Showing posts with label arthur miller. Show all posts
Showing posts with label arthur miller. Show all posts

Wednesday, January 22, 2025

Notes For January 22nd, 2025


This Day In Literary History

On January 22nd, 1953, The Crucible, the classic play by the legendary American playwright Arthur Miller, opened on Broadway at the Martin Beck Theatre, now known as the Al Hirschfeld Theatre.

The play, set in the 17th century during the time of the witch hunts in Salem, Massachusetts, is actually a scathing allegorical satire of the modern witch hunt being conducted by the United States government against alleged communists and communist sympathizers at the time the play was written.

The anticommunist witch hunts were conducted by the House Unamerican Activities Committee (HUAC) under the direction of Joseph McCarthy, the notorious Republican Senator from Wisconsin who would later be censured for his outrageous and illegal conduct.

Arthur Miller was inspired to write The Crucible by what happened to his close friend, the legendary film director Elia Kazan, who faced losing his career to the Hollywood Blacklist after he was accused of being a communist.

Brought before the HUAC to testify, Kazan, wishing to avoid the Blacklist, gladly informed on several of his friends, including legendary playwright Lillian Hellman and actor John Garfield.

Kazan avoided the Hollywood Blacklist, but his reputation would take a huge hit. He was, and is to this day, rightfully considered one of the biggest rats of the Blacklist era, a man willing to ruin the lives of others for the sake of his own self interest. Miller didn't speak to him for ten years.

The Crucible opens with Reverend Samuel Parris, the hated minister of Salem's church, praying over his daughter Betty, who had fainted after being caught in the forest allegedly practicing witchcraft along with Parris' niece, 17-year-old Abigail Williams, and some other girls.

John Proctor, an honorable married farmer, enters the room and is left alone with Abigail, who tries unsuccessfully to seduce him. He had an affair with Abigail when she worked as his maid, but he regretted it and ended it.

Reverend John Hale, a respected minister and self-proclaimed expert on the occult, is summoned to look into the incident of alleged witchcraft. Abigail accuses her uncle's slave, Tituba, of being a witch.

Afraid of being hanged and threatened with a beating, Tituba accuses two other women of being witches. Betty awakens, and she and Abigail accuse a list of people of practicing witchcraft.

In the second act, John Proctor's wife, Elizabeth, urges him to expose Abigail as a liar. Proctor tells her that he can't prove that Abigail is lying because they were alone together when she admitted it.

The fact that they were alone together again upsets Elizabeth. Proctor sees her reaction as an accusation that he has resumed his affair with Abigail and they have an argument. Later, the Proctors' new maid, Mary, arrives and tells them that she will be absent while she performs her duties as a newly appointed court official.

Thirty-nine people have now been arrested and charged with witchcraft. John Proctor is furious that the kangaroo court is condemning people to death with no solid evidence of their guilt. Elizabeth makes a prophetic prediction that Abigail will falsely accuse her of witchcraft so she can marry John.

When Elizabeth is later arrested and charged with witchcraft, John tells Mary that she must testify against Abigail, because she can prove that Abigail is a liar. Mary is afraid of testifying for fear that Abigail and her friends will accuse her of being a witch.

Proctor meets Abigail in the woods. She tries to seduce him again, but he pushes her away and demands that she take back her accusation against his wife. She refuses.

In the third act, during the trial, which is presided over by a coldblooded, sadistic, and ignorant judge, Mary is brought in to testify against Abigail, who, along with her friends, puts on an act, pretending to be under a spell.

Finally, Proctor can stand no more. He admits his affair with Abigail and accuses her of being a whore. Elizabeth denies that her husband had an affair in a misguided attempt to save his good name.

Abigail and her friends continue their act, pretending to see a bird that Mary conjured to attack them. Mary, fearful of being accused of witchcraft, then accuses John Proctor of the crime. He's arrested, and Reverend Hale quits the court in protest.

The fourth act begins with Proctor in jail and Reverend Parris revealing to the judge and the deputy governor that his niece Abigail and her friend Mercy are not only liars, but thieves as well.

The authorities are unsympathetic and send Elizabeth to get John to confess to witchcraft to save his life. Elizabeth forgives him for the affair and he agrees to confess, but then he learns that his confession will be nailed to the church for all to see.

This will ruin the names of many innocent people, so John tears up the document and refuses to confess. The play ends with Proctor being taken to the gallows to hang for a crime he didn't commit.

Ironically, a few years after The Crucible debuted on Broadway. Arthur Miller found himself a victim of the very witch hunts he had satirized in his play when in 1956, he applied to have his passport renewed.

Since it was illegal to issue passports to communists, suspected communists, and communist sympathizers, the HUAC took advantage of Miller's passport application to haul him in and make him testify.

The openly leftist Miller told the committee he would testify to his own political activities if they didn't ask him to denounce other people. The chairman agreed, and Miller appeared before the HUAC.

He kept his part of the deal, providing the HUAC with a detailed account of his own political activities. The committee then reneged on the chairman's promise and demanded that he give them the names of friends and colleagues who shared his convictions and participated in similar activities.

He refused to comply. As a result, in May of 1957, a judge found Arthur Miller guilty of contempt of Congress. He was fined $500, (about $5800 in today's money) sentenced to 30 days in jail, blacklisted, and denied a renewal of his passport.

Fortunately, Miller's conviction was overturned on appeal. The appeals court ruled that he had been deliberately misled by the HUAC chairman and tricked into incriminating himself, a violation of the Fifth Amendment.

That wasn't the only dirty trick employed by Senator Joseph McCarthy and the HUAC. Guilt by association was another tactic. If the accused's relatives and / or friends were communists, he was guilty as well, or he would have had nothing to do with them.

Worst of all, when McCarthy could find no evidence to prove his mostly false and slanderous accusations of communism, he simply manufactured it, creating doctored photographs, films, recordings, and documents.

In December of 1954, by a vote of 67-22, McCarthy was censured by the Senate for his unethical and illegal conduct. Though he would continue to perform his general duties as a Senator for the next two and a half years, his political career was over.

Shunned by almost all of his fellow senators, whenever McCarthy gave a speech, the other senators would immediately leave the floor rather than listen to him speak. Stripped of power, humiliated, and haunted by his fate, Joseph McCarthy drank himself to death, dying in May of 1957 at the age of 48.

The House Unamerican Activities Committee was renamed the House Committee on Internal Security in 1969. It would finally be abolished in 1975.


Quote Of The Day

"A play is made by sensing how the forces in life simulate ignorance - you set free the concealed irony, the deadly joke."

- Arthur Miller


Vanguard Video

Today's video features a complete live performance of Arthur Miller's classic play, The Crucible. Enjoy!


Friday, June 21, 2024

Notes For June 21st, 2024


This Day In Literary History

On June 21st, 1956, the legendary American playwright Arthur Miller defied the United States Congress, refusing to inform on his friends and colleagues whom a Congressional committee had suspected of being communists.

At the time of his Congressional hearing, Miller, born in Harlem, New York, in 1915, had established himself as one of America's greatest playwrights. An outspoken liberal who openly supported leftist causes, he was long suspected of being a communist.

No evidence exists to prove that he belonged to the American Communist Party; some biographers have speculated that he may have joined under a pseudonym, but that's pure conjecture.

A Red Scare had swept through the American landscape of the 1950s - the height of the Cold War between the United States and the Soviet Union - infesting the country with fear and paranoia.

The House Unamerican Activities Committee (HUAC), founded by Congress in 1938, was tasked with weeding out suspected communists and communist sympathizers. The committee was notorious for its dubious methods.

To extract confessions from suspected communists, the HUAC, under the direction of Joseph McCarthy, the notorious Republican senator from Wisconsin, would resort to coercion, deception, and false testimony by so-called witnesses.

Another tool in the committee's arsenal was guilt by association - if a defendant's relatives and / or friends were communists, then the defendant must be as well, or he wouldn't associate with them.

Worst of all, when no evidence existed to prove beyond a reasonable doubt the HUAC's mostly false and slanderous accusations of communism, the committee just manufactured it, creating doctored photographs, film footage, tape recordings, and documents.

In those days, a conviction of communism meant not only jail time, but also the blacklisting of the defendant from his trade, the loss of his civil rights, and public ostracism.

During the infamous Hollywood Blacklist, film actors, directors, writers, and producers convicted of being communists or communist sympathizers could not find work after their release from jail.

The Hollywood studios refused to hire convicted or even suspected communists or communist sympathizers, for fear of government interference in the movie business.

Blacklisted actors and directors would have to work in small independent productions or make movies in foreign countries. Blacklisted writers would have to use fronts - impostors pretending to be the authors of their scripts - in order to sell their work in Hollywood.

Three years before he found himself brought before the HUAC, Arthur Miller had written a play inspired by what happened to his friend, legendary filmmaker Elia Kazan.

Brought before the HUAC and accused of being a communist, Kazan, wishing to avoid the Hollywood Blacklist, gladly informed on several of his friends, including legendary playwright / screenwriter Lillian Hellman and actor John Garfield.

