author improve the piece? How?




These exercises were written by IWW members and administrators to provide structured practice opportunities for its members. You are welcome to use them for practice as well. Please mention that you found them at the Internet Writing Workshop.

Friday, June 21, 2013

Notes For June 21st, 2013


This Day In Writing History

On June 21st, 1956, the legendary American playwright Arthur Miller defied the United States Congress, refusing to inform on his friends and colleagues whom a Congressional committee had suspected of being communists.

At the time of his Congressional hearing, Miller, born in Harlem, New York, in 1915, had established himself as one of America's greatest playwrights. An outspoken liberal who openly supported leftist causes, he was long suspected of being a communist.

No evidence exists to prove that he belonged to the American Communist Party; some biographers have speculated that he may have joined under a pseudonym, but that's pure conjecture.

A Red Scare had swept through the American landscape of the 1950s - the height of the Cold War between the United States and the Soviet Union - infesting the country with fear and paranoia.

The House Unamerican Activities Committee (HUAC), founded by Congress in 1938, was tasked with weeding out suspected communists and communist sympathizers. The committee became notorious for its dubious methods.

To extract confessions from suspected communists, the HUAC, under the direction of Joseph McCarthy, the notorious Republican senator from Wisconsin, would resort to coercion, deception, and false testimony by so-called witnesses.

Another tool in the committee's arsenal was guilt by association - if a defendant's relatives and / or friends were communists, then the defendant must be as well, or he wouldn't associate with them.

Worst of all, when no evidence existed to prove beyond a reasonable doubt the HUAC's mostly false and slanderous accusations of communism, the committee simply manufactured it.

In those days, being convicted of communism meant not only jail time, but also the blacklisting of the defendant from his trade, the loss of his civil rights, and public ostracism.

During the infamous Hollywood Blacklist, actors, directors, writers, and producers convicted of being communists or communist sympathizers could not find work after their release from jail.

The Hollywood studios refused to hire convicted or even suspected communists or communist sympathizers, for fear of governmental interference in the movie business.

Blacklisted actors and directors would have to work in small independent productions or make movies in foreign countries. Blacklisted writers would have to use fronts - impostors pretending to be them - to sell their works in Hollywood.

Three years before he found himself brought before the HUAC, Arthur Miller had written a play inspired by what happened to his close friend, legendary filmmaker Elia Kazan.

Brought before the HUAC and accused of being a communist, Kazan, wishing to avoid the Hollywood Blacklist, informed on several of his friends, including legendary playwright Lillian Hellman and actor John Garfield.

Kazan avoided the Blacklist, but his reputation would take a huge hit. He was rightfully considered a rat willing to ruin the lives of others for the sake of his own self interest. Miller didn't speak to him for ten years.

In his classic play The Crucible (1953), Arthur Miller presented a scathing satirical indictment of the HUAC, likening its hearings to the infamous 17th century Salem witch hunts.

In those trials, innocent lives were also destroyed by false accusations, (of witchcraft) national hysteria, and pompous, self-righteous judges more interested in extracting confessions than in uncovering the truth and delivering justice.

The Crucible became a huge hit on Broadway and would go on to become Miller's most frequently produced play. It infuriated the HUAC to no end.

So, in 1956, when Miller applied for a renewal of his passport, the HUAC took advantage of the routine request to haul him in for questioning, as it was against the law to issue passports to known or suspected communists.

Having nothing to hide, Miller told the committee that he would gladly provide testimony about his own political beliefs and activities, so long as he was not asked to inform on others.

The chairman agreed and promised that he would not have to inform on others. Miller kept his end of the deal and gave the HUAC a detailed account of his own political activities.

The committee then reneged on the chairman's promise and ordered Miller to give them the names of all of his friends and colleagues who shared in his political beliefs and activities.

He refused to comply, so he was charged with contempt of Congress. His case later came to trial, and in May of 1957, a judge found him guilty.

Miller was fined $500, sentenced to thirty days in jail, blacklisted, and of course, denied a renewal of his passport. Fortunately, his conviction was overturned on appeal.

The Court of Appeals found that he had been deliberately deceived by the HUAC chairman and tricked into incriminating himself, which was a violation of the Fifth Amendment.

Arthur Miller's experience with the HUAC would haunt him for the rest of his life. This is why, in the 1970s, he took a personal interest in the famous Barbara Gibbons murder case.

The victim's son, Peter Reilly, was convicted of her murder based on what most people believed was a coerced confession. There was little, if any, actual evidence to prove his guilt.

