Showing posts with label jack kerouac. Show all posts
Showing posts with label jack kerouac. Show all posts

Thursday, March 12, 2026

Notes For March 12th, 2026


This Day In Literary History

On March 12th, 1922, the legendary American writer Jack Kerouac was born. He was born Jean-Louis Kerouac in Lowell, Massachusetts, to French Canadian parents who had emigrated from Quebec. They called him "Ti Jean," which meant "little Jean."

Kerouac's parents were both devout Catholics and ferocious anti-Semites. In an interview with the Paris Review, Kerouac recalled a time when his father assaulted a rabbi for allegedly disrespecting him.

When Jack Kerouac was four years old, his older brother Gerard died of rheumatic fever at the age of nine, which he would write about in his 1963 novel, Visions of Gerard.

The loss of his brother would have a profound effect on him. He didn't speak English until he was six years old and began formal schooling. He continued to speak French at home.

As a teenager, Jack's athletic talents led him to become a hurdler on the high school track team and a running back on the football team. His football skills earned him scholarship offers from Boston College, Columbia University, and Notre Dame.

He went to Columbia. During his freshman year, he cracked a tibia playing football and argued constantly with his coach, Lou Little, who kept him on the bench. So, he dropped out of university.

Kerouac moved to New York City, where he would meet his friends and fellow Beat writers William S. Burroughs, Allen Ginsberg, Neal Cassady, and Herbert Huncke. He began a relationship with Edie Parker, whose friend and roommate, Joan Vollmer, would later marry Burroughs.

Kerouac joined the Merchant Marine in 1942. A year later, he joined the Navy and was honorably discharged - for psychiatric reasons. They diagnosed him as having a schizoid personality. By 1944, he was back in New York, where he found himself caught up in a murder.

His friend, Lucien Carr, called him for help after killing another friend, David Kammerer. When Carr, who was not gay, spurned Kammerer's sexual advances and declarations of love, the obsessed Kammerer refused to take no for an answer and stalked him relentlessly.

Carr stabbed him to death, allegedly in self-defense, but was afraid to call the police. So, Kerouac helped him dispose of the evidence and dump Kammerer's body in the Hudson River. Later, on the advice of William Burroughs, Kerouac and Carr turned themselves in.

Jack's father refused to pay his bail and disowned him. His girlfriend Edie's parents bailed him out on the condition that he marry her, so he did. Since Kammerer was seen as a disturbed, predatory homosexual, Carr served just a brief sentence for covering up the killing.

Kerouac, who had been charged as a material witness and possible accessory, was cleared of wrongdoing. Free of legal trouble, Jack began his literary career. He collaborated on a novel with William Burroughs, And the Hippos Were Boiled in Their Tanks.

A fictionalized account of the killing of David Kammerer, it wouldn't be published in its entirety until 2008 - a raw early work featuring the burgeoning talents of Burroughs and Kerouac, whose parents moved to Queens. Jack lived with them after his marriage ended in an annulment.

Kerouac kept writing, and soon completed his first solo novel, The Town and the City, which was published in 1950 under the name John Kerouac. The epic autobiographical novel of life in rural Massachusetts, like his future works, employed a stream-of-consciousness narrative, but was not nearly as experimental.

The epic novel was cut by 400 pages prior to publication during the editing process. The reviews were good, but the novel sold poorly. Lack of commercial success failed to discourage Kerouac. On the contrary; he vowed to never again compromise his artistic vision for commercial success. He wrote constantly, both at home and while traveling the country in search of himself.

By 1951, Kerouac was living in Manhattan with his second wife, Joan Haverty. He completed the first draft of his second novel, which would go through many changes and become his greatest work. Early titles included The Beat Generation and Gone On The Road.

To write this novel, Kerouac used a new technique, one that he would continue to employ. He typed the manuscript on one long roll of paper instead of separate sheets. He did this because he found that pausing to load new sheets into his typewriter interfered with the flow of his writing, a style he called spontaneous prose.

He defined that vision in his classic essay, Essentials of Spontaneous Prose (1950), likening it to his favorite music, bebop jazz, which possessed a remarkably expressive fluidity despite its experimental, improvised nature. Not everybody got it; Truman Capote famously said of it, "That's not writing, that's typing."

It took a long time for Kerouac to get the novel published; its style was experimental and it painted a sympathetic portrait of minorities suffering from racist persecution. Editors were also uncomfortable with its graphic sexual content (which included both straight and gay sex scenes) and depictions of drug use.

Meanwhile, Kerouac's pregnant wife left him. She gave birth to his only child, a daughter named Jan, but he refused to accept that she was his daughter until she was nine years old and a blood test proved his paternity.

Not long after his daughter was born, Kerouac took off and spent several years traveling extensively throughout the U.S. and Mexico. During this time, he wrote extensively and fell into periods of depression accompanied by heavy drug and alcohol abuse.

In 1954, Kerouac came across Dwight Goddard's book, A Buddhist Bible, in a public library. It began his nearly lifelong interest in Buddhism. A year later, he wrote a biography of the Buddha, Wake Up, which would be published posthumously, in a serialized version, by Tricycle: The Buddhist Review from 1993-95.

In 1957, after being rejected numerous times over the last several years, Kerouac's second novel, the classic On The Road, was bought by Viking Press. They demanded major revisions, which included removing most of the sexual content.

Based on Kerouac's travels throughout America and Mexico with his best friend, Beat icon and future Merry Prankster Neal Cassady, the novel told the story of two disillusioned young men in postwar America embarking on an existentialist journey in search of themselves.

Along the way, they make friends, enjoy the pleasures of wine, women, grass, and jazz, and earn a few bucks to keep the trip going. In the end, the narrator finds himself and settles down with his true love, but his self-absorbed best friend hits the road again for more kicks.

Since Kerouac had used the real names of his relatives and friends, his publisher, fearing lawsuits, demanded that he use pseudonyms. So, Kerouac became Sal Paradise and Neal Cassady became Dean Moriarty. Allen Ginsberg was named Carlo Marx, and William Burroughs became Old Bull Lee.

The publication of On The Road brought Kerouac rave reviews, good money, and nearly overnight fame. He was dubbed "the king of the Beat generation." He soon developed a distaste for celebrity, as not everyone appreciated his novel.

Conservatives believed that On The Road was the bible of immorality and despised its popularity with young people. Once, Kerouac was attacked outside a bar in New York by three conservative men who accused him of corrupting the youth of America. They beat him savagely.

Nonetheless, his celebrity continued to grow. In 1959, he made a memorable appearance on The Steve Allen Show, reading from On The Road and an early novel, Visions Of Cody. Allen accompanied him on the piano.

During the years Kerouac traveled before the publication of On The Road, he had written the first drafts of what would become his next ten novels. He continued to work on them. His classic novel The Dharma Bums was published in 1958.

Also autobiographical, the novel follows Ray Smith (Kerouac) as he goes on a journey in search of enlightenment, which he finds while communing with the outdoors, (hiking, bicycling, and mountain climbing) traveling aimlessly, and discovering jazz clubs, poetry readings, drunken parties, and of course, Buddhism.

The existentialist novel is most famous for Kerouac's depiction of the legendary 1955 Six Gallery Reading in San Francisco, where the East and West coast factions of Beat literati met to read their works.

The co-promoter of the event was Kerouac's friend, legendary poet Allen Ginsberg, who performed his first public reading of his celebrated classic poem, Howl, which appears in the novel as Wail.

The Dharma Bums became a huge hit with literary critics and readers, who rightfully declared it Kerouac's second masterpiece. Unfortunately, the novel was rejected by the leaders of the American Buddhist community.

Disillusioned and depressed, Kerouac abandoned Buddhism and returned to Catholicism. To care for his elderly mother and escape his celebrity, he moved to Northport, New York. He continued to write and published a succession of memorable novels.

These included Visions Of Cody, Doctor Sax, The Subterraneans, Desolation Angels, Lonesome Traveler, and Big Sur. He also wrote collections of poetry.

As a poet, Kerouac was famous for making the Japanese haiku popular in America. His haiku did not follow the traditional three line, seventeen syllable structure, as he knew that more words could be formed in seventeen English syllables than in seventeen Japanese syllables.

He wrote his haiku shorter to make them more authentic. His 1959 spoken word album, Blues and Haikus, featured a lengthy reading of haiku, accompanied by the jazz riffs of legendary saxophonists Al Cohn and Zoot Sims.

In the 1960s - the last years of his life - Kerouac's drinking problem grew worse. A symbol of the rebellious, free spirited, and disaffected youth whose writings defined one generation (the Beats) and set the stage for the next, (the Hippies) Kerouac changed dramatically.

Too old to hit the road again, not knowing what to do with his life, bitter, and suffering from depression and the ravages of his increasingly severe alcoholism, he crashed, burned, and plunged into a quagmire.

In recent years, scholars have speculated that Jack Kerouac's downfall was the end product of Chronic Traumatic Encephalopathy (CTE) resulting from multiple head injuries. When he played football in college, he suffered a concussion so severe that he was knocked unconscious. When he woke up, he didn't know who or where he was, or what he was doing on the field.

It wasn't until after he'd taken that horrific beating outside the bar in New York, which included having his head slammed repeatedly into the pavement by the conservative thugs who attacked him, that his friends began to notice startling changes in his behavior.