Kazan avoided the Blacklist, but his reputation would take a huge hit. He was rightfully considered a loathsome rat willing to ruin the lives of others for the sake of his own self interest. Miller didn't speak to him for ten years.

In his classic play The Crucible (1953), Arthur Miller presented a scathing satirical indictment of the HUAC, likening its hearings to the infamous 17th century Salem witch hunts.

In those trials, innocent lives were also destroyed by false accusations, (of witchcraft) national hysteria, and pompous, self-righteous judges more interested in obtaining confessions than in uncovering the truth and delivering justice.

The Crucible became a huge hit on the Broadway stage and would go on to become Miller's most frequently produced play. It infuriated the HUAC to no end.

So, in 1956, when Miller applied for a renewal of his passport, the HUAC took advantage of the routine request to haul him in for questioning, as it was against the law to issue passports to known or suspected communists.

Having nothing to hide, Miller told the committee that he would gladly provide testimony about his own political beliefs and activities, so long as he was not asked to inform on others.

The chairman agreed, promising that he wouldn't have to inform on others. Miller kept his end of the deal and gave the HUAC an account of his own political activities.

The committee then reneged on the chairman's promise and demanded that Miller give them the names of all of his friends and colleagues who shared in his political beliefs and activities.

He refused to comply, so he was charged with contempt of Congress. His case later came to trial, and in May of 1957, a judge found him guilty.

Miller was fined $500, (the equivalent of about $5000 in today's money) sentenced to thirty days in jail, blacklisted, and of course, denied a renewal of his passport. But his conviction was overturned on appeal.

The Court of Appeals found that he had been deliberately deceived by the HUAC chairman and tricked into incriminating himself, which was a violation of his Fifth Amendment rights.

Arthur Miller's experience with the House Unamerican Activities Committee would haunt him for the rest of his life. Which is why, in the 1970s, he took a personal interest in the famous Barbara Gibbons murder case.

The victim's son, Peter Reilly, was convicted of her murder based on what most people believed was a coerced confession. There was little, if any, actual evidence to prove his guilt.

Miller, believing that Reilly was innocent and had been railroaded by the Connecticut State Police and the state Attorney General who had prosecuted the case, used his celebrity to draw attention to Reilly's plight.

The case reminded Miller of his own railroading by the House Unamerican Activities Committee, which would become the House Committee on Internal Security in 1969 before finally being abolished in 1975.

In December of 1954, by a vote of 67-22, Senator Joseph McCarthy was censured by the Senate for his unethical and illegal conduct. He would continue to perform his general duties as a Senator for the next two and a half years, but his political career was over.

Shunned by almost all his fellow Senators, whenever McCarthy gave a speech on the Senate floor, the other Senators would immediately leave the floor rather than listen to him speak.

A broken man stripped of power, humiliated, and haunted by his fate, McCarthy became a dim shadow of his domineering former self. He drank himself to death, dying in May of 1957 at the age of 48.


Quote Of The Day

"I know that my works are a credit to this nation and I dare say they will endure longer than the McCarran Act."

- Arthur Miller


Vanguard Video

Today's video features a three-part interview with Arthur Miller, where he discusses his classic play The Crucible and his ordeal at the hands of the House Unamerican Activities Committee. Enjoy!

Wednesday, June 21, 2023

Notes For June 21st, 2023


This Day In Literary History

On June 21st, 1956, the legendary American playwright Arthur Miller defied the United States Congress, refusing to inform on his friends and colleagues whom a Congressional committee had suspected of being communists.

At the time of his Congressional hearing, Miller, born in Harlem, New York, in 1915, had established himself as one of America's greatest playwrights. An outspoken liberal who openly supported leftist causes, he was long suspected of being a communist.

No evidence exists to prove that he belonged to the American Communist Party; some biographers have speculated that he may have joined under a pseudonym, but that's pure conjecture.

A Red Scare had swept through the American landscape of the 1950s - the height of the Cold War between the United States and the Soviet Union - infesting the country with fear and paranoia.

The House Unamerican Activities Committee (HUAC), founded by Congress in 1938, was tasked with weeding out suspected communists and communist sympathizers. The committee was notorious for its dubious methods.

To extract confessions from suspected communists, the HUAC, under the direction of Joseph McCarthy, the notorious Republican senator from Wisconsin, would resort to coercion, deception, and false testimony by so-called witnesses.

Another tool in the committee's arsenal was guilt by association - if a defendant's relatives and / or friends were communists, then the defendant must be as well, or he wouldn't associate with them.

Worst of all, when no evidence existed to prove beyond a reasonable doubt the HUAC's mostly false and slanderous accusations of communism, the committee manufactured it, creating doctored photographs, film footage, tape recordings, and documents.

In those days, a conviction of communism meant not only jail time, but also the blacklisting of the defendant from his trade, the loss of his civil rights, and public ostracism.

During the infamous Hollywood Blacklist, actors, directors, writers, and producers convicted of being communists or communist sympathizers could not find work after their release from jail.

The Hollywood studios refused to hire convicted or even suspected communists or communist sympathizers, for fear of government interference in the movie business.

Blacklisted actors and directors would have to work in small independent productions or make movies in foreign countries. Blacklisted writers would have to use fronts - impostors pretending to be the authors of their scripts - in order to sell their work in Hollywood.

Three years before he found himself brought before the HUAC, Arthur Miller had written a play inspired by what happened to his friend, legendary filmmaker Elia Kazan.

Brought before the HUAC and accused of being a communist, Kazan, wishing to avoid the Hollywood Blacklist, gladly informed on several of his friends, including legendary playwright / screenwriter Lillian Hellman and actor John Garfield.

Kazan avoided the Blacklist, but his reputation would take a huge hit. He was rightfully considered a loathsome rat willing to ruin the lives of others for the sake of his own self interest. Miller didn't speak to him for ten years.

In his classic play The Crucible (1953), Arthur Miller presented a scathing satirical indictment of the HUAC, likening its hearings to the infamous 17th century Salem witch hunts.

In those trials, innocent lives were also destroyed by false accusations, (of witchcraft) national hysteria, and pompous, self-righteous judges more interested in obtaining confessions than in uncovering the truth and delivering justice.

The Crucible became a huge hit on the Broadway stage and would go on to become Miller's most frequently produced play. It infuriated the HUAC to no end.

So, in 1956, when Miller applied for a renewal of his passport, the HUAC took advantage of the routine request to haul him in for questioning, as it was against the law to issue passports to known or suspected communists.

Having nothing to hide, Miller told the committee that he would gladly provide testimony about his own political beliefs and activities, so long as he was not asked to inform on others.

The chairman agreed, promising that he wouldn't have to inform on others. Miller kept his end of the deal and gave the HUAC an account of his own political activities.

The committee then reneged on the chairman's promise and demanded that Miller give them the names of all of his friends and colleagues who shared in his political beliefs and activities.

He refused to comply, so he was charged with contempt of Congress. His case later came to trial, and in May of 1957, a judge found him guilty.

Miller was fined $500, (the equivalent of about $5000 in today's money) sentenced to thirty days in jail, blacklisted, and of course, denied a renewal of his passport. But his conviction was overturned on appeal.

The Court of Appeals found that he had been deliberately deceived by the HUAC chairman and tricked into incriminating himself, which was a violation of his Fifth Amendment rights.

Arthur Miller's experience with the House Unamerican Activities Committee would haunt him for the rest of his life. Which is why, in the 1970s, he took a personal interest in the famous Barbara Gibbons murder case.

The victim's son, Peter Reilly, was convicted of her murder based on what most people believed was a coerced confession. There was little, if any, actual evidence to prove his guilt.

Miller, believing that Reilly was innocent and had been railroaded by the Connecticut State Police and the state Attorney General who had prosecuted the case, used his celebrity to draw attention to Reilly's plight.

The case reminded Miller of his own railroading by the House Unamerican Activities Committee, which would become the House Committee on Internal Security in 1969 before being finally abolished in 1975.

In December of 1954, by a vote of 67-22, Senator Joseph McCarthy was censured by the Senate for his unethical and illegal conduct. He would continue to perform his general duties as a Senator for the next two and a half years, but his political career was over.

Shunned by almost all his fellow Senators, whenever McCarthy gave a speech on the Senate floor, the other Senators would immediately leave the floor rather than listen to him speak.

A broken man stripped of power, humiliated, and haunted by his fate, McCarthy became a dim shadow of his domineering former self. He drank himself to death, dying in May of 1957 at the age of 48.


Quote Of The Day

"I know that my works are a credit to this nation and I dare say they will endure longer than the McCarran Act."

- Arthur Miller


Vanguard Video

Today's video features a three-part interview with Arthur Miller, where he discusses his classic play The Crucible and his ordeal at the hands of the House Unamerican Activities Committee. Enjoy!