Miller, believing that Reilly was innocent and had been railroaded by the Connecticut State Police and the state Attorney General who had prosecuted the case, used his celebrity to draw attention to Reilly's plight.

The case reminded Miller of his own railroading by the House Unamerican Activities Committee, which would become the House Committee on Internal Security in 1969 and finally be abolished in 1975.

In December of 1954, by a vote of 67-22, Senator Joseph McCarthy was censured by the Senate for his unethical and illegal conduct. Though he would continue to perform his general duties as a Senator for the next two and a half years, his political career was ruined.

McCarthy was shunned by almost all his fellow Senators. Whenever he gave a speech on the Senate floor, the other Senators would immediately leave the floor rather than listen to him.

Haunted by his fate, McCarthy became a pale shadow of his domineering former self. He drank himself to death, dying in May of 1957 at the age of 48.


Quote Of The Day

"I know that my works are a credit to this nation and I dare say they will endure longer than the McCarran Act." - Arthur Miller


Vanguard Video

Today's video features a three-part interview with Arthur Miller, where he discusses his classic play The Crucible and his ordeal at the hands of the House Unamerican Activities Committee. Enjoy!

Thursday, June 20, 2013

Notes For June 20th, 2013


This Day In Writing History

On June 20th, 1905, the legendary American playwright and screenwriter Lillian Hellman was born in New Orleans, Louisiana. She was born to a wealthy Jewish family, and spent her childhood partly in New Orleans and partly in New York City.

Lillian studied at New York University and Columbia University. Then, at the age of 24, she traveled around Europe, settling in Bonn, Germany, where she continued her education.

It was 1925, and Lillian became interested in a student group dedicated to what she thought was the cause of socialism. Instead, it turned out to be a national socialist (Nazi) group that rejected her because she was Jewish.

Shaken, Lillian returned to the United States. There, she found work as a reader for the MGM film studio in Hollywood. It was her job to read novels, short stories, plays, and newspaper articles and determine if they would make good movies.

While in Hollywood, she met the legendary mystery writer Dashiell Hammett and fell in love with him. After divorcing her husband, she began a love affair with Hammett that would last nearly thirty years, until his death in 1961.

Hammett would base his famous characters Nick and Nora Charles, from his classic novel The Thin Man, on himself and Lillian Hellman.

In 1932, Lillian returned to New York City, where she wrote her classic, controversial play The Children's Hour. It premiered on Broadway in November of 1934 and ran for nearly 700 performances.

The Children's Hour was inspired by a real incident that took place in Scotland, circa 1810. The play is set at an all-girls boarding school run by close friends Karen Wright and Martha Dobie.

Mary Tilford, a student at the school, is spoiled, petulant, vindictive, and a pathological liar. Her cousin, Joe Cardin, is a handsome young doctor who plans to marry Karen.

Seething with jealousy, Mary falsely accuses Karen and Martha of having a lesbian affair and blackmails another student, Rosalie Wells, into corroborating her false testimony.

Karen and Martha sue for libel, but Mary's lies are believed. The women lose the case and their school. Joe still believes in Karen and won't leave her, even though his life has been ruined by the scandal.

Karen decides they must break up for Joe's sake, but he persuades her to think things over. When Martha learns that Karen wanted Joe to leave her, she becomes consumed with guilt.

Martha is forced to come to terms with the fact that she really is a lesbian. When she finally admits her feelings to Karen, Karen coldly dismisses her, telling her that they never really felt that way about each other.

Martha tries to declare her love for Karen, but Karen won't have it and tells Martha she's going to bed. While sitting in her bedroom, Karen hears a gunshot. She discovers that Martha has killed herself.

The Children's Hour became a huge hit and was considered shocking by early 1930s audiences. Even though it was illegal at the time to mention homosexuality on the Broadway stage, the play was not closed by the censors - because it was so good.

Lillian's success with The Children's Hour earned her a screenwriting job in Hollywood. When MGM picked up the film rights to her play, Lillian wrote the screenplay herself. Unfortunately, she was forced to change the story considerably.

The stifling Hollywood Production Code was in effect, and it forbade any mention of homosexuality on screen. Thus, in These Three (1936), Martha is secretly in love with Joe and falsely accused of having an illicit affair with him. Despite the change, the film received good reviews from critics.

As a screenwriter, Lillian was also known for her adaptation of Sidney Kingsley's hit Broadway play, Dead End. The bleak film, released in 1937, was the first to feature the Dead End Kids.