The formerly shy, quiet, fun loving and sweet-natured writer began suffering severe mood swings which ranged from sudden outbursts of rage to crippling depression with unexplained crying jags that could last all night. He was coming apart at the seams and it only got worse. His alcohol and drug use escalated alarmingly.

In a letter to a friend, Kerouac himself wrote, "I think I got brain damage."

He had become as fanatically devout a Catholic as his mother and politically conservative. He denounced the hippies, supported the Vietnam War, and befriended conservative icon William F. Buckley. Though he never inherited his parents' racial prejudices, he did inherit their hatred of communists.

After his mother died, a devastated Kerouac drank harder than ever, consuming a large quantity of alcohol every day. On October 21st, 1969, he was rushed to the hospital after he began hemorrhaging from cirrhosis - veins in his esophagus had burst.

Jack Kerouac died the classic drunkard's death, drowning in his own blood at the age of 47. He had said, "I'm Catholic and I can't commit suicide, but I plan to drink myself to death." Which is exactly what he did.

In 2007, to commemorate the 50th anniversary of Kerouac's classic novel, Viking Press finally published the original, unexpurgated version of On The Road. The novel would finally be adapted as a feature film in 2012.


Quote Of The Day

"I see a vision of a great rucksack revolution thousands or even millions of young Americans wandering around with rucksacks, going up to mountains to pray, making children laugh and old men glad, making young girls happy and old girls happier, all of 'em Zen lunatics who go about writing poems that happen to appear in their heads for no reason and also by being kind and also by strange unexpected acts keep giving visions of eternal freedom to everybody and to all living creatures."

- Jack Kerouac


Vanguard Video

Today's video features a 50-minute documentary on Jack Kerouac. Enjoy!


Friday, September 5, 2025

Notes For September 5th, 2025


This Day In Literary History

On September 5th, 1957, On the Road, the classic novel by the legendary American writer Jack Kerouac, was published. Kerouac's first novel, The Town and the City, had been published several years earlier in 1950.

Like On the Road, The Town and the City also received mixed, mostly positive reviews from critics, but its style was completely different - a mainstream novel seasoned with Kerouac's unique vision and poetic prose.

Getting the book published was a nightmare. His publisher, Harcourt, demanded that he cut hundreds of pages and change the narrative to make it more commercial. The reviews were mostly good, but after all that editing, sales were poor.

In the seven years that passed between his first and second novels, frustrated by the commercial failure of The Town and the City, Kerouac vowed that he would never again compromise his true vision for commercial success.

He outlined that vision in his classic essay, Essentials of Spontaneous Prose (1950), likening it to his favorite music, bebop jazz, which possessed a remarkably expressive fluidity despite its experimental, improvised nature. Not everybody got it; Truman Capote famously said of it, "That's not writing, that's typing."

Kerouac began writing On the Road in 1951. He would complete the first draft in just three weeks, in a wild, benzedrine fueled dance marathon with the muse. He wouldn't let annoying things like having to load new sheets of paper into his typewriter get in the way.

He typed his entire manuscript on a 120-foot long scroll of paper, which he cut and spliced together during the editing process. The novel's original format was one long, single-spaced paragraph, with no breaks or margins.

At first unable to get On the Road published, Kerouac took off on another road trip that would take him around the U.S. again and to Mexico. He kept writing, and began developing material which he turned into ten more novels.

Finally, in 1957, Viking Press agreed to publish On the Road. Fearing libel suits, Viking demanded that Kerouac use pseudonyms for his famous friends who appeared in the autobiographical novel. They also demanded that he cut some graphic sexual content that might be deemed legally obscene.

Although On the Road received mixed reviews from critics, it would become commercially successful beyond Jack Kerouac's wildest dreams - and worst nightmares. It became the bible of a counterculture of disillusioned American youths known as the Beat Generation.

What exactly was the Beat Generation and what did they see in On the Road? Some say Beat meant "beaten down." Kerouac defined it as beatific, or saint-like. The Beats were the generation of youth whose parents were the architects of World War II. The kids' hopes for a better postwar world were immediately dashed.

A new war was declared by the older generation, a Cold War against the Soviet Union. The home front proved even more frightening and uncertain than during the conflict that preceded it. American youth lived under the terrifying specter of the atomic bomb, as nuclear war between the Soviets and the West seemed inevitable.

The Cold War also brought with it the Red Scare, a climate of distrust, anticommunist paranoia, and persecution. One could actually be denounced and arrested for thinking the wrong thoughts and expressing them in a country founded on the principles of free speech and expression.

On the Road was published during an era of numbing cultural banality and relentless conformity. It spoke to the young generation in a way that nothing else did. It was an existential Homeric odyssey where the heroes reject the establishment and embark on a quest to find themselves.

Sal Paradise (Jack Kerouac's alter ego) and his hyperkinetic best friend Dean Moriarty (Beat icon Neal Cassady) hit the road in December of 1948. Along the way, they make friends including the young poet Carlo Marx (Allen Ginsberg) and grizzled, eccentric writer Old Bull Lee (William S. Burroughs).

As they follow the road across the country and south of the border in search of themselves, Sal and Dean drink wine, smoke grass, make love to women, and of course, listen to lots of jazz. They make a few bucks here and there to keep the trip going.

After their last great party at a bordello in Mexico, Sal and Dean part ways. Sal has found himself and achieved a Zen-like inner peace, taking pleasure in simple things. He settles down with his true love, Laura. Dean, however, can't settle down and hits the road again for more kicks.

Sal knows that his best friend Dean is really a self-centered rat at heart, but he can't help feeling affection for him. The novel ends with Sal rhapsodizing:

Old Dean's gone, I thought, and out loud I said, "He'll be all right." And off we went to the sad and disinclined concert for which I had no stomach whatever and all the time I was thinking of Dean and how he got back on the train and rode over three thousand miles over that awful land and never knew why he had come anyway, except to see me. So in America when the sun goes down and I sit on the old broken-down river pier watching the long, long skies over New Jersey and sense all that raw land that rolls in one unbelievable huge bulge over to the West Coast, and all that road going, all the people dreaming in the immensity of it, and in Iowa I know by now the children must be crying in the land where they let the children cry, and tonight the stars'll be out, and don't you know that God is Pooh Bear? The evening star must be drooping and shedding her sparkler dims on the prairie, which is just before the coming of complete night that blesses the earth, darkens all rivers, cups the peaks and folds the final shore in, and nobody, nobody knows what's going to happen to anybody besides the forlorn rags of growing old, I think of Dean Moriarty, I even think of Old Dean Moriarty the father we never found, I think of Dean Moriarty.

It didn't take long before every self respecting Beatnik and aspiring hipster had a copy of On the Road on his coffee table, along with Allen Ginsberg's celebrated poetry collection Howl and Other Poems (1956) and William S. Burroughs's classic novel, Naked Lunch (1959).

The works of these legendary Beat authors would influence generations of writers and inspire the 1960s hippie counterculture. Despite the worldwide fame his novel brought him, Kerouac never wanted to be a celebrity - he just wanted to be a respected writer.

Jack Kerouac, the rebellious, free spirited hipster who was once savagely beaten outside of a bar by a group of conservative men claiming that On the Road was a bible of immorality corrupting the youth of America, had himself become conservative.

He was able to avoid being infected by the virulent anti-Semitism of his French Canadian immigrant parents, but not by their fanatically devout Catholicism, though he became a Buddhist for a time and wrote a biography of the Buddha called Wake Up: A Life of the Buddha (1955).

He incorporated Buddhist teachings and philosophy into his novels, including The Dharma Bums (1958), his classic follow-up to On the Road. When respected American Buddhist leaders dismissed his take on Buddhism, a hurt and bitter Kerouac returned to Catholicism and became a recluse.

The once great writer spent his final years drinking heavily and ranting about hippies and communists. He once said, "I'm Catholic, and I can't commit suicide, so I'm going to drink myself to death," and he did just that, dying from an esophageal hemorrhage - a complication of cirrhosis of the liver - in 1969 at the age of 47.

In recent years, scholars have speculated that Jack Kerouac's downfall was the end product of Chronic Traumatic Encephalopathy (CTE) resulting from multiple head injuries. When he played football in college, he suffered a concussion so severe that he was knocked unconscious. When he woke up, he didn't know who or where he was, or what he was doing on the field.

It wasn't until after he'd taken that horrific beating outside the bar in New York, which included having his head slammed repeatedly into the pavement by the conservative thugs who attacked him, that his friends began to notice startling changes in his behavior.

The formerly shy, quiet, fun loving and sweet-natured writer began suffering severe mood swings which ranged from sudden outbursts of rage to crippling depression with unexplained crying jags that could last all night. He was coming apart at the seams and it only got worse. His alcohol and drug use escalated alarmingly.

In a letter to a friend, Kerouac himself wrote, "I think I got brain damage."

In 2007, Viking Press finally published the uncensored version of On the Road as a 50th anniversary edition and Kerouac's original unedited manuscript for the novel as On the Road: The Original Scroll.

