I'd like to wish all of you who celebrate it a happy and safe Halloween. As part of the celebration, I recommend reading the classic horror stories of Edgar Allan Poe, H.P. Lovecraft, Washington Irving, and Guy de Maupassant!
This Day In Writing History
On October 30th, 1938, the Mercury Theater radio program, well known for its radio play adaptations of classic literature, presented a production of H.G. Wells' classic science fiction / horror novel, War Of The Worlds, adapted by and starring legendary actor-producer-writer Orson Welles, who co-founded the Mercury Theater company with John Houseman. At the time of the broadcast, Welles was only 23 years old, yet he had already established himself as a renowned stage and radio actor, having starred as the voice of the Shadow on that popular mystery program.
The Mercury Theater program aired on Sunday nights at 8PM. It was common for people to tune in around 8:12PM after the comedy sketch on the Edgar Bergen & Charlie McCarthy show ended and a singer filled out the remaining time. Had these late comers tuned in at the beginning of this particular episode of Mercury Theater, they would have known that what they were listening to was Orson Welles' adaptation of War Of The Worlds. Instead, they thought they were listening to a real newscast describing a Martian invasion of Earth!
The radio play was presented as a mock broadcast. It began with an announcer reading a weather report, then taking listeners to "the Meridian Room in the Hotel Park Plaza in downtown New York, where you will be entertained by the music of Ramon Raquello and his orchestra." After a few minutes of dreadful dance music, an announcer broke in with a news bulletin: a scientist, Professor Farrell of the Mount Jenning Observatory, had detected explosions on Mars. The lame dance music returned, then an announcer broke in again to report that a large meteor had crashed into a farm in Grovers Mills, New Jersey.
Soon, an on-the-spot reporter at the crash site begins describing a monstrous space alien emerging from a large metallic cylinder. "Good heavens!" he cries, "Something's wriggling out of the shadow like a gray snake. Now here's another and another one and another one. They look like tentacles to me ... I can see the thing's body now. It's large, large as a bear. It glistens like wet leather. But that face, it ...it ... ladies and gentlemen, it's indescribable. I can hardly force myself to keep looking at it, it's so awful. The eyes are black and gleam like a serpent. The mouth is kind of V-shaped with saliva dripping from its rimless lips that seem to quiver and pulsate."
The Martians initiate a massive attack, wiping out 7,000 National Guardsmen and lobbing canisters of poison gas across America. The incredibly realistic radio play featured sophisticated sound effects and a first rate cast of actors portraying announcers and other terrified characters. When one announcer character reported that widespread panic had broken out at the crash sites, with thousands of people trying to flee, it wasn't far from the truth. Panic had actually broken out across the country, as perhaps a million people believed that Martians had really attacked the Earth!
In New Jersey, people fleeing in terror caused huge traffic jams on the highways. Others begged police for gas masks to protect them from the Martians' poison gas and pleaded with electric companies to shut off the power so the Martians couldn't see their lights. In Indianapolis, a terrified woman ran into a church during evening services, screaming that New York had been destroyed and warning the congregation that the end of the world had come. After news of the panic reached CBS studio bosses, Orson Welles broke character and went on the air as himself to remind people that they were listening to a radio play.
After the broadcast, the FCC (Federal Communications Commission) investigated the Mercury Theater program and concluded that no laws had been broken. Radio networks promised to be more cautious with their programming in the future. Nevertheless, people were furious that the War Of The Worlds broadcast caused such unnecessary duress. They believed that the broadcast was a Halloween prank played on listeners by Welles and his cast mates. It wasn't, but Welles gave them the impression that it was in his humorous on-air apology:
"This is Orson Welles, ladies and gentlemen, out of character to assure you that The War of the Worlds has no further significance than as the holiday offering it was intended to be. The Mercury Theater's own radio version of dressing up in a sheet and jumping out of a bush and saying boo. Starting now, we couldn't soap all your windows and steal all your garden gates by tomorrow night...so we did the next best thing. We annihilated the world before your very ears, and utterly destroyed the Columbia Broadcasting System. You will be relieved, I hope, to learn that we didn't mean it, and that both institutions are still open for business. So, goodbye everybody, and remember, please, for the next day or so, the terrible lesson you learned tonight. That grinning, glowing, globular invader of your living room is an inhabitant of the pumpkin patch, and if your doorbell rings and nobody's there, that was no Martian. It's Halloween."
Orson Welles feared that his career had been ruined by the controversy, but just the opposite happened. The publicity helped him land a movie contract with RKO Pictures, for whom he would write, direct, and star in what many consider to be the greatest movie ever made - Citizen Kane (1941).
To this day, the 1938 War Of The Worlds broadcast is rightfully considered an old time radio (OTR) classic and is a treasured favorite of OTR enthusiasts like myself.
Quote Of The Day
"Ask not what you can do for your country. Ask what's for lunch." - Orson Welles
Today's video is a six-part presentation featuring the complete 1938 Mercury Theater broadcast of War Of The Worlds. Enjoy!