The Dead End Kids were a street gang whose members were poor youths from the slums of New York City's East Side desperate to escape their lives of poverty and despair. Some have no problem turning to crime, while others seek a better way out.

Another of Lillian's accomplishments as a screenwriter was her work for the Screen Writers Guild, a then fledgling union for screenwriters. Lillian fought hard to get her fellow screenwriters onscreen credit for their work and decent pay.

In 1936, with the Spanish Civil War capturing the attention of the world, Lillian sought to warn people of the growing threat of fascism. She joined other literary figures such as Dorothy Parker and Archibald MacLeish to fund an anti-fascist documentary, The Spanish Earth (1937).

The film famously miscredited Orson Welles as its narrator. It was in fact narrated by the legendary writer Ernest Hemingway.

Lillian went to Spain to offer her support to the International Brigades - the foreign soldiers from around the world who had volunteered to fight General Franco's fascist army. She did a broadcast to the United States on Radio Madrid while bombs were falling on the city.

Back in the United States, Lillian joined the Communist Party, but left after a couple years. She found her chapter of the party to be boring and ineffective. "[I] saw and heard nothing more than people sitting around a room talking of current events or discussing the books they had read."

After World War 2 broke out in 1939, Lillian, who was enjoying the success of her play The Little Foxes, grew frustrated by her country's isolationism. So, she wrote another play hoping to awaken Americans to the threat of Hitler.

Watch on the Rhine opened on Broadway in April 1941 - just eight months before Pearl Harbor. The play, which told of a German Resistance operative with an American wife who returns to Germany to rescue his comrades from the Gestapo, won Lillian the New York Drama Critics Circle Award.

In 1943 and 44, Lillian applied for a passport so she could visit England but was denied twice because she was deemed an active communist, though she'd left the party a few years before and never rejoined. Her politics would come back to haunt her in the next decade.

Years later, in 1952, while enjoying the success of her classic play The Autumn Garden, Lillian found herself subpoenaed by HUAC (the House Unamerican Activities Committee) for interrogation.

Lillian refused to apologize for her past membership in the Communist Party or denounce the party. She was willing to testify about her own political beliefs and associations, but adamantly refused to name names and denounce others.

The HUAC desperately wanted Lillian to denounce her former lover John F. Melby, who worked for the State Department, as a communist, but she refused. She wasn't charged with a crime by the HUAC after concluding her testimony, but the FBI increased its surveillance of her and began monitoring her mail.

The 1960s found Lillian enjoying the success of her last great play, Toys in the Attic (1960). Another film adaptation of The Children's Hour was released in 1961.

Although Karen and Martha are falsely accused of having a lesbian affair in this version, the Production Code, albeit loosened somewhat, was still in effect, so the lesbian aspect of the story is incredibly watered down.

Despite a stellar cast that featured Audrey Hepburn, Shirley MacLaine, and James Garner in his film debut, The Children's Hour was mostly panned by critics and a flop at the box office.

Lillian had nothing to do with the production. She had just lost her longtime lover, Dashiell Hammett. She would later edit a collection of his short stories, The Big Knockover. The book featured an introduction by Lillian.

In the 1970s, Lillian wrote and published a series of memoirs. Part of the second book, Pentimento: A Book of Portraits (1973), would be adapted as the 1977 Oscar winning feature film, Julia.

In 1979, Lillian's longtime enemy, writer and critic Mary McCarthy, was being interviewed on PBS' The Dick Cavett Show when she accused Lillian of fabricating her Pentimento memoir, saying "every word she writes is a lie, including 'and' and 'the.'"

Lillian Hellman filed a multi-million dollar defamation lawsuit against McCarthy, Dick Cavett, and PBS. The suit hadn't been settled when Lillian died of a heart attack in 1984 at the age of 79. Her executors decided to drop it.


Quote Of The Day

"Nothing you write, if you hope to be good, will ever come out as you first hoped." - Lillian Hellman


Vanguard Video

Today's video features a 1944 radio play adaptation of Lillian Hellman's classic play, Watch on the Rhine - starring Bette Davis! Enjoy!

Wednesday, June 19, 2013

Notes For June 19th, 2013


This Day In Writing History

On June 19th, 1947, the legendary Indian writer Sir Salman Rushdie was born in Bombay, India. His father was a lawyer turned businessman, his mother a teacher.

Rushdie graduated King's College, Cambridge with a degree in history. He worked in advertising - for two different agencies - before trying his hand at writing.

In 1975, Rushdie published his first book, Grimus, a science fiction / fantasy novel that told the story of Flapping Eagle, a young Indian who receives the gift of immortality after drinking a magic potion.