Tuesday, June 21, 2022

Notes For June 21st, 2022


This Day In Literary History

On June 21st, 1956, the legendary American playwright Arthur Miller defied the United States Congress, refusing to inform on his friends and colleagues whom a Congressional committee had suspected of being communists.

At the time of his Congressional hearing, Miller, born in Harlem, New York, in 1915, had established himself as one of America's greatest playwrights. An outspoken liberal who openly supported leftist causes, he was long suspected of being a communist.

No evidence exists to prove that he belonged to the American Communist Party; some biographers have speculated that he may have joined under a pseudonym, but that's pure conjecture.

A Red Scare had swept through the American landscape of the 1950s - the height of the Cold War between the United States and the Soviet Union - infesting the country with fear and paranoia.

The House Unamerican Activities Committee (HUAC), founded by Congress in 1938, was tasked with weeding out suspected communists and communist sympathizers. The committee became notorious for its dubious methods.

To extract confessions from suspected communists, the HUAC, under the direction of Joseph McCarthy, the notorious Republican senator from Wisconsin, would resort to coercion, deception, and false testimony by so-called witnesses.

Another tool in the committee's arsenal was guilt by association - if a defendant's relatives and / or friends were communists, then the defendant must be as well, or he wouldn't associate with them.

Worst of all, when no evidence existed to prove beyond a reasonable doubt the HUAC's mostly false and slanderous accusations of communism, the committee manufactured it, creating doctored photographs, film footage, tape recordings, and documents.

In those days, being convicted of communism meant not only jail time, but also the blacklisting of the defendant from his trade, the loss of his civil rights, and public ostracism.

During the infamous Hollywood Blacklist, actors, directors, writers, and producers convicted of being communists or communist sympathizers could not find work after their release from jail.

The Hollywood studios refused to hire convicted or even suspected communists or communist sympathizers, for fear of governmental interference in the movie business.

Blacklisted actors and directors would have to work in small independent productions or make movies in foreign countries. Blacklisted writers would have to use fronts - impostors pretending to be the authors of their scripts - in order to sell their work in Hollywood.

Three years before he found himself brought before the HUAC, Arthur Miller had written a play inspired by what happened to his close friend, legendary filmmaker Elia Kazan.

Brought before the HUAC and accused of being a communist, Kazan, wishing to avoid the Hollywood Blacklist, gladly informed on several of his friends, including legendary playwright Lillian Hellman and actor John Garfield.

Kazan avoided the Blacklist, but his reputation would take a huge hit. He was rightfully considered a loathsome rat willing to ruin the lives of others for the sake of his own self interest. Miller didn't speak to him for ten years.

In his classic play The Crucible (1953), Arthur Miller presented a scathing satirical indictment of the HUAC, likening its hearings to the infamous 17th century Salem witch hunts.

In those trials, innocent lives were also destroyed by false accusations, (of witchcraft) national hysteria, and pompous, self-righteous judges more interested in obtaining confessions than in uncovering the truth and delivering justice.

The Crucible became a huge hit on the Broadway stage and would go on to become Miller's most frequently produced play. It infuriated the HUAC to no end.

So, in 1956, when Miller applied for a renewal of his passport, the HUAC took advantage of the routine request to haul him in for questioning, as it was against the law to issue passports to known or suspected communists.

Having nothing to hide, Miller told the committee that he would gladly provide testimony about his own political beliefs and activities, so long as he was not asked to inform on others.

The chairman agreed and promised that he would not have to inform on others. Miller kept his end of the deal and gave the HUAC a detailed account of his own political activities.

The committee then reneged on the chairman's promise and ordered Miller to give them the names of all of his friends and colleagues who shared in his political beliefs and activities.

He refused to comply, so he was charged with contempt of Congress. His case later came to trial, and in May of 1957, a judge found him guilty.

Miller was fined $500, (the equivalent of about $5000 in today's money) sentenced to thirty days in jail, blacklisted, and of course, denied a renewal of his passport. But his conviction was overturned on appeal.

The Court of Appeals found that he had been deliberately deceived by the HUAC chairman and tricked into incriminating himself, which was a violation of his Fifth Amendment rights.

Arthur Miller's experience with the House Unamerican Activities Committee would haunt him for the rest of his life. Which is why, in the 1970s, he took a personal interest in the famous Barbara Gibbons murder case.

The victim's son, Peter Reilly, was convicted of her murder based on what most people believed was a coerced confession. There was little, if any, actual evidence to prove his guilt.

Miller, believing that Reilly was innocent and had been railroaded by the Connecticut State Police and the state Attorney General who had prosecuted the case, used his celebrity to draw attention to Reilly's plight.

The case reminded Miller of his own railroading by the House Unamerican Activities Committee, which would become the House Committee on Internal Security in 1969 and finally be abolished in 1975.

In December of 1954, by a vote of 67-22, Senator Joseph McCarthy was censured by the Senate for his unethical and illegal conduct. He would continue to perform his general duties as a Senator for the next two and a half years, but his political career was over.

Shunned by almost all his fellow Senators, whenever McCarthy gave a speech on the Senate floor, the other Senators would immediately leave the floor rather than listen to him speak.

A broken man haunted by his fate, stripped of power and humiliated, McCarthy became a pale shadow of his domineering former self. He drank himself to death, dying in May of 1957 at the age of 48.


Quote Of The Day

"I know that my works are a credit to this nation and I dare say they will endure longer than the McCarran Act." - Arthur Miller


Vanguard Video

Today's video features a three-part interview with Arthur Miller, where he discusses his classic play The Crucible and his ordeal at the hands of the House Unamerican Activities Committee. Enjoy!

Friday, January 22, 2021

Notes For January 22nd, 2021


This Day In Literary History

On January 22nd, 1953, The Crucible, the classic play by the legendary American playwright Arthur Miller, opened on Broadway at the Martin Beck Theatre, now known as the Al Hirschfeld Theatre.

The play, set in the 17th century during the time of the witch hunts in Salem, Massachusetts, is actually a scathing allegorical satire of the modern witch hunt being conducted by the United States government against alleged communists and communist sympathizers at the time the play was written.

The anticommunist witch hunts were conducted by the House Unamerican Activities Committee (HUAC) under the direction of Joseph McCarthy, the notorious Republican Senator from Wisconsin who would later be censured for his outrageous and illegal conduct.

Arthur Miller was inspired to write The Crucible by what happened to his close friend, the legendary film director Elia Kazan, who faced losing his career to the Hollywood Blacklist after he was accused of being a communist.

Brought before the HUAC to testify, Kazan, wishing to avoid the Blacklist, gladly informed on several of his friends, including legendary playwright Lillian Hellman and actor John Garfield.

Kazan avoided the Hollywood Blacklist, but his reputation would take a huge hit. He was, and is to this day, rightfully considered one of the biggest rats of the Blacklist era, a man willing to ruin the lives of others for the sake of his own self interest. Miller didn't speak to him for ten years.

The Crucible opens with Reverend Samuel Parris, the hated minister of Salem's church, praying over his daughter Betty, who had fainted after being caught in the forest allegedly practicing witchcraft along with Parris' niece, 17-year-old Abigail Williams, and some other girls.

John Proctor, an honorable married farmer, enters the room and is left alone with Abigail, who tries unsuccessfully to seduce him. He had an affair with Abigail when she worked as his maid, but he regretted it and ended it.

Reverend John Hale, a respected minister and self-proclaimed expert on the occult, is summoned to look into the incident of alleged witchcraft. Abigail accuses her uncle's slave, Tituba, of being a witch.

Afraid of being hanged and threatened with a beating, Tituba accuses two other women of being witches. Betty awakens, and she and Abigail accuse a list of people of practicing witchcraft.

In the second act, John Proctor's wife, Elizabeth, urges him to expose Abigail as a liar. Proctor tells her that he can't prove that Abigail is lying because they were alone together when she admitted it.

The fact that they were alone together again upsets Elizabeth. Proctor sees her reaction as an accusation that he has resumed his affair with Abigail and they have an argument. Later, the Proctors' new maid, Mary, arrives and tells them that she will be absent while she performs her duties as a newly appointed court official.

Thirty-nine people have now been arrested and charged with witchcraft. John Proctor is furious that the kangaroo court is condemning people to death with no solid evidence of their guilt. Elizabeth makes a prophetic prediction that Abigail will falsely accuse her of witchcraft so she can marry John.

When Elizabeth is later arrested and charged with witchcraft, John tells Mary that she must testify against Abigail, because she can prove that Abigail is a liar. Mary is afraid of testifying for fear that Abigail and her friends will accuse her of being a witch.

Proctor meets Abigail in the woods. She tries to seduce him again, but he pushes her away and demands that she take back her accusation against his wife. She refuses.

In the third act, during the trial, which is presided over by a coldblooded, sadistic, and ignorant judge, Mary is brought in to testify against Abigail, who, along with her friends, puts on an act, pretending to be in the throes of a spell.