After numerous failed attempts to bring On the Road to the screen, a feature film adaptation was finally produced. Directed by Walter Salles and starring Sam Riley and Garrett Redlund as Sal Paradise and Dean Moriarty, the film was released theatrically in December of 2012 and is currently available on DVD, Blu-Ray, and streaming.


Quote Of The Day

"Because in the end, you won’t remember the time you spent working in the office or mowing your lawn. Climb that goddamn mountain."

- Jack Kerouac


Vanguard Video

Today's video features a complete reading of Jack Kerouac's classic novel, On the Road. Enjoy!

Wednesday, March 12, 2025

Notes For March 12th, 2025


This Day In Literary History

On March 12th, 1922, the legendary American writer Jack Kerouac was born. He was born Jean-Louis Kerouac in Lowell, Massachusetts, to French Canadian parents who had emigrated from Quebec. They called him "Ti Jean," which meant "little Jean."

Kerouac's parents were both devout Catholics and ferocious anti-Semites. In an interview with the Paris Review, Kerouac recalled a time when his father assaulted a rabbi for allegedly disrespecting him.

When Jack Kerouac was four years old, his older brother Gerard died of rheumatic fever at the age of nine, which he would write about in his 1963 novel, Visions of Gerard.

The loss of his brother would have a profound effect on him. He didn't speak English until he was six years old and began formal schooling. He continued to speak French at home.

As a teenager, Jack's athletic talents led him to become a hurdler on the high school track team and a running back on the football team. His football skills earned him scholarship offers from Boston College, Columbia University, and Notre Dame.

He went to Columbia. During his freshman year, he cracked a tibia playing football and argued constantly with his coach, Lou Little, who kept him on the bench. So, he dropped out of university.

Kerouac moved to New York City, where he would meet his friends and fellow Beat writers William S. Burroughs, Allen Ginsberg, Neal Cassady, and Herbert Huncke. He began a relationship with Edie Parker, whose friend and roommate, Joan Vollmer, would later marry Burroughs.

Kerouac joined the Merchant Marine in 1942. A year later, he joined the Navy and was honorably discharged - for psychiatric reasons. They diagnosed him as having a schizoid personality. By 1944, he was back in New York, where he found himself caught up in a murder.

His friend, Lucien Carr, called him for help after killing another friend, David Kammerer. When Carr, who was not gay, spurned Kammerer's sexual advances and declarations of love, the obsessed Kammerer refused to take no for an answer and stalked him relentlessly.

Carr stabbed him to death, allegedly in self-defense, but was afraid to call the police. So, Kerouac helped him dispose of the evidence and dump Kammerer's body in the Hudson River. Later, on the advice of William Burroughs, Kerouac and Carr turned themselves in.

Jack's father refused to pay his bail and disowned him. His girlfriend Edie's parents bailed him out on the condition that he marry her, so he did. Since Kammerer was seen as a disturbed, predatory homosexual, Carr would serve only two years in prison.

Kerouac, who had been charged as a material witness and possible accessory, was cleared of wrongdoing. Free of legal trouble, Jack began his literary career. He collaborated on a novel with William Burroughs, And the Hippos Were Boiled in Their Tanks.

A fictionalized account of the killing of David Kammerer, it wouldn't be published in its entirety until 2008. It was a raw early work that demonstrated the burgeoning talents of Burroughs and Kerouac, whose parents moved to Queens. Jack lived with them after his marriage ended in an annulment.

Kerouac kept writing, and soon completed his first solo novel, The Town and the City, which was published in 1950 under the name John Kerouac. The epic autobiographical novel of life in rural Massachusetts, like his future works, employed a stream-of-consciousness narrative, but was not nearly as experimental.

The epic novel was cut by 400 pages prior to publication during the editing process. The reviews were good, but the novel sold poorly. Lack of commercial success failed to discourage Kerouac. On the contrary; he vowed to never again compromise his artistic vision for commercial success. He wrote constantly, both at home and while traveling the country in search of himself.

By 1951, Kerouac was living in Manhattan with his second wife, Joan Haverty. He completed the first draft of his second novel, which would go through many changes and become his greatest work. Early titles included The Beat Generation and Gone On The Road.

To write this novel, Kerouac used a new technique, one that he would continue to employ. He typed the manuscript on one long roll of paper instead of separate sheets. He did this because he found that pausing to load new sheets into his typewriter interfered with the flow of his writing, a style he called spontaneous prose.

It took a long time for Kerouac to get the novel published; its style was experimental and it painted a sympathetic portrait of minorities suffering from racist persecution. Editors were also uncomfortable with its graphic sexual content (which included both straight and gay sex scenes) and depictions of drug use.

Meanwhile, Kerouac's pregnant wife left him. She gave birth to his only child, a daughter named Jan, but he refused to accept that she was his daughter until she was nine years old and a blood test proved his paternity.

Not long after his daughter was born, Kerouac took off and spent several years traveling extensively throughout the U.S. and Mexico. During this time, he wrote extensively and fell into periods of depression accompanied by heavy drug and alcohol abuse.

In 1954, Kerouac came across Dwight Goddard's book, A Buddhist Bible, in a public library. It began his nearly lifelong interest in Buddhism. A year later, he wrote a biography of the Buddha, Wake Up, which would be published posthumously, in a serialized version, by Tricycle: The Buddhist Review from 1993-95.

In 1957, after being rejected numerous times over the last several years, Kerouac's second novel, the classic On The Road, was bought by Viking Press. They demanded major revisions, which included removing most of the sexual content.

Based on Kerouac's travels throughout America and Mexico with his best friend, Beat icon and future Merry Prankster Neal Cassady, the novel told the story of two disillusioned young men in postwar America embarking on an existentialist journey in search of themselves.

Along the way, they make friends, enjoy the pleasures of wine, women, grass, and jazz, and earn a few bucks to keep the trip going. In the end, the narrator finds himself and settles down with his true love, but his self-absorbed best friend hits the road again for more kicks.

Since Kerouac had used the real names of his relatives and friends, his publisher, fearing lawsuits, demanded that he use pseudonyms. So, Kerouac became Sal Paradise and Neal Cassady became Dean Moriarty.

The publication of On The Road brought Kerouac rave reviews, good money, and nearly overnight fame. He was dubbed "the king of the Beat generation." He soon developed a distaste for celebrity, as not everyone appreciated his novel.

Conservatives believed that On The Road was the bible of immorality and despised its popularity with young people. Once, Kerouac was attacked outside a bar in New York by three men and savagely beaten.

Nonetheless, his celebrity continued to grow. In 1959, he made a memorable appearance on The Steve Allen Show, reading from On The Road and an early novel, Visions Of Cody. Allen accompanied him on the piano.

During the years Kerouac traveled before the publication of On The Road, he had written the first drafts of what would become his next ten novels. He continued to work on them. His classic novel The Dharma Bums was published in 1958.

Also autobiographical, the novel follows Ray Smith (Kerouac) as he goes on a journey in search of enlightenment, which he finds while communing with the outdoors, (hiking, bicycling, and mountain climbing) traveling aimlessly, and discovering jazz clubs, poetry readings, drunken parties, and of course, Buddhism.

The existentialist novel is most famous for Kerouac's depiction of the legendary 1955 Six Gallery Reading in San Francisco, where the East and West coast factions of Beat literati met to read their works.

The co-promoter of the event was Kerouac's friend, legendary poet Allen Ginsberg, who performed his first public reading of his celebrated classic poem, Howl, which appears in the novel as Wail.

The Dharma Bums became a huge hit with literary critics and readers, who rightfully declared it Kerouac's second masterpiece. Unfortunately, the novel was rejected by the leaders of the American Buddhist community.

Disillusioned and depressed, Kerouac abandoned Buddhism and returned to Catholicism. To care for his elderly mother and escape his celebrity, he moved to Northport, New York. He continued to write and published a succession of memorable novels.

These included Visions Of Cody, Doctor Sax, The Subterraneans, Desolation Angels, Lonesome Traveler, and Big Sur. He also wrote collections of poetry.

As a poet, Kerouac was famous for making the Japanese haiku popular in America. His haiku did not follow the traditional three line, seventeen syllable structure, as he knew that more words could be formed in seventeen English syllables than in seventeen Japanese syllables.

He wrote his haiku shorter to make them more authentic. His 1959 spoken word album, Blues and Haikus, featured a lengthy reading of haiku, accompanied by the jazz riffs of legendary saxophonists Al Cohn and Zoot Sims.

In the 1960s - the last years of his life - Kerouac's drinking problem grew worse. Although he had been a symbol of rebellious, free spirited, and disaffected youth whose writings defined one generation (the Beats) and set the stage for the next, (the Hippies) Kerouac had changed dramatically.

Too old to hit the road again, not knowing what to do with his life, bitter, and suffering from depression and the ravages of his increasingly severe alcoholism, Kerouac had crashed, burned, and plunged into a quagmire.

In recent years, scholars have speculated that Jack Kerouac's downfall was the end product of Chronic Traumatic Encephalopathy (CTE) resulting from multiple head injuries. When he played football in college, he suffered a concussion so severe that he was knocked unconscious. When he woke up, he didn't know who or where he was, or what he was doing on the field.

It wasn't until after he'd taken that horrific beating outside the bar in New York, which included having his head slammed repeatedly into the pavement by the conservative thugs who attacked him, that his friends began to notice startling changes in his behavior.