He then wanders the Earth for 777 years, searching for his sister, who is also immortal. He ends up falling through a hole in the Mediterranean Sea, where he crosses over into a parallel dimension.

There, he arrives at a place called Calf Island, where fellow immortals, tired of the mortal world, live in their own community and sacrifice their freedom to maintain their immortality.

Grimus was pretty much ignored by critics and readers alike, but Rushdie's second novel, Midnight's Children, published in 1981, was a huge success and made him world famous.

The novel won him the Booker Prize that year, as well as the James Tait Black Memorial Prize. Midnight's Children introduced the magic realism style of writing that Rushdie's future works would become famous for.

The main character, Saleem Sinai, is born on August 15th, 1947, at the exact time that India becomes independent. He later discovers that all children born on that date, between 12 and 1AM, are gifted with telepathic powers.

Saleem embarks on a quest to gather together all his fellow telepaths and discover the meaning of their gifts. He then becomes swept up in the famous state of emergency declared by Indira Ghandhi in June of 1975, which would last for almost two years.

During this time, Ghandi suspended elections and civil liberties and granted herself the power to rule by decree. It was one of the most controversial periods in Indian history, where many innocent people were arrested and held without charge.

These political prisoners were subjected to abuse and torture. The government used public and private media outlets for the purposes of propaganda. A notorious family planning initiative forced thousands of men to have vasectomies against their will.

During this period, Saleem Sinai becomes a political prisoner for a time, and Salman Rushdie uses Saleem's ordeal to level scathing criticisms of Indira Ghandhi.

Rushdie's next novel, Shame (1983), dealt with political turmoil in Pakistan. It was followed by The Jaguar Smile (1987). The non-fiction book chronicled Rushdie's experiences with the leftist Sandinista government in Nicaragua during the seventh anniversary of their rise to power.

The Sandinistas were supported by U.S. President Jimmy Carter, but his successor, Ronald Reagan, secretly and illegally financed right-wing Contra guerillas in their attempt to overthrow the Sandinista government.

Nicaragua later won a historic case against the United States at the International Court of Justice, where the U.S. was ordered to pay twelve billion dollars in reparations for undermining Nicaragua's sovereignty.

In 1988, Rushdie published his most famous and most controversial novel, The Satanic Verses. In the dazzling, surreal narrative, two actors, Gibreel Farishta and Saladin Chamcha, are trapped on a hijacked plane during a flight from India to Britain.

The plane explodes over the English Channel, but the two actors are magically saved. Farishta is transformed into the Archangel Gabriel and Chamcha is changed into a devil, both men possibly suffering from multiple personality disorder as the result of their ordeal.

The novel features numerous dream vision narratives. One of these tells the story of how the prophet Muhammad - the founder of Islam - had originally included in the Quran verses of prayer to three Persian pagan goddesses - Allat, Uzza, and Manat.

Muhammad later renounces these verses as the work of Satan and removes them, hence the title The Satanic Verses. Later, one of Muhammad's companions doubts the prophet's divinity and claims to have altered parts of the Quran as Muhammad dictated them to him.

Another narrative tells the story of a fanatical imam who returns from exile to incite the people of his country to revolt, without any regard to their safety.

These narratives provoked great outrage in the Muslim world. The Satanic Verses was banned in most Muslim countries. In the West, Muslim extremists firebombed bookshops selling the novel and held rallies where copies of the book were burned.

Some people associated with translating or publishing the book were attacked and seriously injured or killed; in February 1989, the Ayatollah Ruhollah Khomeini - the spiritual leader of Iran - issued a fatwa condemning The Satanic Verses as "blasphemous against Islam."

The fatwa also called for Salman Rushdie's execution. A bounty was placed on the writer's head, and he was forced to live in hiding for years, under police protection. There were two failed attempts on Rushdie's life, one of them carried out by Hezbollah.

The UK government broke off diplomatic ties with Iran in protest of the fatwa against Salman Rushdie. In 1998, nearly ten years later, Iran, in an attempt to restore diplomatic relations, made a public statement claiming that it would neither support nor hinder assassination attempts on Rushdie.

In 2005, the Ayatollah Ali Khamenei reaffirmed the fatwa and the death sentence of Salman Rushdie. Two years later, the Queen knighted Rushdie for services in literature, angering Muslims around the world. In Pakistan and Malaysia, mass demonstrations took place in protest of Rushdie's knighthood.

In the 20+ years that have passed, Salman Rushdie has written many more great novels. His latest, The Enchantress Of Florence, was published in 2008.