Finally, Proctor can stand no more. He admits his affair with Abigail and accuses her of being a whore. Elizabeth denies that her husband had an affair in a misguided attempt to save his good name.

Abigail and her friends continue their act, pretending to see a bird that Mary conjured to attack them. Mary, fearful of being accused of witchcraft, then accuses John Proctor of the crime. He's arrested, and Reverend Hale quits the court in protest.

The fourth act begins with Proctor in jail and Reverend Parris revealing to the judge and the deputy governor that his niece Abigail and her friend Mercy are not only liars, but thieves as well.

The authorities are unsympathetic and send Elizabeth to get John to confess to witchcraft to save his life. Elizabeth forgives him for the affair and he agrees to confess, but then he learns that his confession will be nailed to the church for all to see.

This will ruin the names of many innocent people, so John tears up the document and refuses to confess. The play ends with Proctor being taken to the gallows to hang for a crime he didn't commit.

Ironically, a few years after The Crucible debuted on Broadway. Arthur Miller found himself a victim of the very witch hunts he had satirized in his play when in 1956, he applied to have his passport renewed.

Since it was illegal to issue passports to communists, suspected communists, and communist sympathizers, the HUAC took advantage of Miller's passport application to subpoena him and make him testify about his political activities.

The openly leftist Miller told the committee he would testify to his own political activities if they didn't ask him to denounce other people. The chairman agreed, and Miller appeared before the HUAC.

He kept his part of the deal, providing the HUAC with a detailed account of his own political activities. The committee then reneged on the chairman's promise and demanded that he give them the names of friends and colleagues who shared his convictions and participated in similar activities.

He refused to comply. As a result, in May of 1957, a judge found Arthur Miller guilty of contempt of Congress. He was fined $500, (about $4700 in today's money) sentenced to 30 days in jail, blacklisted, and denied a renewal of his passport.

Fortunately, Miller's conviction was overturned on appeal. The appeals court ruled that he had been deliberately misled by the HUAC chairman and tricked into incriminating himself, a violation of his fifth amendment rights.

That wasn't the only dirty trick employed by Senator Joseph McCarthy and the HUAC. Guilt by association was another tactic. If the accused's relatives and / or friends were communists, he was guilty as well, or he would have had nothing to do with them.

Worst of all, when McCarthy could find no evidence to prove his mostly false and slanderous accusations of communism, he simply manufactured it, creating doctored photographs, films, and recordings.

In December of 1954, by a vote of 67-22, McCarthy was censured by the Senate for his unethical and illegal conduct. Though he would continue to perform his general duties as a Senator for the next two and a half years, his political career was over.

Shunned by almost all of his fellow senators, whenever McCarthy gave a speech, the other senators would immediately leave the floor rather than listen to him speak. Stripped of power, humiliated, and haunted by his fate, Joseph McCarthy drank himself to death, dying in May of 1957 at the age of 48.

The House Unamerican Activities Committee was renamed the House Committee on Internal Security in 1969. It would finally be abolished in 1975.


Quote Of The Day

"A play is made by sensing how the forces in life simulate ignorance - you set free the concealed irony, the deadly joke." - Arthur Miller


Vanguard Video

Today's video features a complete live performance of Arthur Miller's classic play, The Crucible. Enjoy!


Wednesday, January 22, 2020

Notes For January 22nd, 2020


This Day In Literary History

On January 22nd, 1953, The Crucible, the classic play by the legendary American playwright Arthur Miller, opened on Broadway at the Martin Beck Theatre, now known as the Al Hirschfeld Theatre.

The play, set in the 17th century during the time of the witch hunts in Salem, Massachusetts, is actually a scathing allegorical satire of the modern witch hunt being conducted by the United States government against alleged communists and communist sympathizers at the time the play was written.

The anticommunist witch hunts were conducted by the House Unamerican Activities Committee (HUAC) under the direction of Joseph McCarthy, the notorious Republican Senator from Wisconsin who would later be censured for his outrageous and illegal conduct.

Arthur Miller was inspired to write The Crucible by what happened to his close friend, the legendary film director Elia Kazan, who faced losing his career to the Hollywood Blacklist after he was accused of being a communist.

Brought before the HUAC to testify, Kazan, wishing to avoid being blacklisted, informed on several of his friends, including legendary playwright Lillian Hellman and actor John Garfield.

Kazan avoided the Hollywood Blacklist, but his reputation would take a huge hit. He was, and is to this day, rightfully considered one of the biggest rats of the Blacklist era, a man willing to ruin the lives of others for the sake of his own self interest. Miller didn't speak to him for ten years.

The Crucible opens with Reverend Samuel Parris, the hated minister of Salem's church, praying over his daughter Betty, who had fainted after being caught in the forest allegedly practicing witchcraft along with Parris' niece, 17-year-old Abigail Williams, and some other girls.

John Proctor, an honorable married farmer, enters the room and is left alone with Abigail, who tries unsuccessfully to seduce him. He had an affair with Abigail when she worked as his maid, but he regretted it and ended it.

Reverend John Hale, a respected minister and self-proclaimed expert on the occult, is summoned to look into the incident of alleged witchcraft. Abigail accuses her uncle's slave, Tituba, of being a witch.

Afraid of being hanged and threatened with a beating, Tituba accuses two other women of being witches. Betty awakens, and she and Abigail accuse a list of people of practicing witchcraft.

In the second act, John Proctor's wife, Elizabeth, urges him to expose Abigail as a liar. Proctor tells her that he can't prove that Abigail is lying because they were alone together when she admitted it.

The fact that they were alone together again upsets Elizabeth. Proctor sees her reaction as an accusation that he has resumed his affair with Abigail and they have an argument. Later, the Proctors' new maid, Mary, arrives and tells them that she will be absent while she performs her duties as a newly appointed court official.

Thirty-nine people have now been arrested and charged with witchcraft. John Proctor is furious that the kangaroo court is condemning people to death with no solid evidence of their guilt. Elizabeth makes a prophetic prediction that Abigail will falsely accuse her of witchcraft so she can marry John.

When Elizabeth is later arrested and charged with witchcraft, John tells Mary that she must testify against Abigail, because she can prove that Abigail is a liar. Mary is afraid of testifying for fear that Abigail and her friends will accuse her of being a witch.

Proctor meets Abigail in the woods. She tries to seduce him again, but he pushes her away and demands that she take back her accusation against his wife. She refuses.

In the third act, during the trial, which is presided over by a coldblooded, sadistic, and ignorant judge, Mary is brought in to testify against Abigail, who, along with her friends, puts on an act, pretending to be in the throes of a spell.

Finally, Proctor can stand no more. He admits his affair with Abigail and accuses her of being a whore. Elizabeth denies that her husband had an affair in a misguided attempt to save his good name.

Abigail and her friends continue their act, pretending to see a bird that Mary conjured to attack them. Mary, fearful of being accused of witchcraft, then accuses John Proctor of the crime. He's arrested, and Reverend Hale quits the court in protest.

The fourth act begins with Proctor in jail and Reverend Parris revealing to the judge and the deputy governor that his niece Abigail and her friend Mercy are not only liars, but thieves as well.

The authorities are unsympathetic and send Elizabeth to get John to confess to witchcraft to save his life. Elizabeth forgives him for the affair and he agrees to confess, but then he learns that his confession will be nailed to the church for all to see.

This will ruin the names of many innocent people, so John tears up the document and refuses to confess. The play ends with Proctor being taken to the gallows to hang for a crime he didn't commit.

Ironically, a few years after The Crucible debuted on Broadway. Arthur Miller found himself a victim of the very witch hunts he had satirized in his play when in 1956, he applied to have his passport renewed.

Since it was illegal to issue passports to communists, suspected communists, and communist sympathizers, the HUAC took advantage of Miller's passport application to subpoena him and make him testify about his political activities.

The openly leftist Miller told the committee he would testify to his own political activities if they didn't ask him to denounce other people. The chairman agreed, and Miller appeared before the HUAC.

He kept his part of the deal, providing the HUAC with a detailed account of his own political activities. The committee then reneged on the chairman's promise and demanded that he give them the names of friends and colleagues who shared his convictions and participated in similar activities.

He refused to comply. As a result, in May of 1957, a judge found Arthur Miller guilty of contempt of Congress. He was fined $500, (about $4700 in today's money) sentenced to 30 days in jail, blacklisted, and denied a renewal of his passport.

Fortunately, Miller's conviction was overturned on appeal. The appeals court ruled that he had been deliberately misled by the HUAC chairman and tricked into incriminating himself, a violation of his fifth amendment rights.

That wasn't the only dirty trick employed by Senator Joseph McCarthy and the HUAC. Guilt by association was another tactic. If the accused's relatives and / or friends were communists, he was guilty as well, or he would have had nothing to do with them.

Worst of all, when McCarthy could find no evidence to prove his mostly false and slanderous accusations of communism, he simply manufactured it, creating doctored photographs, films, and recordings.