The formerly shy, quiet, fun loving and sweet-natured writer began suffering severe mood swings which ranged from sudden outbursts of rage to crippling depression with unexplained crying jags that could last all night. He was coming apart at the seams and it only got worse. His alcohol and drug use escalated alarmingly.

In a letter to a friend, Kerouac himself wrote, "I think I got brain damage."

He had become as fanatically devout a Catholic as his mother and politically conservative. He denounced the hippies, supported the Vietnam War, and befriended conservative icon William F. Buckley. Though he never inherited his parents' racial prejudices, he did inherit their hatred of communists.

After his mother died, a devastated Kerouac drank harder than ever, consuming a large quantity of alcohol every day. On October 21st, 1969, he was rushed to the hospital after he began hemorrhaging from cirrhosis - veins in his esophagus had burst.

Jack Kerouac died the classic drunkard's death, drowning in his own blood at the age of 47. He had said, "I'm Catholic and I can't commit suicide, but I plan to drink myself to death." Which is exactly what he did.

In 2007, to commemorate the 50th anniversary of Kerouac's classic novel, Viking Press finally published the original, unexpurgated version of On The Road. The novel would finally be adapted as a feature film in 2012.


Quote Of The Day

"I see a vision of a great rucksack revolution thousands or even millions of young Americans wandering around with rucksacks, going up to mountains to pray, making children laugh and old men glad, making young girls happy and old girls happier, all of 'em Zen lunatics who go about writing poems that happen to appear in their heads for no reason and also by being kind and also by strange unexpected acts keep giving visions of eternal freedom to everybody and to all living creatures."

- Jack Kerouac


Vanguard Video

Today's video features a 50-minute documentary on Jack Kerouac. Enjoy!


Thursday, September 5, 2024

Notes For September 5th, 2024


This Day In Literary History

On September 5th, 1957, On the Road, the classic novel by the legendary American writer Jack Kerouac, was published. Kerouac's first novel, The Town and the City, had been published several years earlier in 1950.

Like On the Road, The Town and the City also received mixed, mostly positive reviews from critics, but its style was completely different - a mainstream novel seasoned with Kerouac's unique vision and poetic prose.

Getting the book published was a nightmare. His publisher, Harcourt, demanded that he cut hundreds of pages and change the narrative to make it more commercial. The reviews may have been mostly good, but after all that editing, sales were poor.

In the seven years that passed between his first and second novels, frustrated by the commercial failure of The Town and the City, Kerouac vowed that he would never again compromise his true vision for commercial success.

He outlined that vision in his classic essay, Essentials of Spontaneous Prose (1950), likening it to his favorite music, bebop jazz, which possessed a remarkably expressive fluidity despite its experimental, improvised nature. Not everybody got it; Truman Capote famously said of it, "That's not writing, that's typing."

Kerouac began writing On the Road in 1951. He would complete the first draft in just three weeks, in a wild, benzedrine fueled dance marathon with the muse. He wouldn't let annoying things like having to load new sheets of paper into his typewriter get in the way.

He typed his entire manuscript on a 120-foot long scroll of paper, which he cut and spliced together during the editing process. The novel's original format was one long, single-spaced paragraph, with no breaks or margins.

At first unable to get On the Road published, Kerouac took off on another road trip that would take him around the U.S. again and to Mexico. He kept writing, and began developing material which he turned into ten more novels.

Finally, in 1957, Viking Press agreed to publish On the Road. Fearing libel suits, Viking demanded that Kerouac use pseudonyms for his famous friends who appeared in the autobiographical novel. They also demanded that he cut some graphic sexual content that might be deemed legally obscene.

Although On the Road received mixed reviews from critics, it would become commercially successful beyond Jack Kerouac's wildest dreams - and worst nightmares. It became the bible of a counterculture of disillusioned American youths known as the Beat Generation.

What exactly was the Beat Generation and what did they see in On the Road? Some say Beat meant "beaten down." Kerouac defined it as beatific, or saint-like. The Beats were the generation of youth whose parents were the architects of World War II. The kids' hopes for a better postwar world were immediately dashed.

A new war was declared by the older generation, a Cold War against the Soviet Union. The home front proved even more frightening and uncertain than during the conflict that preceded it. American youth lived under the terrifying specter of the atomic bomb, as nuclear war between the Soviets and the West seemed inevitable.

The Cold War also brought with it the Red Scare, a climate of distrust, anticommunist paranoia, and persecution. One could actually be denounced and arrested for thinking the wrong thoughts and expressing them in a country founded on the principles of free speech and expression.

On the Road was published during an era of numbing cultural banality and relentless conformity. It spoke to the young generation in a way that nothing else did. It was an existential Homeric odyssey where the heroes reject the establishment and embark on a quest to find themselves.

Sal Paradise (Jack Kerouac's alter ego) and his hyperkinetic best friend Dean Moriarty (Beat icon Neal Cassady) hit the road in December of 1948. Along the way, they make friends including the young poet Carlo Marx (Allen Ginsberg) and grizzled, eccentric writer Old Bull Lee. (William S. Burroughs)

As they follow the road across the country and south of the border in search of themselves, Sal and Dean drink wine, smoke grass, make love to women, and of course, listen to lots of jazz. They make a few bucks here and there to keep the trip going.

After their last great party at a bordello in Mexico, Sal and Dean part ways. Sal has found himself and achieved a Zen-like inner peace, taking pleasure in simple things. He settles down with his true love, Laura. Dean, however, can't settle down and hits the road again for more kicks.

Sal knows that his best friend Dean is really a self-centered rat at heart, but he can't help feeling affection for him. The novel ends with Sal rhapsodizing:

Old Dean's gone, I thought, and out loud I said, "He'll be all right." And off we went to the sad and disinclined concert for which I had no stomach whatever and all the time I was thinking of Dean and how he got back on the train and rode over three thousand miles over that awful land and never knew why he had come anyway, except to see me. So in America when the sun goes down and I sit on the old broken-down river pier watching the long, long skies over New Jersey and sense all that raw land that rolls in one unbelievable huge bulge over to the West Coast, and all that road going, all the people dreaming in the immensity of it, and in Iowa I know by now the children must be crying in the land where they let the children cry, and tonight the stars'll be out, and don't you know that God is Pooh Bear? The evening star must be drooping and shedding her sparkler dims on the prairie, which is just before the coming of complete night that blesses the earth, darkens all rivers, cups the peaks and folds the final shore in, and nobody, nobody knows what's going to happen to anybody besides the forlorn rags of growing old, I think of Dean Moriarty, I even think of Old Dean Moriarty the father we never found, I think of Dean Moriarty.

It didn't take long before every self respecting Beatnik and aspiring hipster had a copy of On the Road on his coffee table, along with Allen Ginsberg's celebrated poetry collection Howl and Other Poems (1956) and William S. Burroughs's classic novel, Naked Lunch (1959).

The works of these legendary Beat authors would influence generations of writers and inspire the 1960s hippie counterculture. Despite the worldwide fame his novel brought him, Kerouac never wanted to be a celebrity - he just wanted to be a respected writer.

Jack Kerouac, the rebellious, free spirited hipster who was once savagely beaten outside of a bar by a group of conservative men claiming that On the Road was a bible of immorality corrupting the youth of America, had himself become conservative.

He was able to avoid being infected by the virulent anti-Semitism of his French Canadian immigrant parents, but not by their fanatically devout Catholicism, though he became a Buddhist for a time and wrote a biography of the Buddha called Wake Up: A Life of the Buddha (1955).

He incorporated Buddhist teachings and philosophy into his novels, including The Dharma Bums (1958), his classic follow-up to On the Road. When respected American Buddhist leaders dismissed his take on Buddhism, a hurt and bitter Kerouac returned to Catholicism and became a recluse.

The once great writer spent his final years drinking heavily and ranting about hippies and communists. He once said, "I'm Catholic, and I can't commit suicide, so I'm going to drink myself to death," and he did just that, dying from an esophageal hemorrhage - a complication of cirrhosis of the liver - in 1969 at the age of 47.

In recent years, scholars have speculated that Jack Kerouac's downfall was the end product of Chronic Traumatic Encephalopathy (CTE) resulting from multiple head injuries. When he played football in college, he suffered a concussion so severe that he was knocked unconscious. When he woke up, he didn't know who or where he was, or what he was doing on the field.

It wasn't until after he'd taken that horrific beating outside the bar in New York, which included having his head slammed repeatedly into the pavement by the conservative thugs who attacked him, that his friends began to notice startling changes in his behavior.

The formerly shy, quiet, fun loving and sweet-natured writer began suffering severe mood swings which ranged from sudden outbursts of rage to crippling depression with unexplained crying jags that could last all night. He was coming apart at the seams and it only got worse. His alcohol and drug use escalated alarmingly.

In a letter to a friend, Kerouac himself wrote, "I think I got brain damage."

In 2007, Viking Press finally published the uncensored version of On the Road as a 50th anniversary edition and Kerouac's original unedited manuscript for the novel as On the Road: The Original Scroll.

After numerous failed attempts to bring On the Road to the screen, a feature film adaptation was finally produced. Directed by Walter Salles and starring Sam Riley and Garrett Redlund as Sal Paradise and Dean Moriarty, the film was released theatrically in December of 2012 and is currently available on DVD, Blu-Ray, and streaming.