In 2006, in response to the outrage of Muslim extremists over the publication of a series of editorial cartoons satirizing Muhammad in a Danish newspaper, Rushdie signed the manifesto Together Facing The New Totalitarianism, which was published in the French leftist newspaper, Charlie Hebdo.

Death threats continue to be made against Rushdie. In January of 2012, he was scheduled to appear at the Jaipur Literature Festival in India, but had to cancel that appearance and the rest of his Indian tour.

Jaipur police warned Rushdie that hired assassins were planning to kill him either there or at another one of his appearances in India. He later investigated the police reports and concluded that the Jaipur police had deliberately lied to him.

Never one to back down, Salman Rushdie often appears as a discussion panelist on the HBO TV series Real Time With Bill Maher. He is without a doubt one of the world's great writers, as well as a crusader for freedom of expression.


Quote Of The Day

"The idea of the sacred is quite simply one of the most conservative notions in any culture, because it seeks to turn other ideas — uncertainty, progress, change — into crimes." - Salman Rushdie


Vanguard Video

Today's video features Salman Rushdie's appearance on Authors@Google in June of 2008, discussing his most recent novel, The Enchantress Of Florence. Enjoy!


Tuesday, June 18, 2013

Notes For June 18th, 2013


This Day In Writing History

On June 18th, 1903, the legendary French writer Raymond Radiguet was born. He was born in Saint-Maur-des-Fossés, just eight miles away from Paris. Not much is known of his early childhood.

Radiguet's father was a cartoonist, he grew up during World War I, and life on the French home front during the Great War influenced his writing. He started drawing and writing poetry at an early age.


At the age of 16, Raymond Radiguet abandoned his studies at a technical school to pursue his interest in literature. He went to Paris and became associated with the Dadaist and Cubist movements in literature and art.

He contributed to the magazine
Sic, his works appearing alongside those of writers such as Louis Aragon, Andre Breton, and Philippe Soupalt.

The young Radiguet's talent attracted the attention and admiration of legendary French writer and filmmaker Jean Cocteau, who took him on as a protege. Radiguet wrote a book of poetry, Cheeks On Fire, and a play called Pelicans.

However, it was his classic debut novel - written at the age of seventeen - that made him a huge success and an object of controversy. It was called Le Diable au Corps -
The Devil in the Flesh (1923).

The story is set on the French home front during World War I. The narrator is a fifteen-year-old boy who tells the tale of his passionate, tragic affair with a young married woman.


The novel opens with the boy striking up a friendship with Marthe Lancombe, a nineteen-year-old woman about to be married. They both share an admiration for the poet Baudelaire. Soon, the boy is skipping school to help Marthe shop for furniture.

Not long after her wedding, Marthe's soldier husband is sent to the front. The boy, smitten with her, sees his opportunity. Soon, the schoolboy and the lonely young married woman embark on a passionate, but doomed affair. Marthe becomes pregnant, causing a scandal.


The novel created quite a scandal itself. Critics expressed outrage at the novel's glorification of adultery and depiction of adolescent sexuality, but were soon won over by the author's skillfully crafted narrative, written in a sober and objective style.

Raymond Radiguet's prose effectively captures the teenage boy's conflicting emotions - his pride at becoming a man and the pain caused by his lack of maturity and being thrust into a love affair he's really too young to handle.


With the success of The Devil in the Flesh, Raymond Radiguet became the talk of Paris. How could this novel have been penned by an author barely older than his teenage protagonist?

Radiguet was proclaimed a genius. Although he denied it,
The Devil in the Flesh was later revealed to be a semi-autobiographical novel based on Radiguet's real-life affair with an older woman.

A feature film adaptation of Devil In The Flesh would prove to be even more controversial than the novel. Italian director Marco Bellocchio's 1986 film was neither the first nor the last adaptation of Raymond Radiguet's novel.

Definitely the most famous film adaptation, it was the first mainstream feature film where a well-known, mainstream actress (Maruschka Detmers) engaged in uncensored, hardcore sexual acts on screen.
.

While reveling in the success of his debut novel, Raymond Radiguet began writing his next book. Le Bal du Comte d'Orgel - Count d'Orgel's Ball (1924) told the story of a handsome, charming, carefree aristocrat, his wife (the Countess), and his protege, François de Séryeuse.

All three characters become ensnared in a web of adultery, deception, and self-deception, culminating in Count d'Orgel's masquerade ball, where the guests wear masks and later reveal their true selves - in more ways than one.