In December of 1954, by a vote of 67-22, McCarthy was censured by the Senate for his unethical and illegal conduct. Though he would continue to perform his general duties as a Senator for the next two and a half years, his political career was over.

Shunned by almost all of his fellow senators, whenever McCarthy gave a speech, the other senators would immediately leave the floor rather than listen to him speak. Stripped of power, humiliated, and haunted by his fate, Joseph McCarthy drank himself to death, dying in May of 1957 at the age of 48.

The House Unamerican Activities Committee was renamed the House Committee on Internal Security in 1969. It would finally be abolished in 1975.


Quote Of The Day

"A play is made by sensing how the forces in life simulate ignorance - you set free the concealed irony, the deadly joke." - Arthur Miller


Vanguard Video

Today's video features a complete live performance of Arthur Miller's classic play, The Crucible. Enjoy!


Friday, June 21, 2019

Notes For June 21st, 2019


This Day In Literary History

On June 21st, 1956, the legendary American playwright Arthur Miller defied the United States Congress, refusing to inform on his friends and colleagues whom a Congressional committee had suspected of being communists.

At the time of his Congressional hearing, Miller, born in Harlem, New York, in 1915, had established himself as one of America's greatest playwrights. An outspoken liberal who openly supported leftist causes, he was long suspected of being a communist.

No evidence exists to prove that he belonged to the American Communist Party; some biographers have speculated that he may have joined under a pseudonym, but that's pure conjecture.

A Red Scare had swept through the American landscape of the 1950s - the height of the Cold War between the United States and the Soviet Union - infesting the country with fear and paranoia.

The House Unamerican Activities Committee (HUAC), founded by Congress in 1938, was tasked with weeding out suspected communists and communist sympathizers. The committee became notorious for its dubious methods.

To extract confessions from suspected communists, the HUAC, under the direction of Joseph McCarthy, the notorious Republican senator from Wisconsin, would resort to coercion, deception, and false testimony by so-called witnesses.

Another tool in the committee's arsenal was guilt by association - if a defendant's relatives and / or friends were communists, then the defendant must be as well, or he wouldn't associate with them.

Worst of all, when no evidence existed to prove beyond a reasonable doubt the HUAC's mostly false and slanderous accusations of communism, the committee manufactured it, creating doctored photographs, film footage, tape recordings, and documents.

In those days, being convicted of communism meant not only jail time, but also the blacklisting of the defendant from his trade, the loss of his civil rights, and public ostracism.

During the infamous Hollywood Blacklist, actors, directors, writers, and producers convicted of being communists or communist sympathizers could not find work after their release from jail.

The Hollywood studios refused to hire convicted or even suspected communists or communist sympathizers, for fear of governmental interference in the movie business.

Blacklisted actors and directors would have to work in small independent productions or make movies in foreign countries. Blacklisted writers would have to use fronts - impostors pretending to be the authors of their scripts - in order to sell their work in Hollywood.

Three years before he found himself brought before the HUAC, Arthur Miller had written a play inspired by what happened to his close friend, legendary filmmaker Elia Kazan.

Brought before the HUAC and accused of being a communist, Kazan, wishing to avoid the Hollywood Blacklist, gladly informed on several of his friends, including legendary playwright Lillian Hellman and actor John Garfield.

Kazan avoided the Blacklist, but his reputation would take a huge hit. He was rightfully considered a loathsome rat willing to ruin the lives of others for the sake of his own self interest. Miller didn't speak to him for ten years.

In his classic play The Crucible (1953), Arthur Miller presented a scathing satirical indictment of the HUAC, likening its hearings to the infamous 17th century Salem witch hunts.

In those trials, innocent lives were also destroyed by false accusations, (of witchcraft) national hysteria, and pompous, self-righteous judges more interested in obtaining confessions than in uncovering the truth and delivering justice.

The Crucible became a huge hit on the Broadway stage and would go on to become Miller's most frequently produced play. It infuriated the HUAC to no end.

So, in 1956, when Miller applied for a renewal of his passport, the HUAC took advantage of the routine request to haul him in for questioning, as it was against the law to issue passports to known or suspected communists.

Having nothing to hide, Miller told the committee that he would gladly provide testimony about his own political beliefs and activities, so long as he was not asked to inform on others.

The chairman agreed and promised that he would not have to inform on others. Miller kept his end of the deal and gave the HUAC a detailed account of his own political activities.

The committee then reneged on the chairman's promise and ordered Miller to give them the names of all of his friends and colleagues who shared in his political beliefs and activities.

He refused to comply, so he was charged with contempt of Congress. His case later came to trial, and in May of 1957, a judge found him guilty.

Miller was fined $500, (the equivalent of almost $5000 in today's money) sentenced to thirty days in jail, blacklisted, and of course, denied a renewal of his passport. Fortunately, his conviction was overturned on appeal.

The Court of Appeals found that he had been deliberately deceived by the HUAC chairman and tricked into incriminating himself, which was a violation of his Fifth Amendment rights.

Arthur Miller's experience with the House Unamerican Activities Committee would haunt him for the rest of his life. Which is why, in the 1970s, he took a personal interest in the famous Barbara Gibbons murder case.

The victim's son, Peter Reilly, was convicted of her murder based on what most people believed was a coerced confession. There was little, if any, actual evidence to prove his guilt.

Miller, believing that Reilly was innocent and had been railroaded by the Connecticut State Police and the state Attorney General who had prosecuted the case, used his celebrity to draw attention to Reilly's plight.

The case reminded Miller of his own railroading by the House Unamerican Activities Committee, which would become the House Committee on Internal Security in 1969 and finally be abolished in 1975.

In December of 1954, by a vote of 67-22, Senator Joseph McCarthy was censured by the Senate for his unethical and illegal conduct. Though he would continue to perform his general duties as a Senator for the next two and a half years, his political career was over.

Shunned by almost all his fellow Senators, whenever McCarthy gave a speech on the Senate floor, the other Senators would immediately leave the floor rather than listen to him speak.

A broken man haunted by his fate, McCarthy became a pale shadow of his domineering former self. He drank himself to death, dying in May of 1957 at the age of 48.


Quote Of The Day

"I know that my works are a credit to this nation and I dare say they will endure longer than the McCarran Act." - Arthur Miller


Vanguard Video

Today's video features a three-part interview with Arthur Miller, where he discusses his classic play The Crucible and his ordeal at the hands of the House Unamerican Activities Committee. Enjoy!

Tuesday, January 22, 2019

Notes for January 22nd, 2019


This Day In Literary History

On January 22nd, 1953, The Crucible, the classic play by the legendary American playwright Arthur Miller, opened on Broadway at the Martin Beck Theatre, now known as the Al Hirschfeld Theatre.

The play, set in the 17th century during the time of the witch hunts in Salem, Massachusetts, is actually a scathing allegorical satire of the modern witch hunt being conducted by the United States government against alleged communists and communist sympathizers at the time the play was written.

The anticommunist witch hunts were conducted by the House Unamerican Activities Committee (HUAC) under the direction of Joseph McCarthy, the notorious Republican Senator from Wisconsin who would later be censured for his outrageous and illegal conduct.

Arthur Miller was inspired to write The Crucible by what happened to his close friend, the legendary film director Elia Kazan, who faced losing his career to the Hollywood Blacklist after he was accused of being a communist.

Brought before the HUAC to testify, Kazan, wishing to avoid being blacklisted, informed on several of his friends, including legendary playwright Lillian Hellman and actor John Garfield.

Kazan avoided the Hollywood Blacklist, but his reputation would take a huge hit. He was, and is to this day, rightfully considered one of the biggest rats of the Blacklist era, a man willing to ruin the lives of others for the sake of his own self interest. Miller didn't speak to him for ten years.

The Crucible opens with Reverend Samuel Parris, the hated minister of Salem's church, praying over his daughter Betty, who had fainted after being caught in the forest allegedly practicing witchcraft along with Parris' niece, 17-year-old Abigail Williams, and some other girls.

John Proctor, an honorable married farmer, enters the room and is left alone with Abigail, who tries unsuccessfully to seduce him. He had an affair with Abigail when she worked as his maid, but he regretted it and ended it.

Reverend John Hale, a respected minister and self-proclaimed expert on the occult, is summoned to look into the incident of alleged witchcraft. Abigail accuses her uncle's slave, Tituba, of being a witch.

Afraid of being hanged and threatened with a beating, Tituba accuses two other women of being witches. Betty awakens, and she and Abigail accuse a list of people of practicing witchcraft.

In the second act, John Proctor's wife, Elizabeth, urges him to expose Abigail as a liar. Proctor tells her that he can't prove that Abigail is lying because they were alone together when she admitted it.

The fact that they were alone together again upsets Elizabeth. Proctor sees her reaction as an accusation that he has resumed his affair with Abigail and they have an argument. Later, the Proctors' new maid, Mary, arrives and tells them that she will be absent while she performs her duties as a newly appointed court official.