Quote Of The Day

"Because in the end, you won’t remember the time you spent working in the office or mowing your lawn. Climb that goddamn mountain."

- Jack Kerouac


Vanguard Video

Today's video features a complete reading of Jack Kerouac's classic novel, On the Road. Enjoy!

Tuesday, March 12, 2024

Notes For March 12th, 2024


This Day In Literary History

On March 12th, 1922, the legendary American writer Jack Kerouac was born. He was born Jean-Louis Kerouac in Lowell, Massachusetts, to French Canadian parents who had emigrated from Quebec. They called him "Ti Jean," which meant "little Jean."

Kerouac's parents were both devout Catholics and ferocious anti-Semites. In an interview with the Paris Review, Kerouac recalled a time when his father assaulted a rabbi for allegedly disrespecting him.

When Jack Kerouac was four years old, his older brother Gerard died of rheumatic fever at the age of nine, which he would write about in his 1963 novel, Visions of Gerard.

The loss of his brother would have a profound effect on him. He didn't speak English until he was six years old and began formal schooling. He continued to speak French at home.

As a teenager, Jack's athletic talents led him to become a hurdler on the high school track team and a running back on the football team. His football skills earned him scholarship offers from Boston College, Columbia University, and Notre Dame.

He went to Columbia. During his freshman year, he cracked a tibia playing football and argued constantly with his coach, Lou Little, who kept him on the bench. So, he dropped out of university.

Kerouac moved to New York City, where he would meet his friends and fellow Beat writers William S. Burroughs, Allen Ginsberg, Neal Cassady, and Herbert Huncke. He began a relationship with Edie Parker, whose friend and roommate, Joan Vollmer, would later marry Burroughs.

Kerouac joined the Merchant Marine in 1942. A year later, he joined the Navy and was honorably discharged - for psychiatric reasons. They diagnosed him as having a schizoid personality. By 1944, he was back in New York, where he found himself caught up in a murder.

His friend, Lucien Carr, called him for help after killing another friend, David Kammerer. When Carr, who was not gay, spurned Kammerer's sexual advances and declarations of love, the obsessed Kammerer refused to take no for an answer and stalked him relentlessly.

Carr ended up stabbing him to death, supposedly in self-defense, but was afraid to call the police. So, Kerouac helped him dispose of the evidence and dump Kammerer's body in the Hudson River. Later, on the advice of William Burroughs, Kerouac and Carr turned themselves in.

Jack's father refused to pay his bail and disowned him. His girlfriend Edie's parents bailed him out and he married her in return. Since Kammerer was seen as a disturbed, predatory homosexual, Carr would serve only two years in prison.

Kerouac, who had been charged as a material witness and possible accessory, was cleared of wrongdoing. Free of legal trouble, Jack began his literary career. He collaborated on a novel with William Burroughs, And the Hippos Were Boiled in Their Tanks.

A fictionalized account of the killing of David Kammerer, it wouldn't be published in its entirety until 2008. It was a raw early work that demonstrated the burgeoning talents of Burroughs and Kerouac, whose parents moved to Queens. Jack lived with them after his marriage ended in an annulment.

Kerouac kept writing, and soon completed his first solo novel, The Town and the City, which was published in 1950 under the name John Kerouac. The epic autobiographical novel of life in rural Massachusetts, like his future works, employed a stream-of-consciousness narrative, but was not nearly as experimental.

The epic novel was cut by 400 pages prior to publication during the editing process. The reviews were good, but the novel sold poorly. Lack of commercial success failed to discourage Kerouac. On the contrary; he vowed to never again compromise his artistic vision for commercial success. He wrote constantly, both at home and while traveling the country in search of himself.

By 1951, Kerouac was living in Manhattan with his second wife, Joan Haverty. He completed the first draft of his second novel, which would go through many changes and become his greatest work. Early titles included The Beat Generation and Gone On The Road.

To write this novel, Kerouac used a new technique, one that he would continue to employ. He typed the manuscript on one long roll of paper instead of separate sheets. He did this because he found that pausing to load new sheets into his typewriter interfered with the flow of his writing, a style he called spontaneous prose.

It took a long time for Kerouac to get the novel published; its style was experimental and it painted a sympathetic portrait of minorities suffering from racist persecution. Editors were also uncomfortable with its graphic sexual content (which included both straight and gay sex scenes) and depictions of drug use.

Meanwhile, Kerouac's pregnant wife left him. She gave birth to his only child, a daughter named Jan, but he refused to accept that she was his daughter until she was nine years old and a blood test proved his paternity.

Not long after his daughter was born, Kerouac took off and spent several years traveling extensively throughout the U.S. and Mexico. During this time, he wrote extensively and fell into periods of depression accompanied by heavy drug and alcohol abuse.

In 1954, Kerouac came across Dwight Goddard's book, A Buddhist Bible, in a public library. It began his nearly lifelong interest in Buddhism. A year later, he wrote a biography of the Buddha, Wake Up, which would be published posthumously, in a serialized version, by Tricycle: The Buddhist Review from 1993-95.

In 1957, after being rejected numerous times over the last several years, Kerouac's second novel, the classic On The Road, was bought by Viking Press. They demanded major revisions, which included removing most of the sexual content.

Based on Kerouac's travels throughout America and Mexico with his best friend, Beat icon and future Merry Prankster Neal Cassady, the novel told the story of two disillusioned young men in postwar America embarking on an existentialist journey in search of themselves.

Along the way, they make friends, enjoy the pleasures of wine, women, grass, and jazz, and earn a few bucks to keep the trip going. In the end, the narrator finds himself and settles down with his true love, but his self-absorbed best friend hits the road again for more kicks.

Since Kerouac had used the real names of his relatives and friends, his publisher, fearing libel suits, demanded that he use pseudonyms. So, Kerouac became Sal Paradise and Neal Cassady became Dean Moriarty.

The publication of On The Road brought Kerouac rave reviews, good money, and nearly overnight fame. He was dubbed "the king of the Beat generation." He soon developed a distaste for celebrity, as not everyone appreciated his novel.

Conservatives believed that On The Road was the bible of immorality and despised its popularity with young people. Once, Kerouac was attacked outside a bar in New York by three men and savagely beaten.

Nonetheless, his celebrity continued to grow. In 1959, he made a memorable appearance on The Steve Allen Show, reading from On The Road and an early novel, Visions Of Cody. Allen accompanied him on the piano.

During the years Kerouac traveled before the publication of On The Road, he had written the first drafts of what would become his next ten novels. He continued to work on them. His classic novel The Dharma Bums was published in 1958.

Also autobiographical, the novel follows Ray Smith (Kerouac) as he goes on a journey in search of enlightenment, which he finds while communing with the outdoors, (hiking, bicycling, and mountain climbing) traveling aimlessly, and discovering jazz clubs, poetry readings, drunken parties, and of course, Buddhism.

The existentialist novel is most famous for Kerouac's depiction of the legendary 1955 Six Gallery Reading in San Francisco, where the East and West coast factions of Beat literati met to read their works.

The co-promoter of the event was Kerouac's friend, legendary poet Allen Ginsberg, who performed his first public reading of his celebrated classic poem, Howl, which appears in the novel as Wail.

The Dharma Bums became a huge hit with literary critics and readers, who rightfully declared it Kerouac's second masterpiece. Unfortunately, the novel was rejected by the leaders of the American Buddhist community.

Disillusioned and depressed, Kerouac abandoned Buddhism and returned to Catholicism. To care for his elderly mother and escape his celebrity, he moved to Northport, New York. He continued to write and published a succession of memorable novels.

These included Visions Of Cody, Doctor Sax, The Subterraneans, Desolation Angels, Lonesome Traveler, and Big Sur. He also wrote collections of poetry.

As a poet, Kerouac was famous for making the Japanese haiku popular in America. His haiku did not follow the traditional three line, seventeen syllable structure, as he knew that more words could be formed in seventeen English syllables than in seventeen Japanese syllables.

He wrote his haiku shorter to make them more authentic. His 1959 spoken word album, Blues and Haikus, featured a lengthy reading of haiku, accompanied by the jazz riffs of legendary saxophonists Al Cohn and Zoot Sims.

In the 1960s - the last years of his life - Kerouac's drinking problem grew worse. Although he had been a symbol of rebellious, free spirited, and disaffected youth whose writings defined one generation (the Beats) and set the stage for another, (the Hippies) Kerouac had changed dramatically.

Too old to hit the road again, not knowing what to do with his life, bitter, and suffering from depression and the ravages of his increasingly severe alcoholism, Kerouac had crashed, burned, and plunged into a quagmire.

In recent years, scholars have speculated that Jack Kerouac's downfall was the end product of Chronic Traumatic Encephalopathy (CTE) resulting from multiple head injuries. When he played football in college, he suffered a concussion so severe that he was knocked unconscious. When he woke up, he didn't know who or where he was, or what he was doing on the field.

It wasn't until after he'd taken that horrific beating outside the bar in New York, which included having his head slammed repeatedly into the pavement by the conservative thugs who attacked him, that his friends began to notice startling changes in his behavior.