Count d'Orgel's Ball was also acclaimed by critics and readers alike, but Radiguet never lived to bask in it. Shortly after completing the novel, he contracted typhoid fever. He died in December of 1923 at the age of twenty.

Radiguet's mentor, the great Jean Cocteau, was devastated. While trying to work on his own writing, he plunged into a quagmire of depression and drug addiction. From this despair would come Cocteau's classic novel, Les Enfants Terribles - Terrible Children (1929).

Meanwhile, Count d'Orgel's Ball and other writings by Radiguet, including a second poetry collection, were published posthumously.

One can only imagine what the young genius Raymond Radiguet may have written, had his life not been tragically cut short.


Quote Of The Day

"Listen to me. I have something terrible to tell you. In three days, I am going to be shot by the soldiers of God." - Raymond Radiguet, spoken to Jean Cocteau shortly before his death.


Vanguard Video

Today's video features a clip from the 1947 French feature film adaptation of Raymond Radiguet's classic novel, The Devil in the Flesh, in French with no subtitles. Enjoy!


Monday, June 17, 2013

Our Writers' Publishing Successes



Mel Jacobs

May for June book reviews:

The Guiding Nose of Ulfant Banderoz by Dan Simmons
Solstice by P.J. Hoover 

Bled & Breakfast: An Immortality Bites Mystery by Michelle Rowen
Death was in the Blood by Linda L. Richards
Faith on the Rocks: A Daisy Arthur Mystery by Liesa Malik
Murder in Paris by D-L Nelson

Julie Harthill Clayton

My flash piece, “The Janitor,” is now live at Toasted Cheese
http://tclj.toasted-cheese.com/2013/13-2/clayton.htm

Behlor Santi

My short story, “I Hate You, Lily Snow!” will be published in the upcoming themed issue of Cliterature. It's a literary journal that specializes in women and sexuality. Thanks to Fiction for helping me sculpt this into shape.

Wayne Scheer

My poem, “Skipping Stones,” is up at The Camel Saloon.
http://thecamelsaloon.blogspot.com/2013/06/skipping-stones.html

My flash, “In the Parking Lot,” was selected for Honorable Mention at The Binnnacle's Ultra-Short Writing Competition-2013. ummbinnacle@maine.edu

Sue Ellis

Island: How Islands Transform the World, an entertaining geography written by gifted essayist J. Edward Chamberlin, is up at the Internet Review of Books: http://internetreviewofbooks.blogspot.com/

Ellen Kombiyil

My short fiction, “The Opposite of Gathering,” has been published in Silk Road Review. The editors were wonderful to work with. This piece was first subbed to Fiction as, “A beautiful Death.” Many thanks to the Fiction list who gave me feedback and encouragement. You can read a couple of pages of the story at:
http://silkroad.pacificu.edu/index.html

Sunday, June 16, 2013

This Week's Practice Exercise


Dialog Tells The Story (v.2)

Prepared by: Alex Quisenberry
Reposted on: June 16, 2013

-------------------------

Exercise: In a two-person dialog of no more than 400 words show us as much as you can about the characters' personalities and their situation. Stick to their own words.  Use as little exposition/description as possible.

-------------------------

Listen to people talking. How are their words strung together? Are the speakers aiming for meaning or for effect?  Do they speak formally, in complete sentences and well-thought-out paragraphs, or do they use verbal shortcuts? From their conversation, what can you tell about their moods, their ages, backgrounds, emotional states, their relationships, their personalities, their "stories"?

Well-written dialog puts us with the characters and tells us a lot about them and their situation.

-------------------------

Exercise: In a two-person dialog of no more than 400 words show us as much as you can about the characters' personalities and their situation.  Stick to their own words.  Use as little exposition/description as possible.

-------------------------

In your critique you should aim to tell the author whether you get a clear picture of the two characters through the dialog and explain why. Are the two voices distinct?  What do these characters tell us about themselves and their relationship through their conversation?  Are they believable? Are they interesting?  Can we tell where they are and why they are there?  If it is important to the piece, can we tell the sex and age of these people?  What did you like best about the author's use of dialog?  Do you see room for improvement?




These exercises were written by IWW members and administrators to provide structured practice opportunities for its members. You are welcome to use them for practice as well. Please mention that you found them at the Internet Writing Workshop.

Friday, June 14, 2013

Notes For June 14th, 2013


This Day In Writing History

On June 14th, 1811, the legendary American writer and activist Harriet Beecher Stowe was born. She was born Harriet Elisabeth Beecher in Litchfield, Connecticut. Her mother died when she was five years old.