Thirty-nine people have now been arrested and charged with witchcraft. John Proctor is furious that the kangaroo court is condemning people to death with no solid evidence of their guilt. Elizabeth makes a prophetic prediction that Abigail will falsely accuse her of witchcraft so she can marry John.

When Elizabeth is later arrested and charged with witchcraft, John tells Mary that she must testify against Abigail, because she can prove that Abigail is a liar. Mary is afraid of testifying for fear that Abigail and her friends will accuse her of being a witch.

Proctor meets Abigail in the woods. She tries to seduce him again, but he pushes her away and demands that she take back her accusation against his wife. She refuses.

In the third act, during the trial, which is presided over by a coldblooded, sadistic, and ignorant judge, Mary is brought in to testify against Abigail, who, along with her friends, puts on an act, pretending to be in the throes of a spell.

Finally, Proctor can stand no more. He admits his affair with Abigail and accuses her of being a whore. Elizabeth denies that her husband had an affair in a misguided attempt to save his good name.

Abigail and her friends continue their act, pretending to see a bird that Mary conjured to attack them. Mary, fearful of being accused of witchcraft, then accuses John Proctor of the crime. He's arrested, and Reverend Hale quits the court in protest.

The fourth act begins with Proctor in jail and Reverend Parris revealing to the judge and the deputy governor that his niece Abigail and her friend Mercy are not only liars, but thieves as well.

The authorities are unsympathetic and send Elizabeth to get John to confess to witchcraft to save his life. Elizabeth forgives him for the affair and he agrees to confess, but then he learns that his confession will be nailed to the church for all to see.

This will ruin the names of many innocent people, so John tears up the document and refuses to confess. The play ends with Proctor being taken to the gallows to hang for a crime he didn't commit.

Ironically, a few years after The Crucible debuted on Broadway. Arthur Miller found himself a victim of the very witch hunts he had satirized in his play when in 1956, he applied to have his passport renewed.

Since it was illegal to issue passports to communists, suspected communists, and communist sympathizers, the HUAC took advantage of Miller's passport application to subpoena him and make him testify about his political activities.

The openly leftist Miller told the committee he would testify to his own political activities if they didn't ask him to denounce other people. The chairman agreed, and Miller appeared before the HUAC.

He kept his part of the deal, providing the HUAC with a detailed account of his own political activities. The committee then reneged on the chairman's promise and demanded that he give them the names of friends and colleagues who shared his convictions and participated in similar activities.

He refused to comply. As a result, in May of 1957, a judge found Arthur Miller guilty of contempt of Congress. He was fined $500, sentenced to 30 days in jail, blacklisted, and denied a renewal of his passport.

Fortunately, Miller's conviction was overturned on appeal. The appeals court ruled that he had been deliberately misled by the HUAC chairman and tricked into incriminating himself, a violation of his fifth amendment rights.

That wasn't the only dirty trick employed by Senator Joseph McCarthy and the HUAC. Guilt by association was another tactic. If the accused's relatives and / or friends were communists, he was guilty as well, or he would have had nothing to do with them.

Worst of all, when McCarthy could find no evidence to prove his mostly false and slanderous accusations of communism, he simply manufactured it, creating doctored photographs, films, and recordings.

In December of 1954, by a vote of 67-22, McCarthy was censured by the Senate for his unethical and illegal conduct. Though he would continue to perform his general duties as a Senator for the next two and a half years, his political career was over.

Shunned by almost all of his fellow Senators, whenever McCarthy gave a speech, the other Senators would immediately leave the floor rather than listen to him speak. Stripped of power, humiliated, and haunted by his fate, Joseph McCarthy drank himself to death, dying in May of 1957 at the age of 48.

The House Unamerican Activities Committee was renamed the House Committee on Internal Security in 1969. It would finally be abolished in 1975.


Quote Of The Day

"A play is made by sensing how the forces in life simulate ignorance - you set free the concealed irony, the deadly joke." - Arthur Miller


Vanguard Video

Today's video features a complete live performance of Arthur Miller's classic play, The Crucible. Enjoy!


Thursday, June 21, 2018

Notes For June 21st, 2018


This Day In Literary History

On June 21st, 1956, the legendary American playwright Arthur Miller defied the United States Congress, refusing to inform on his friends and colleagues whom a Congressional committee had suspected of being communists.

At the time of his Congressional hearing, Miller, born in Harlem, New York, in 1915, had established himself as one of America's greatest playwrights. An outspoken liberal who openly supported leftist causes, he was long suspected of being a communist.

No evidence exists to prove that he belonged to the American Communist Party; some biographers have speculated that he may have joined under a pseudonym, but that's pure conjecture.

A Red Scare had swept through the American landscape of the 1950s - the height of the Cold War between the United States and the Soviet Union - infesting the country with fear and paranoia.

The House Unamerican Activities Committee (HUAC), founded by Congress in 1938, was tasked with weeding out suspected communists and communist sympathizers. The committee became notorious for its dubious methods.

To extract confessions from suspected communists, the HUAC, under the direction of Joseph McCarthy, the notorious Republican senator from Wisconsin, would resort to coercion, deception, and false testimony by so-called witnesses.

Another tool in the committee's arsenal was guilt by association - if a defendant's relatives and / or friends were communists, then the defendant must be as well, or he wouldn't associate with them.

Worst of all, when no evidence existed to prove beyond a reasonable doubt the HUAC's mostly false and slanderous accusations of communism, the committee manufactured it, creating doctored photographs, film footage, tape recordings, and documents.

In those days, being convicted of communism meant not only jail time, but also the blacklisting of the defendant from his trade, the loss of his civil rights, and public ostracism.

During the infamous Hollywood Blacklist, actors, directors, writers, and producers convicted of being communists or communist sympathizers could not find work after their release from jail.

The Hollywood studios refused to hire convicted or even suspected communists or communist sympathizers, for fear of governmental interference in the movie business.

Blacklisted actors and directors would have to work in small independent productions or make movies in foreign countries. Blacklisted writers would have to use fronts - impostors pretending to be the authors of their scripts - in order to sell their work in Hollywood.

Three years before he found himself brought before the HUAC, Arthur Miller had written a play inspired by what happened to his close friend, legendary filmmaker Elia Kazan.

Brought before the HUAC and accused of being a communist, Kazan, wishing to avoid the Hollywood Blacklist, gladly informed on several of his friends, including legendary playwright Lillian Hellman and actor John Garfield.

Kazan avoided the Blacklist, but his reputation would take a huge hit. He was rightfully considered a loathsome rat willing to ruin the lives of others for the sake of his own self interest. Miller didn't speak to him for ten years.

In his classic play The Crucible (1953), Arthur Miller presented a scathing satirical indictment of the HUAC, likening its hearings to the infamous 17th century Salem witch hunts.

In those trials, innocent lives were also destroyed by false accusations, (of witchcraft) national hysteria, and pompous, self-righteous judges more interested in obtaining confessions than in uncovering the truth and delivering justice.

The Crucible became a huge hit on the Broadway stage and would go on to become Miller's most frequently produced play. It infuriated the HUAC to no end.

So, in 1956, when Miller applied for a renewal of his passport, the HUAC took advantage of the routine request to haul him in for questioning, as it was against the law to issue passports to known or suspected communists.

Having nothing to hide, Miller told the committee that he would gladly provide testimony about his own political beliefs and activities, so long as he was not asked to inform on others.

The chairman agreed and promised that he would not have to inform on others. Miller kept his end of the deal and gave the HUAC a detailed account of his own political activities.

The committee then reneged on the chairman's promise and ordered Miller to give them the names of all of his friends and colleagues who shared in his political beliefs and activities.

He refused to comply, so he was charged with contempt of Congress. His case later came to trial, and in May of 1957, a judge found him guilty.

Miller was fined $500, sentenced to thirty days in jail, blacklisted, and of course, denied a renewal of his passport. Fortunately, his conviction was overturned on appeal.

The Court of Appeals found that he had been deliberately deceived by the HUAC chairman and tricked into incriminating himself, which was a violation of his Fifth Amendment rights.

Arthur Miller's experience with the House Unamerican Activities Committee would haunt him for the rest of his life. Which is why, in the 1970s, he took a personal interest in the famous Barbara Gibbons murder case.

The victim's son, Peter Reilly, was convicted of her murder based on what most people believed was a coerced confession. There was little, if any, actual evidence to prove his guilt.

Miller, believing that Reilly was innocent and had been railroaded by the Connecticut State Police and the state Attorney General who had prosecuted the case, used his celebrity to draw attention to Reilly's plight.

The case reminded Miller of his own railroading by the House Unamerican Activities Committee, which would become the House Committee on Internal Security in 1969 and finally be abolished in 1975.

In December of 1954, by a vote of 67-22, Senator Joseph McCarthy was censured by the Senate for his unethical and illegal conduct. Though he would continue to perform his general duties as a Senator for the next two and a half years, his political career was over.