The formerly shy, quiet, fun loving and sweet-natured writer began suffering severe mood swings which ranged from sudden outbursts of rage to crippling depression with unexplained crying jags that could last all night. He was coming apart at the seams and it only got worse. His alcohol and drug use escalated alarmingly.

In a letter to a friend, Kerouac himself wrote, "I think I got brain damage."

He had become as fanatically devout a Catholic as his mother and politically conservative. He denounced the hippies, supported the Vietnam War, and befriended conservative icon William F. Buckley. Though he never inherited his parents' racial prejudices, he did inherit their hatred of communists.

After his mother died, a devastated Kerouac drank harder than ever, consuming a large quantity of alcohol every day. On October 21st, 1969, he was rushed to the hospital after he began hemorrhaging from cirrhosis - veins in his esophagus had burst.

Jack Kerouac died the classic drunkard's death, drowning in his own blood at the age of 47. He had said, "I'm Catholic and I can't commit suicide, but I plan to drink myself to death." Which is exactly what he did.

In 2007, to commemorate the 50th anniversary of Kerouac's classic novel, Viking Press finally published the original, unexpurgated version of On The Road. The novel would finally be adapted as a feature film in 2012.


Quote Of The Day

"I see a vision of a great rucksack revolution thousands or even millions of young Americans wandering around with rucksacks, going up to mountains to pray, making children laugh and old men glad, making young girls happy and old girls happier, all of 'em Zen lunatics who go about writing poems that happen to appear in their heads for no reason and also by being kind and also by strange unexpected acts keep giving visions of eternal freedom to everybody and to all living creatures."

- Jack Kerouac


Vanguard Video

Today's video features a 50-minute documentary on Jack Kerouac. Enjoy!


Tuesday, September 5, 2023

Notes For September 5th, 2023


This Day In Literary History

On September 5th, 1957, On the Road, the classic novel by the legendary American writer Jack Kerouac, was published. Kerouac's first novel, The Town and the City, had been published several years earlier in 1950.

Like On the Road, The Town and the City also received mixed, mostly positive reviews from critics, but its style was completely different - a mainstream novel seasoned with Kerouac's unique vision and poetic prose.

Getting the book published was a nightmare. His publisher, Harcourt, demanded that he cut hundreds of pages and change the narrative to make it more commercial. The reviews may have been mostly good, but after all that editing, sales were poor.

In the seven years that passed between his first and second novels, frustrated by the commercial failure of The Town and the City, Kerouac vowed that he would never again compromise his true vision for commercial success.

He outlined that vision in his classic essay, Essentials of Spontaneous Prose (1950), likening it to his favorite music, bebop jazz, which possessed a remarkably expressive fluidity despite its experimental, improvised nature. Not everybody got it; Truman Capote famously said of it, "That's not writing, that's typing."

Kerouac began writing On the Road in 1951. He would complete the first draft in just three weeks, in a wild, benzedrine fueled dance marathon with the muse. He wouldn't let annoying things like having to load new sheets of paper into his typewriter get in the way.

He typed his entire manuscript on a 120-foot long scroll of paper, which he cut and spliced together during the editing process. The novel's original format was one long, single-spaced paragraph, with no breaks or margins.

At first unable to get On the Road published, Kerouac took off on another road trip that would take him around the U.S. again and to Mexico. He kept writing, and began developing material which he turned into ten more novels.

Finally, in 1957, Viking Press agreed to publish On the Road. Fearing libel suits, Viking demanded that Kerouac use pseudonyms for his famous friends who appeared in the autobiographical novel. They also demanded that he cut some graphic sexual content that might be deemed legally obscene.

Although On the Road received mixed reviews from critics, it would become commercially successful beyond Jack Kerouac's wildest dreams - and worst nightmares. It became the bible of a counterculture of disillusioned American youths known as the Beat Generation.

What exactly was the Beat Generation and what did they see in Kerouac's novel? Some say Beat meant "beaten down." Kerouac defined it as beatific, or saint-like. The Beats were the generation of youth whose parents were the architects of World War II. The kids' hopes for a better postwar world were immediately dashed.

A new war was declared by the older generation, a Cold War against the Soviet Union. The home front proved even more frightening and uncertain than during the conflict that preceded it. American youth lived under the terrifying specter of the atomic bomb, as nuclear war between the Soviets and the West seemed inevitable.

The Cold War also brought with it the Red Scare, a climate of distrust, anticommunist paranoia, and persecution. One could actually be denounced and arrested for thinking the wrong thoughts and expressing them in a country founded on the principles of free speech and expression.

On the Road was published during an era of numbing cultural banality and relentless conformity. It spoke to the young generation in a way that nothing else did. It was an existential Homeric odyssey where the heroes reject the establishment and embark on a quest to find themselves.

Sal Paradise (Jack Kerouac's alter ego) and his hyperkinetic best friend Dean Moriarty (Beat icon Neal Cassady) hit the road in December of 1948. Along the way, they make friends including the young poet Carlo Marx (Allen Ginsberg) and grizzled, eccentric writer Old Bull Lee. (William S. Burroughs)

As they follow the road across the country and south of the border in search of themselves, Sal and Dean drink wine, smoke grass, make love to women, and of course, listen to lots of jazz. They make a few bucks here and there to keep the trip going.

After their last great party at a bordello in Mexico, Sal and Dean part ways. Sal has found himself and achieved a Zen-like inner peace, taking pleasure in simple things. He settles down with his true love, Laura. Dean, however, can't settle down and hits the road again for more kicks.

Sal knows that his best friend Dean is really a self-centered rat at heart, but he can't help feeling affection for him. The novel ends with Sal rhapsodizing:

Old Dean's gone, I thought, and out loud I said, "He'll be all right." And off we went to the sad and disinclined concert for which I had no stomach whatever and all the time I was thinking of Dean and how he got back on the train and rode over three thousand miles over that awful land and never knew why he had come anyway, except to see me. So in America when the sun goes down and I sit on the old broken-down river pier watching the long, long skies over New Jersey and sense all that raw land that rolls in one unbelievable huge bulge over to the West Coast, and all that road going, all the people dreaming in the immensity of it, and in Iowa I know by now the children must be crying in the land where they let the children cry, and tonight the stars'll be out, and don't you know that God is Pooh Bear? The evening star must be drooping and shedding her sparkler dims on the prairie, which is just before the coming of complete night that blesses the earth, darkens all rivers, cups the peaks and folds the final shore in, and nobody, nobody knows what's going to happen to anybody besides the forlorn rags of growing old, I think of Dean Moriarty, I even think of Old Dean Moriarty the father we never found, I think of Dean Moriarty.

It didn't take long before every self respecting Beatnik and aspiring hipster had a copy of On the Road on his coffee table, along with Allen Ginsberg's celebrated poetry collection Howl and Other Poems (1956) and William S. Burroughs's classic novel, Naked Lunch (1959).

The works of these legendary Beat authors would influence generations of writers and inspire the 1960s hippie counterculture. Despite the worldwide fame his novel brought him, Kerouac never wanted to be a celebrity - he just wanted to be a respected writer.

Jack Kerouac, the rebellious, free spirited hipster who was once savagely beaten outside of a bar by a group of conservative men claiming that On the Road was a bible of immorality corrupting the youth of America, had himself become conservative.

He was able to avoid being infected by the virulent anti-Semitism of his French Canadian immigrant parents, but not by their fanatically devout Catholicism, though he became a Buddhist for a time and wrote a biography of the Buddha called Wake Up: A Life of the Buddha (1955).

He incorporated Buddhist teachings and philosophy into his novels, including The Dharma Bums (1958), his classic follow-up to On the Road. When respected American Buddhist leaders dismissed his take on Buddhism, a hurt and bitter Kerouac returned to Catholicism and became a recluse.

The once great writer spent his final years drinking heavily and ranting about hippies and communists. He once said, "I'm Catholic, and I can't commit suicide, so I'm going to drink myself to death," and he did just that, dying from an esophageal hemorrhage - a complication of cirrhosis of the liver - in 1969 at the age of 47.

In recent years, scholars have speculated that Jack Kerouac's downfall was the end product of Chronic Traumatic Encephalopathy (CTE) resulting from multiple head injuries. When he played football in college, he suffered a concussion so severe that he was knocked unconscious. When he woke up, he didn't know where or who he was, or what he was doing on the field.

It wasn't until after he'd taken that horrific beating outside the bar in New York, which included having his head slammed repeatedly into the pavement by the conservative thugs who attacked him, that his friends began to notice startling changes in his behavior.

The formerly shy, quiet, fun loving and sweet-natured writer began suffering severe mood swings which ranged from sudden outbursts of rage to crippling depression with unexplained crying jags that could last all night. He was coming apart at the seams and it only got worse. His alcohol and drug use escalated alarmingly.

In a letter to a friend, Kerouac himself wrote, "I think I got brain damage."

In 2007, Viking Press finally published the uncensored version of On the Road as a 50th anniversary edition and Kerouac's original unedited manuscript for the novel as On the Road: The Original Scroll.

After numerous failed attempts to bring On the Road to the screen, a feature film adaptation was finally produced. Directed by Walter Salles and starring Sam Riley and Garrett Redlund as Sal Paradise and Dean Moriarty, the film was released theatrically in December of 2012 and is currently available on DVD, Blu-Ray, and streaming.