Harriet and her nine siblings were left to be raised by their father, Hyman Beecher, a Presbyterian minister known for his evangelical fervor. He co-founded the American Temperance Society and preached about the evils of drink.

Beecher was an abolitionist - and a hypocrite. He preached against slavery from the pulpit, but he was also a racist. He was opposed to the forced emancipation of slaves by the federal government, believing that the institution of slavery would eventually die out.

When that time came, he believed that blacks should be repatriated to their African homeland rather than be allowed to live freely in America and integrate with whites. As president of the Lane Theological Seminary in Cincinnati, he refused to admit black students. Fifty white students left the seminary in protest.

Reverend Beecher's virulent racism was not limited to blacks. In 1834, he delivered a fiery anti-Catholic sermon in Boston that was believed to have inspired the burning of a nearby convent.

He also authored a notoriously racist Nativist tract, A Plea for the West, where he urged the federal government to strictly limit immigration or restrict it entirely to protect white Christian (Protestant) Americans from racial and religious undesirables. Sound familiar?

Harriet Beecher determined to become a writer at the age of seven, when she won a school essay contest. After completing her primary education, she enrolled in a progressive school for girls run by her older sister Catharine.

As an educator, Catharine was known for her feminist educational philosophy and her early advocacy for adopting the German kindergarten class for little children into the American public education system.

When she was 21, Harriet moved to Cincinnati to attend her father's seminary. There, she became a member of a writer's group called the Semi-Colon Club, whose membership also included her two sisters.

Another member was one of the seminary's professors, Calvin Stowe, with whom she fell in love. They were married, and she bore him seven children, including twin daughters. Unlike Harriet's father, Calvin was a ferocious abolitionist who called for immediate emancipation - freedom for all slaves.

She shared her husband's convictions, and their home soon became part of the Underground Railroad - the famous secret network of safe houses for fugitive slaves. The escaped slaves would move from house to house as they traveled en route to free states, where slavery was illegal.

In 1850, Congress, bowing to pressure from the South, tried to tighten the screws on the Underground Railroad by passing the Fugitive Slave Act, which made it illegal for people - even those living in free states - to assist fugitive slaves.

The law also compelled local law enforcement to arrest fugitive slaves and provide assistance to the vicious bounty hunters privately hired to track runaway slaves. The free states reacted with outrage to the Fugitive Slave Act, which resulted in gross abuses.

Many free states openly defied it. Several of them passed laws granting personal liberties, including the right to a fair trial, to fugitive slaves. Wisconsin's state Supreme Court declared the Fugitive Slave Act unconstitutional.

The law failed to disrupt the Underground Railroad; by the time it was passed, the network had become far more efficient. After the Act was passed, the Underground Railroad grew as the unjust law inspired scores of moderate abolitionists to become passionate activists.

The passage of the Fugitive Slave Act inspired Harriet Beecher Stowe to do more than just dedicate her home to the Underground Railroad. She wrote to Gamaliel Bailey, editor of the abolitionist magazine The National Era, to tell him that she planned to write a story that would expose average white Americans to the true horrors of slavery.

A year later, the first installment of her novel was published in a serialized format in The National Era. Uncle Tom's Cabin (1851) told the unforgettable story of a kind and noble slave whose faith cannot be broken by the evils of slavery.

The novel opens on a Kentucky farm owned by Arthur and Emily Shelby, who like to think that they're kind to their slaves. But, when he needs money, Arthur has no problem selling two of his slaves without regard to where they might end up.

The slaves in question are Uncle Tom, a wise and compassionate middle-aged man, and Harry, the son of Emily's maid, Eliza. The Shelbys' son George, who looked upon Uncle Tom as a friend and mentor, hates to see him go.

Uncle Tom and Harry are sold to a slave trader and shipped by riverboat down the Mississippi. While on the boat, Uncle Tom strikes up a friendship with Eva, a little white girl. When she falls into the river, he saves her life.

Eva's grateful father, Augustine St. Clare, buys Uncle Tom from the slave trader and takes him to his home in New Orleans. There, the friendship between Uncle Tom and Eva deepens. Sadly, Eva becomes severely ill and dies - but not before sharing her vision of heaven.

Moved by how much Uncle Tom meant to Eva, her father vows to help him become a free man. His racist cousin Ophelia is moved to reject her prejudice against blacks. Unfortunately, Augustine is killed at a tavern, and his wife reneges on his promise to help Uncle Tom. She sells him at auction to Simon Legree, who owns a plantation in Louisiana.