Shunned by almost all his fellow Senators, whenever McCarthy gave a speech on the Senate floor, the other Senators would immediately leave the floor rather than listen to him speak.

A broken man haunted by his fate, McCarthy became a pale shadow of his domineering former self. He drank himself to death, dying in May of 1957 at the age of 48.


Quote Of The Day

"I know that my works are a credit to this nation and I dare say they will endure longer than the McCarran Act." - Arthur Miller


Vanguard Video

Today's video features a three-part interview with Arthur Miller, where he discusses his classic play The Crucible and his ordeal at the hands of the House Unamerican Activities Committee. Enjoy!

Wednesday, June 21, 2017

Notes For June 21st, 2017


This Day In Literary History

On June 21st, 1956, the legendary American playwright Arthur Miller defied the United States Congress, refusing to inform on his friends and colleagues whom a Congressional committee had suspected of being communists.

At the time of his Congressional hearing, Miller, born in Harlem, New York, in 1915, had established himself as one of America's greatest playwrights. An outspoken liberal who openly supported leftist causes, he was long suspected of being a communist.

No evidence exists to prove that he belonged to the American Communist Party; some biographers have speculated that he may have joined under a pseudonym, but that's pure conjecture.

A Red Scare had swept through the American landscape of the 1950s - the height of the Cold War between the United States and the Soviet Union - infesting the country with fear and paranoia.

The House Unamerican Activities Committee (HUAC), founded by Congress in 1938, was tasked with weeding out suspected communists and communist sympathizers. The committee became notorious for its dubious methods.

To extract confessions from suspected communists, the HUAC, under the direction of Joseph McCarthy, the notorious Republican senator from Wisconsin, would resort to coercion, deception, and false testimony by so-called witnesses.

Another tool in the committee's arsenal was guilt by association - if a defendant's relatives and / or friends were communists, then the defendant must be as well, or he wouldn't associate with them.

Worst of all, when no evidence existed to prove beyond a reasonable doubt the HUAC's mostly false and slanderous accusations of communism, the committee simply manufactured it.

In those days, being convicted of communism meant not only jail time, but also the blacklisting of the defendant from his trade, the loss of his civil rights, and public ostracism.

During the infamous Hollywood Blacklist, actors, directors, writers, and producers convicted of being communists or communist sympathizers could not find work after their release from jail.

The Hollywood studios refused to hire convicted or even suspected communists or communist sympathizers, for fear of governmental interference in the movie business.

Blacklisted actors and directors would have to work in small independent productions or make movies in foreign countries. Blacklisted writers would have to use fronts - impostors pretending to be them - to sell their works in Hollywood.

Three years before he found himself brought before the HUAC, Arthur Miller had written a play inspired by what happened to his close friend, legendary filmmaker Elia Kazan.

Brought before the HUAC and accused of being a communist, Kazan, wishing to avoid the Hollywood Blacklist, informed on several of his friends, including legendary playwright Lillian Hellman and actor John Garfield.

Kazan avoided the Blacklist, but his reputation would take a huge hit. He was rightfully considered a rat willing to ruin the lives of others for the sake of his own self interest. Miller didn't speak to him for ten years.

In his classic play The Crucible (1953), Arthur Miller presented a scathing satirical indictment of the HUAC, likening its hearings to the infamous 17th century Salem witch hunts.

In those trials, innocent lives were also destroyed by false accusations, (of witchcraft) national hysteria, and pompous, self-righteous judges more interested in extracting confessions than in uncovering the truth and delivering justice.

The Crucible became a huge hit on Broadway and would go on to become Miller's most frequently produced play. It infuriated the HUAC to no end.

So, in 1956, when Miller applied for a renewal of his passport, the HUAC took advantage of the routine request to haul him in for questioning, as it was against the law to issue passports to known or suspected communists.

Having nothing to hide, Miller told the committee that he would gladly provide testimony about his own political beliefs and activities, so long as he was not asked to inform on others.

The chairman agreed and promised that he would not have to inform on others. Miller kept his end of the deal and gave the HUAC a detailed account of his own political activities.

The committee then reneged on the chairman's promise and ordered Miller to give them the names of all of his friends and colleagues who shared in his political beliefs and activities.

He refused to comply, so he was charged with contempt of Congress. His case later came to trial, and in May of 1957, a judge found him guilty.

Miller was fined $500, sentenced to thirty days in jail, blacklisted, and of course, denied a renewal of his passport. Fortunately, his conviction was overturned on appeal.

The Court of Appeals found that he had been deliberately deceived by the HUAC chairman and tricked into incriminating himself, which was a violation of the Fifth Amendment.

Arthur Miller's experience with the HUAC would haunt him for the rest of his life. This is why, in the 1970s, he took a personal interest in the famous Barbara Gibbons murder case.

The victim's son, Peter Reilly, was convicted of her murder based on what most people believed was a coerced confession. There was little, if any, actual evidence to prove his guilt.

Miller, believing that Reilly was innocent and had been railroaded by the Connecticut State Police and the state Attorney General who had prosecuted the case, used his celebrity to draw attention to Reilly's plight.

The case reminded Miller of his own railroading by the House Unamerican Activities Committee, which would become the House Committee on Internal Security in 1969 and finally be abolished in 1975.

In December of 1954, by a vote of 67-22, Senator Joseph McCarthy was censured by the Senate for his unethical and illegal conduct. Though he would continue to perform his general duties as a Senator for the next two and a half years, his political career was ruined.

McCarthy was shunned by almost all his fellow Senators. Whenever he gave a speech on the Senate floor, the other Senators would immediately leave the floor rather than listen to him.

Haunted by his fate, McCarthy became a pale shadow of his domineering former self. He drank himself to death, dying in May of 1957 at the age of 48.


Quote Of The Day

"I know that my works are a credit to this nation and I dare say they will endure longer than the McCarran Act." - Arthur Miller


Vanguard Video

Today's video features a three-part interview with Arthur Miller, where he discusses his classic play The Crucible and his ordeal at the hands of the House Unamerican Activities Committee. Enjoy!

Tuesday, June 21, 2016

Notes For June 21st, 2016


This Day In Literary History

On June 21st, 1956, the legendary American playwright Arthur Miller defied the United States Congress, refusing to inform on his friends and colleagues whom a Congressional committee had suspected of being communists.

At the time of his Congressional hearing, Miller, born in Harlem, New York, in 1915, had established himself as one of America's greatest playwrights. An outspoken liberal who openly supported leftist causes, he was long suspected of being a communist.

No evidence exists to prove that he belonged to the American Communist Party; some biographers have speculated that he may have joined under a pseudonym, but that's pure conjecture.

A Red Scare had swept through the American landscape of the 1950s - the height of the Cold War between the United States and the Soviet Union - infesting the country with fear and paranoia.

The House Unamerican Activities Committee (HUAC), founded by Congress in 1938, was tasked with weeding out suspected communists and communist sympathizers. The committee became notorious for its dubious methods.

To extract confessions from suspected communists, the HUAC, under the direction of Joseph McCarthy, the notorious Republican senator from Wisconsin, would resort to coercion, deception, and false testimony by so-called witnesses.

Another tool in the committee's arsenal was guilt by association - if a defendant's relatives and / or friends were communists, then the defendant must be as well, or he wouldn't associate with them.

Worst of all, when no evidence existed to prove beyond a reasonable doubt the HUAC's mostly false and slanderous accusations of communism, the committee simply manufactured it.

In those days, being convicted of communism meant not only jail time, but also the blacklisting of the defendant from his trade, the loss of his civil rights, and public ostracism.

During the infamous Hollywood Blacklist, actors, directors, writers, and producers convicted of being communists or communist sympathizers could not find work after their release from jail.

The Hollywood studios refused to hire convicted or even suspected communists or communist sympathizers, for fear of governmental interference in the movie business.

Blacklisted actors and directors would have to work in small independent productions or make movies in foreign countries. Blacklisted writers would have to use fronts - impostors pretending to be them - to sell their works in Hollywood.

Three years before he found himself brought before the HUAC, Arthur Miller had written a play inspired by what happened to his close friend, legendary filmmaker Elia Kazan.

Brought before the HUAC and accused of being a communist, Kazan, wishing to avoid the Hollywood Blacklist, informed on several of his friends, including legendary playwright Lillian Hellman and actor John Garfield.

Kazan avoided the Blacklist, but his reputation would take a huge hit. He was rightfully considered a rat willing to ruin the lives of others for the sake of his own self interest. Miller didn't speak to him for ten years.

In his classic play The Crucible (1953), Arthur Miller presented a scathing satirical indictment of the HUAC, likening its hearings to the infamous 17th century Salem witch hunts.

In those trials, innocent lives were also destroyed by false accusations, (of witchcraft) national hysteria, and pompous, self-righteous judges more interested in extracting confessions than in uncovering the truth and delivering justice.

The Crucible became a huge hit on Broadway and would go on to become Miller's most frequently produced play. It infuriated the HUAC to no end.