Quote Of The Day

"Because in the end, you won’t remember the time you spent working in the office or mowing your lawn. Climb that goddamn mountain." - Jack Kerouac


Vanguard Video

Today's video features a complete reading of Jack Kerouac's classic novel, On the Road. Enjoy!

Friday, March 12, 2021

Notes For March 12th, 2021


This Day In Literary History

On March 12th, 1922, the legendary American writer Jack Kerouac was born. He was born Jean-Louis Kerouac in Lowell, Massachusetts, to French Canadian parents who had emigrated from Quebec. They called him "Ti Jean," which meant "little Jean."

Kerouac's parents were both devout Catholics and ferocious anti-Semites. In an interview with the Paris Review, Kerouac recalled a time when his father assaulted a rabbi for allegedly disrespecting him.

When Jack Kerouac was four years old, his older brother Gerard died of rheumatic fever at the age of nine, which he would write about in his 1963 novel, Visions of Gerard.

The loss of his brother would have a profound effect on him. He didn't speak English until he was six years old and began formal schooling. He continued to speak French at home.

As a teenager, Jack's athletic talents led him to become a hurdler on the high school track team and a running back on the football team. His football skills earned him scholarship offers from Boston College, Columbia University, and Notre Dame.

He went to Columbia. During his freshman year, he cracked a tibia playing football and argued constantly with his coach, Lou Little, who kept him on the bench. So, he dropped out of university.

Kerouac moved to New York City, where he would meet his friends and fellow Beat writers William S. Burroughs, Allen Ginsberg, Neal Cassady, and Herbert Huncke. He began a relationship with Edie Parker, whose friend and roommate, Joan Vollmer, would later marry Burroughs.

Kerouac joined the Merchant Marine in 1942. A year later, he joined the Navy and was honorably discharged - for psychiatric reasons. They diagnosed him as having a schizoid personality. By 1944, he was back in New York, where he found himself caught up in a murder.

His friend, Lucien Carr, called him for help after killing another friend, David Kammerer. When Carr, who was not gay, spurned Kammerer's sexual advances and declarations of love, the obsessed Kammerer refused to take no for an answer.

Carr ended up stabbing him to death, supposedly in self-defense, but was afraid to call the police. So, Kerouac helped him dispose of the evidence and dump Kammerer's body in the Hudson River. Later, on the advice of William Burroughs, Kerouac and Carr turned themselves in.

Jack's father refused to pay his bail and disowned him. His girlfriend Edie's parents bailed him out and he married her in return. Since Kammerer was seen as a disturbed, predatory homosexual, Carr would serve only two years in prison.

Kerouac, who had been charged as a material witness and possible accessory, was cleared of wrongdoing. Free of legal trouble, Jack began his literary career. He collaborated on a novel with William Burroughs, And the Hippos Were Boiled in Their Tanks.

A fictionalized account of the killing of David Kammerer, it wouldn't be published in its entirety until 2008. It was a raw early work that demonstrated the burgeoning talents of Burroughs and Kerouac, whose parents moved to Queens. Jack lived with them after his marriage ended in an annulment.

Kerouac kept writing, and soon completed his first solo novel, The Town and the City, which was published in 1950 under the name John Kerouac. The epic autobiographical novel of life in rural Massachusetts, like his future works, employed a stream-of-consciousness narrative, but was not nearly as experimental.

The epic novel was cut by 400 pages prior to publication during the editing process. The reviews were good, but the novel sold poorly. Lack of commercial success failed to discourage Kerouac. He wrote constantly, both at home and while drifting about the country in search of himself.

By 1951, Kerouac was living in Manhattan with his second wife, Joan Haverty. He completed the first draft of his second novel, which would go through many changes and become his greatest work. Early titles included The Beat Generation and Gone On The Road.

To write this novel, Kerouac used a new technique, one that he would continue to employ. He typed the manuscript on one long roll of paper instead of separate sheets. He did this because he found that pausing to load new sheets into his typewriter interfered with the flow of his writing.

It took a long time for Kerouac to get the novel published; its style was experimental and it painted a sympathetic portrait of minorities suffering from racist persecution. Editors were uncomfortable with its graphic sexual content (which included both straight and gay sex scenes) and depictions of drug use.

Meanwhile, Kerouac's pregnant wife left him. She gave birth to his only child, a daughter named Jan, but he refused to accept that she was his daughter until she was nine years old and a blood test proved his paternity.

Not long after his daughter was born, Kerouac took off and spent several years traveling extensively throughout the U.S. and Mexico. During this time, he wrote extensively and fell into periods of depression accompanied by heavy drug and alcohol abuse.

In 1954, Kerouac came across Dwight Goddard's book, A Buddhist Bible, in a public library. It began his nearly lifelong interest in Buddhism. A year later, he wrote a biography of the Buddha, Wake Up, which would be published posthumously, in a serialized version, by Tricycle: The Buddhist Review from 1993-95.

In 1957, after being rejected numerous times over the last several years, Kerouac's second novel, the classic On The Road, was bought by Viking Press. They demanded major revisions, which included removing most of the sexual content.

Since Kerouac had used the real names of his relatives and friends, his publisher, fearing libel suits, demanded that he use pseudonyms. So, Kerouac became Sal Paradise and Neal Cassady became Dean Moriarty.

The publication of On The Road brought Kerouac rave reviews, good money, and nearly overnight fame. He was dubbed "the king of the Beat generation." He soon developed a distaste for celebrity, as not everyone appreciated his novel.

Conservatives believed that On The Road was the bible of immorality and despised its popularity with young people. Once, Kerouac was attacked outside a bar in New York by three men and badly beaten.

Nonetheless, his celebrity continued to grow. In 1959, he made a memorable appearance on The Steve Allen Show, reading from On The Road and an early novel, Visions Of Cody. Allen accompanied him on the piano.

During the years Kerouac traveled before the publication of On The Road, he had written the first drafts of what would become his next ten novels. He continued to work on them. His classic novel, The Dharma Bums, was published in 1958.

Also autobiographical, the novel follows Ray Smith (Kerouac) as he goes on a journey in search of enlightenment, which he finds while communing with the outdoors, (hiking and bicycling) traveling aimlessly, and discovering jazz clubs, poetry readings, drunken parties, and of course, Buddhism.

The existentialist novel is most famous for Kerouac's depiction of the legendary 1955 Six Gallery Reading in San Francisco, where the East and West coast factions of Beat literati met to read their works.

The co-promoter of the event was Kerouac's friend, poet Allen Ginsberg, who performed his first public reading of his celebrated classic poem, Howl, which appears in the novel as Wail.

The Dharma Bums became a huge hit with literary critics and readers, who rightfully declared it to be Kerouac's second masterpiece. Unfortunately, the novel was rejected by the leaders of the American Buddhist community.

Disillusioned and depressed, Kerouac abandoned Buddhism and returned to Catholicism. To care for his elderly mother and escape his celebrity, he moved to Northport, New York. He continued to write and published a succession of memorable novels.

These included Visions Of Cody, Doctor Sax, The Subterraneans, Desolation Angels, Lonesome Traveler, and Big Sur. He also wrote collections of poetry.

As a poet, Kerouac was most famous for making the Japanese haiku popular with American readers. His haiku did not follow the traditional three line, seventeen syllable structure, as he knew that more words could be formed in seventeen English syllables than in seventeen Japanese syllables.

So, he wrote his haiku shorter to make them more authentic. His 1959 spoken word album, Blues and Haikus, featured a lengthy reading of haiku, accompanied by the jazz riffs of legendary saxophonists Al Cohn and Zoot Sims.

In the 1960s - the last years of his life - Kerouac's drinking problem grew worse. Although he had been a symbol of rebellious, free spirited, and disaffected youth whose writings defined one generation (the Beats) and set the stage for another, (the Hippies) Kerouac had changed dramatically.

Too old to hit the road again, not knowing what to do with his life, bitter, and suffering from depression and the ravages of his increasingly severe alcoholism, Kerouac had crashed, burned, and plunged into a bottomless quagmire.

He had become as fanatically devout a Catholic as his mother and politically conservative. He denounced the hippies, supported the Vietnam War, and befriended conservative icon William F. Buckley. Though he never inherited his parents' racial prejudices, he did inherit their hatred of communists.

After his mother died, a devastated Kerouac drank harder than ever, consuming a large quantity of alcohol every day. On October 21st, 1969, he was rushed to the hospital after he began hemorrhaging from cirrhosis - veins in his esophagus had burst.

Jack Kerouac died the classic drunkard's death, drowning in his own blood at the age of 47. He had said, "I'm Catholic and I can't commit suicide, but I plan to drink myself to death." Which is exactly what he did.

In 2007, to commemorate the 50th anniversary of Kerouac's classic novel, Viking Press finally published the original, unexpurgated version of On The Road. The novel would finally be adapted as a feature film in 2012.