Simon Legree is an evil, perverse, sadistic racist who tortures his male slaves and sexually abuses the women. When Uncle Tom refuses to follow Legree's order to whip another slave, Legree beats him savagely.

The beating fails to break Uncle Tom's spirit or his faith in God. The sight of Uncle Tom reading his bible and comforting other slaves makes Legree's blood boil. Legree determines to break Uncle Tom and nearly succeeds, as the daily horrors of life on the plantation erode the slave's faith and hope.

Just when it appears that Uncle Tom will succumb to hopelessness, he has two visions - one of little Eva and one of Jesus himself. Moved by these visions, Uncle Tom vows to remain a faithful Christian until the day he dies.

He encourages two fellow slaves, Cassy and Emmeline, to run away. Later, when Simon Legree demands that Uncle Tom reveal their whereabouts, he refuses. A furious Legree orders his overseers to beat Uncle Tom to death.

As he lay dying, Uncle Tom forgives the overseers, which inspires them to repent. George Shelby arrives with money to buy Uncle Tom's freedom. Sadly, he is too late. Uncle Tom dies before he can become a free man.

George returns to his parents' farm in Kentucky and frees their slaves, telling them to always remember Uncle Tom's sacrifice and unshakable faith.

That's actually just a bare outline of this classic epic novel. The publication of Uncle Tom's Cabin caused a national uproar. In the North, it was regarded as the bible of abolitionism.

The novel inspired many closet abolitionists to come out and join in the fight against slavery. In the South, the book was regarded as an outrage. It was called utterly false and slanderous - a criminal defamation of the South.

Many Southern writers who supported slavery took to writing literature dedicated to debunking Harriet Beecher Stowe's expose of the horrors of slavery. Their writings were called "Anti-Tom" literature.

This pro-Southern propaganda depicted white Southerners as benevolent supervisors of blacks, who were a helpless, child-like people unable to live without the direct supervision of their white masters.

To defend herself against the South's accusations of slander and defamation, Stowe wrote and published A Key to Uncle Tom's Cabin (1853), a non-fiction book documenting the horrors of slavery that she both witnessed herself and researched.

The book included surprisingly graphic descriptions of the sexual abuse of female slaves, who, in addition to being molested or raped by their white masters and overseers, were also prostituted and forced to "mate" with male slaves to produce offspring that would make a good profit on the auction block.

When Uncle Tom's Cabin first appeared in book form in 1852, it was published in an initial press run of 5,000 copies. That year, it sold 300,000 copies. Its London edition sold 200,000 copies throughout the United Kingdom. It became a hit throughout Europe as well.

Ironically, by the time the Civil War broke out in 1861, the book was out of print in the United States, as Stowe's original publisher had gone out of business. She found another publisher, and when the book was republished in 1862, the demand for copies became huge.

That same year, Harriet Beecher Stowe was invited to Washington D.C. to meet with President Abraham Lincoln, who supposedly said to her, "so you are the little woman who wrote the book that started this great war."

The novel would be adapted many times for the stage, screen, radio, and television.

In the 20th century, Uncle Tom's Cabin courted a new controversy that continues to this day. African-American activists have accused the abolitionist novel of being racist itself, with its racial stereotypes and epithets.

This, like the accusations of racism leveled against Mark Twain's classic novel The Adventures of Huckleberry Finn (1885) comes from a failure to place the novel in its proper historical perspective and consider its overall message.

Although Harriet Beecher Stowe wrote many books, both fiction and non-fiction, none of her other works came close to eclipsing the power and fame of Uncle Tom's Cabin.

During the last 23 years of her life, she lived in Hartford, Connecticut - next door to her friend and fellow writer, Mark Twain. She died in 1896 at the age of 85.

There are two historical landmarks dedicated to her; the Harriet Beecher Stowe House in Hartford, and the Harriet Beecher Stowe House in Brunswick, Maine, where she wrote her classic novel, Uncle Tom's Cabin.

If you would like to download the public domain e-book of Uncle Tom's Cabin, you can find it here at Munseys archive.

If you would like to download the unabridged public domain audiobook, you can find it here at the LibriVox archive.


Quote Of The Day

"The power of fictitious writing, for good as well as for evil, is a thing which ought most seriously to be reflected upon." - Harriet Beecher Stowe


Vanguard Video

Today's video features a 2-part lecture on the history and legacy of Harriet Beecher Stowe's classic novel, Uncle Tom's Cabin by Professor Cyrus Patell of New York University. Enjoy!