So, in 1956, when Miller applied for a renewal of his passport, the HUAC took advantage of the routine request to haul him in for questioning, as it was against the law to issue passports to known or suspected communists.

Having nothing to hide, Miller told the committee that he would gladly provide testimony about his own political beliefs and activities, so long as he was not asked to inform on others.

The chairman agreed and promised that he would not have to inform on others. Miller kept his end of the deal and gave the HUAC a detailed account of his own political activities.

The committee then reneged on the chairman's promise and ordered Miller to give them the names of all of his friends and colleagues who shared in his political beliefs and activities.

He refused to comply, so he was charged with contempt of Congress. His case later came to trial, and in May of 1957, a judge found him guilty.

Miller was fined $500, sentenced to thirty days in jail, blacklisted, and of course, denied a renewal of his passport. Fortunately, his conviction was overturned on appeal.

The Court of Appeals found that he had been deliberately deceived by the HUAC chairman and tricked into incriminating himself, which was a violation of the Fifth Amendment.

Arthur Miller's experience with the HUAC would haunt him for the rest of his life. This is why, in the 1970s, he took a personal interest in the famous Barbara Gibbons murder case.

The victim's son, Peter Reilly, was convicted of her murder based on what most people believed was a coerced confession. There was little, if any, actual evidence to prove his guilt.

Miller, believing that Reilly was innocent and had been railroaded by the Connecticut State Police and the state Attorney General who had prosecuted the case, used his celebrity to draw attention to Reilly's plight.

The case reminded Miller of his own railroading by the House Unamerican Activities Committee, which would become the House Committee on Internal Security in 1969 and finally be abolished in 1975.

In December of 1954, by a vote of 67-22, Senator Joseph McCarthy was censured by the Senate for his unethical and illegal conduct. Though he would continue to perform his general duties as a Senator for the next two and a half years, his political career was ruined.

McCarthy was shunned by almost all his fellow Senators. Whenever he gave a speech on the Senate floor, the other Senators would immediately leave the floor rather than listen to him.

Haunted by his fate, McCarthy became a pale shadow of his domineering former self. He drank himself to death, dying in May of 1957 at the age of 48.


Quote Of The Day

"I know that my works are a credit to this nation and I dare say they will endure longer than the McCarran Act." - Arthur Miller


Vanguard Video

Today's video features a three-part interview with Arthur Miller, where he discusses his classic play The Crucible and his ordeal at the hands of the House Unamerican Activities Committee. Enjoy!

Friday, January 22, 2016

Notes For January 22nd, 2016


This Day In Writing History

On January 22nd, 1953, The Crucible, the classic play by the legendary American playwright Arthur Miller, opened on Broadway at the Martin Beck Theatre, now known as the Al Hirschfeld Theatre.

The play, set in the 17th century during the time of the witch hunts in Salem, Massachusetts, is actually a scathing allegorical satire of the modern witch hunt being conducted by the United States government against alleged communists and communist sympathizers at the time the play was written.

The anticommunist witch hunts were conducted by the House Unamerican Activities Committee (HUAC) under the direction of Joseph McCarthy, the notorious Republican Senator from Wisconsin who would later be censured for his outrageous and illegal conduct.

Arthur Miller was inspired to write The Crucible by what happened to his close friend, the legendary film director Elia Kazan, who faced losing his career to the Hollywood Blacklist after he was accused of being a communist.

Brought before the HUAC to testify, Kazan, wishing to avoid being blacklisted, informed on several of his friends, including legendary playwright Lillian Hellman and actor John Garfield.

Kazan avoided the Hollywood Blacklist, but his reputation would take a huge hit. He was, and is to this day, rightfully considered of the biggest rats of the Blacklist era, a man willing to ruin the lives of others for the sake of his own self interest. Miller didn't speak to him for ten years.

The Crucible opens with Reverend Samuel Parris, the hated minister of Salem's church, praying over his daughter Betty, who had fainted after being caught in the forest allegedly practicing witchcraft along with Parris' niece, 17-year-old Abigail Williams, and some other girls.

John Proctor, an honorable married farmer, enters the room and is left alone with Abigail, who tries unsuccessfully to seduce him. He had an affair with Abigail when she worked as his maid, but he regretted it and ended it.

Reverend John Hale, a respected minister and self-proclaimed expert on the occult, is summoned to look into the incident of alleged witchcraft. Abigail accuses her uncle's slave, Tituba, of being a witch.

Afraid of being hanged and threatened with a beating, Tituba accuses two other women of being witches. Betty awakens, and she and Abigail accuse a list of people of practicing witchcraft.

In the second act, John Proctor's wife, Elizabeth, urges him to expose Abigail as a liar. Proctor tells her that he can't prove that Abigail is lying because they were alone together when she admitted it.

The fact that they were alone together again upsets Elizabeth. Proctor sees her reaction as an accusation that he has resumed his affair with Abigail and they have an argument. Later, the Proctors' new maid, Mary, arrives and tells them that she will be absent while she performs her duties as a newly appointed court official.

Thirty-nine people have now been arrested and charged with witchcraft. John Proctor is furious that the kangaroo court is condemning people to death with no solid evidence of their guilt. Elizabeth makes a prophetic prediction that Abigail will falsely accuse her of witchcraft so she can marry John.

When Elizabeth is later arrested and charged with witchcraft, John tells Mary that she must testify against Abigail, because she can prove that Abigail is a liar. Mary is afraid of testifying for fear that Abigail and her friends will accuse her of being a witch.

Proctor meets Abigail in the woods. She tries to seduce him again, but he pushes her away and demands that she take back her accusation against his wife. She refuses.

In the third act, during the trial, which is presided over by a coldblooded, sadistic, and ignorant judge, Mary is brought in to testify against Abigail, who, along with her friends, puts on an act, pretending to be in the throes of a spell.

Finally, Proctor can stand no more. He admits his affair with Abigail and accuses her of being a whore. Elizabeth denies that her husband had an affair in a misguided attempt to save his good name.

Abigail and her friends continue their act, pretending to see a bird that Mary conjured to attack them. Mary, fearful of being accused of witchcraft, then accuses John Proctor of the crime. He's arrested, and Reverend Hale quits the court in protest.

The fourth act begins with Proctor in jail and Reverend Parris revealing to the judge and the deputy governor that his niece Abigail and her friend Mercy are not only liars, but thieves as well.

The authorities are unsympathetic and send Elizabeth to get John to confess to witchcraft to save his life. Elizabeth forgives him for the affair and he agrees to confess, but then he learns that his confession will be nailed to the church for all to see.

This will ruin the names of many innocent people, so John tears up the document and refuses to confess. The play ends with Proctor being taken to the gallows to hang for a crime he didn't commit.

Ironically, a few years after The Crucible debuted on Broadway. Arthur Miller found himself a victim of the very witch hunts he had satirized in his play when in 1956, he applied to have his passport renewed.

Since it was illegal to issue passports to communists, suspected communists, and communist sympathizers, the HUAC took advantage of Miller's passport application to subpoena him and make him testify about his political activities.

The openly leftist Miller told the committee he would testify to his own political activities if they didn't ask him to denounce other people. The chairman agreed, and Miller appeared before the HUAC.

He kept his part of the deal, providing the HUAC with a detailed account of his own political activities. The committee then reneged on the chairman's promise and demanded that he give them the names of friends and colleagues who shared his convictions and participated in similar activities.

He refused to comply. As a result, in May of 1957, a judge found Arthur Miller guilty of contempt of Congress. He was fined $500, sentenced to 30 days in jail, blacklisted, and denied a renewal of his passport.

Fortunately, Miller's conviction was overturned on appeal. The appeals court ruled that he had been deliberately misled by the HUAC chairman and tricked into incriminating himself, a violation of his fifth amendment rights.

That wasn't the only dirty trick employed by Senator Joseph McCarthy and the HUAC. Guilt by association was another tactic. If the accused's relatives and / or friends were communists, he was guilty as well, or he would have had nothing to do with them.

Worst of all, when McCarthy could find no evidence to prove his mostly false and slanderous accusations of communism, he simply manufactured it, creating doctored photographs, films, and recordings.

In December of 1954, by a vote of 67-22, McCarthy was censured by the Senate for his unethical and illegal conduct. Though he would continue to perform his general duties as a Senator for the next two and a half years, his political career was over.

Shunned by almost all of his fellow Senators, whenever McCarthy gave a speech on the Senate floor, the other Senators would immediately leave the floor rather than listen to him speak. Stripped of power, humiliated, and haunted by his fate, Joseph McCarthy drank himself to death, dying in May of 1957 at the age of 48.

The House Unamerican Activities Committee was renamed the House Committee on Internal Security in 1969. It would finally be abolished in 1975.


Quote Of The Day

"A play is made by sensing how the forces in life simulate ignorance - you set free the concealed irony, the deadly joke." - Arthur Miller


Vanguard Video

Today's video features a full cast dramatic reading of Arthur Miller's classic play, The Crucible. Enjoy!