Quote Of The Day

"I see a vision of a great rucksack revolution thousands or even millions of young Americans wandering around with rucksacks, going up to mountains to pray, making children laugh and old men glad, making young girls happy and old girls happier, all of 'em Zen lunatics who go about writing poems that happen to appear in their heads for no reason and also by being kind and also by strange unexpected acts keep giving visions of eternal freedom to everybody and to all living creatures." - Jack Kerouac


Vanguard Video

Today's video features a 60th anniversary celebration of Jack Kerouac's second masterpiece, The Dharma Bums. Enjoy!


Thursday, March 12, 2020

Notes For March 12th, 2020


This Day In Literary History

On March 12th, 1922, the legendary American writer Jack Kerouac was born. He was born Jean-Louis Kerouac in Lowell, Massachusetts, to French Canadian parents who had emigrated from Quebec. They called him "Ti Jean," which meant "little Jean."

Kerouac's parents were both devout Catholics and ferocious anti-Semites. In an interview with the Paris Review, Kerouac recalled a time when his father assaulted a rabbi for allegedly disrespecting him.

When Jack Kerouac was four years old, his older brother Gerard died of rheumatic fever at the age of nine, which he would write about in his 1963 novel, Visions of Gerard.

The loss of his brother would have a profound effect on him. He didn't speak English until he was six years old and began formal schooling. He continued to speak French at home.

As a teenager, Jack's athletic talents led him to become a hurdler on the high school track team and a running back on the football team. His football skills earned him scholarship offers from Boston College, Columbia University, and Notre Dame.

He went to Columbia. During his freshman year, he cracked a tibia playing football and argued constantly with his coach, Lou Little, who kept him on the bench. So, he dropped out of university.

Kerouac moved to New York City, where he would meet his friends and fellow Beat writers William S. Burroughs, Allen Ginsberg, Neal Cassady, and Herbert Huncke. He began a relationship with Edie Parker, whose friend and roommate, Joan Vollmer, would later marry Burroughs.

Kerouac joined the Merchant Marine in 1942. A year later, he joined the Navy and was honorably discharged - for psychiatric reasons. They diagnosed him as having a schizoid personality. By 1944, he was back in New York, where he found himself caught up in a murder case.

His friend, Lucien Carr, called him for help after killing another friend, David Kammerer. When Carr, who was not gay, spurned Kammerer's sexual advances and declarations of love, the obsessed Kammerer refused to take no for an answer.

Carr ended up stabbing him to death, supposedly in self-defense, but was afraid to call the police. So, Kerouac helped him dispose of the evidence and dump Kammerer's body in the Hudson River. Later, on the advice of William Burroughs, Kerouac and Carr turned themselves in.

Jack's father refused to pay his bail and disowned him. His girlfriend Edie's parents bailed him out and he married her in return. Since Kammerer was seen as a disturbed, predatory homosexual, Carr would serve only two years in prison.

Kerouac, who had been charged as a material witness and possible accessory, was cleared of wrongdoing. Free of legal trouble, Jack began his literary career. He collaborated on a novel with William Burroughs, And the Hippos Were Boiled in Their Tanks.

A fictionalized account of the killing of David Kammerer, it wouldn't be published in its entirety until 2008. It was a raw early work that demonstrated the burgeoning talents of Burroughs and Kerouac, whose parents moved to Queens. Jack lived with them after his marriage ended in an annulment.

Kerouac kept writing, and soon completed his first solo novel, The Town and the City, which was published in 1950 under the name John Kerouac. The epic autobiographical novel of life in rural Massachusetts, like his future works, employed a stream-of-consciousness narrative, but was not nearly as experimental.

The epic novel was cut by 400 pages prior to publication during the editing process. The reviews were good, but the novel sold poorly. Lack of immediate commercial success failed to discourage Kerouac. He wrote constantly, both at home and while drifting about the country.

By 1951, Kerouac was living in Manhattan with his second wife, Joan Haverty. He completed the first draft of his second novel, which would go through many changes and become his greatest work. Early titles included The Beat Generation and Gone On The Road.

To write this novel, Kerouac used a new technique, one that he would continue to employ. He typed the manuscript on one long roll of paper instead of separate sheets. He did this because he found that pausing to load new sheets into his typewriter interfered with the flow of his writing.

It took a long time for Kerouac to get his second novel published because of its experimental writing style and its sympathetic portrayal of minorities suffering from the effects of racism. Editors were also uncomfortable with the novel's graphic sexual content (which included both straight and gay sex scenes) and depictions of drug use.

Meanwhile, Kerouac's pregnant wife left him. She gave birth to his only child, a daughter named Jan, but he refused to accept that she was his daughter until she was nine years old and a blood test proved his paternity.

Not long after his daughter was born, Kerouac took off and spent several years traveling extensively throughout the U.S. and Mexico. During this time, he wrote extensively and fell into periods of depression accompanied by heavy drug and alcohol abuse.

In 1954, Kerouac came across Dwight Goddard's book, A Buddhist Bible, in a public library. It began his nearly lifelong interest in Buddhism.

A year later, he wrote a biography of the Buddha, Wake Up, which would be published posthumously, in a serialized version, by Tricycle: The Buddhist Review from 1993-95.

In 1957, after being rejected numerous times over the last several years, Kerouac's second novel, the classic On The Road, was bought by Viking Press. They demanded major revisions, which included removing most of the sexual content.

Since Kerouac had used the real names of his relatives and friends, his publisher, fearing libel suits, demanded that he use pseudonyms. So, Kerouac became Sal Paradise and Neal Cassady became Dean Moriarty.

The publication of On The Road brought Kerouac rave reviews, good money, and nearly overnight fame. He was dubbed "the king of the Beat generation." He soon developed a distaste for celebrity, as not everyone appreciated his novel.

The conservative element believed that On The Road was the bible of immorality and despised its popularity with young people. Once, Kerouac was attacked outside a bar in New York by three men and badly beaten.

Nonetheless, Kerouac's celebrity continued to grow. In 1959, he made a memorable appearance on The Steve Allen Show, reading from On The Road and an early novel, Visions Of Cody. Allen accompanied him on the piano.

During the years Kerouac traveled before the publication of On The Road, he had written the first drafts of what would become his next ten novels. He continued to work on them. His classic novel, The Dharma Bums, was published in 1958.

Also autobiographical, the novel follows Ray Smith (Kerouac) as he goes on a journey in search of enlightenment, which he finds while communing with the outdoors, (hiking and bicycling) traveling aimlessly, and discovering jazz clubs, poetry readings, drunken parties, and of course, Buddhism.

The existentialist novel is most famous for Kerouac's depiction of the legendary 1955 Six Gallery Reading in San Francisco, where the East and West coast factions of Beat literati met to read their works.

The co-promoter of the event was Kerouac's friend, poet Allen Ginsberg, who performed his first public reading of his celebrated classic poem, Howl, which appears in the novel as Wail.

The Dharma Bums became a huge hit with literary critics and readers, who rightfully declared it to be Kerouac's second masterpiece. Unfortunately, the novel was rejected by the leaders of the American Buddhist community.

Disillusioned and depressed, Kerouac abandoned Buddhism and returned to Catholicism. To care for his elderly mother and escape his celebrity, he moved to Northport, New York. He continued to write and published a succession of memorable novels.

These included Visions Of Cody, Doctor Sax, The Subterraneans, Desolation Angels, Lonesome Traveler, and Big Sur. He also wrote collections of poetry.

As a poet, Kerouac was most famous for making the Japanese haiku popular with American readers. His haiku did not follow the traditional three line, seventeen syllable structure, as he knew that more words could be formed in seventeen English syllables than in Japanese.

So, he wrote his haiku shorter to make them more authentic. His 1959 spoken word album, Blues and Haikus, featured a lengthy reading of haiku, accompanied by the jazz riffs of legendary saxophonists Al Cohn and Zoot Sims.

In the 1960s - the last years of his life - Kerouac's drinking problem grew worse. Although he had been a symbol of rebellious, disaffected youth whose writings defined one generation (the Beats) and set the stage for another, (the Hippies) Kerouac had changed dramatically.

He had become as fanatically devout a Catholic as his mother and politically conservative. He denounced the hippies, supported the Vietnam War, and befriended conservative icon William F. Buckley. Though he never inherited his parents' racial prejudices, he did inherit their hatred of communists.

After his mother died, a devastated Kerouac drank harder than ever, consuming a large quantity of alcohol every day. On October 21st, 1969, he was rushed to the hospital after he began hemorrhaging from cirrhosis - veins in his esophagus had burst.

Jack Kerouac died the classic drunkard's death, drowning in his own blood, at the age of 47. He had once said, "I'm Catholic and I can't commit suicide, but I plan to drink myself to death." Which is exactly what he did.

In 2007, to commemorate the 50th anniversary of Kerouac's classic novel, Viking Press finally published the original, unexpurgated version of On The Road. The novel would finally be adapted as a feature film in 2012.


Quote Of The Day

"I see a vision of a great rucksack revolution thousands or even millions of young Americans wandering around with rucksacks, going up to mountains to pray, making children laugh and old men glad, making young girls happy and old girls happier, all of 'em Zen lunatics who go about writing poems that happen to appear in their heads for no reason and also by being kind and also by strange unexpected acts keep giving visions of eternal freedom to everybody and to all living creatures." - Jack Kerouac


Vanguard Video

Today's video features a 60th anniversary celebration of Jack Kerouac's second masterpiece, The Dharma Bums. Enjoy!