Wednesday, November 11, 2026

Notes For November 11th, 2026


This Day In Literary History

On November 11th, 1821, the legendary Russian writer and philosopher Fyodor Dostoyevsky was born in Moscow, Russia. The second of six kids, Fyodor's father Mikhail was a military surgeon and violent alcoholic.

Mikhail practiced at the Mariinsky Hospital for the Poor in Moscow. Although his parents forbade it, as a young boy, Fyodor would visit the patients in the hospital garden. He loved to listen to their stories.

Mikhail Dostoyevsky was known to exercise despotic rule over his children. After coming home from work, he would take a nap and force his children to stand by him while he slept and swat any flies that came near his head.

In 1839, two years after losing his wife to tuberculosis, Mikhail died as well, supposedly from natural causes, though legend has it that his serfs, tired of his abuse, finally snapped during his last drunken rage, killing him by pouring vodka down his throat until he drowned.

In 1837, after his mother died, 16-year-old Fyodor Dostoyevsky and his brother were sent to the Military Engineering Academy in Saint Petersburg, as their father was determined to make soldiers of them, even though Fyodor was epileptic - he suffered his first seizure at the age of nine.

He would use his experience with the condition to create epileptic characters in his novels, such as Prince Myshkin in The Idiot (1869) and Smerdyakov in The Brothers Karamazov. (1881)

At the Academy, Dostoyevsky hated mathematics, but came to love literature as he studied the works of William Shakespeare, Victor Hugo, Blaise Pascal, and E.T.A. Hoffmann. He was a good student, did well on his exams, and graduated in 1841, receiving his commission.

During his senior year, he wrote two romantic plays, influenced by the works of German playwright and poet Friedrich Schiller. Unfortunately, these early plays have been lost.

While serving in the army, (where he would be promoted to the rank of lieutenant) Dostoyevsky translated Balzac's novel Eugenie Grandet into Russian. It received hardly any notice, so after he left the army in 1844, he began writing his own fiction.

The following year, his first work, an epistolary novella called Poor Folk, was published in the magazine Sovremennik (The Contemporary) and received great acclaim. Legend has it that poet Nikolai Nekrasov, the editor of Sovremennik, said of Dostoyevsky, "A new Gogol has arisen!"

At the age of 24, Fyodor Dostoyevsky had become a literary celebrity. Unfortunately, his second novel, The Double (1846) didn't fare as well as his first. The Double, a psychological study of a government clerk gone mad.

The clerk believes that a co-worker has stolen his identity and become his doppelganger. The novel was trashed by critics, despite Dostoyevsky's eerily accurate depiction of one man's descent into schizophrenia. After the failure of The Double, Dostoyevsky's fame began to fade.

In 1849, while struggling to get his writing career back on track, Fyodor Dostoyevsky suffered another devastating setback. He was arrested for being a member of the Petrashevsky Circle, a liberal intellectual group founded by Mikhail Petrashevsky, a follower of French utopian socialist Charles Fourier.

The Petrashevsky Circle opposed the czarist autocracy and Russian serfdom. Their members included writers, teachers, students, government officials, military officers, and others.

Tzar Nicholas I, fearful that the revolutions being waged in other countries would spread to Russia, mistakenly believed that the Petrashevsky Circle was a subversive revolutionary organization and had its members arrested.

After being forced to endure the psychological torture of a mock execution, Dostoyevsky and his fellow Circle members had their death sentences commuted to prison terms. Dostoevsky was sentenced to four years of hard labor at a prison camp in Omsk, Siberia.

While serving his time at the squalid, freezing, and filthy prison camp, he became disillusioned with Western ideas and converted to Russian Orthodox Christianity, planting the seeds of the next phase of his literary career. He was released from prison in 1854 and returned to the Army, where he was required to serve in the Siberian Regiment.

Dostoyevsky served for five years in the Regiment's Seventh Line Battalion, stationed at a fortress in Kazakhstan. While there, he began an affair with Maria Isayeva, the wife of an acquaintance from Siberia. He married her in 1857, after the death of her husband.

In 1859, the couple moved to Saint Petersburg, where Fyodor ran a series of unsuccessful literary magazines with his older brother, Mikhail. Their last magazine, Ephoka (Epoch) was shut down as the result of its coverage of the Polish Uprising of 1863.

The following year, Dostoyevsky was devastated by the deaths of his wife and brother and plunged into depression and gambling addiction. He gambled away what little he earned from his writings.

He had published several memorable novels, including The Village Of Stepanchikovo (1859), The Insulted And Humiliated (1861), Notes From The House Of The Dead (1862), and Notes From Underground (1864)

By 1865, he was broke. While working on Crime And Punishment, a novel that would become one of his masterpieces, he wrote a novella in order to fulfill his contract and avoid losing his copyrights to his publisher.

The Gambler, first published in 1867, was a grim drama about a tutor who plunges into the depths of gambling addiction, inspired by the author's own ordeal with the sickness.

With the publication of Crime And Punishment in 1886, Fyodor Dostoyevsky established himself as one of the greatest novelists of all time. The landmark novel told the story of Raskolnikov, a poor student who drops out and moves into a tiny room in Saint Petersburg.

Desperate for money, but too proud accept help from even his closest friend, Raskolnikov finally reaches his breaking point and decides to rob and murder Alyona Ivanovna, a nasty, elderly pawnbroker / moneylender.

Unfortunately, Alyona's half-sister Lizaveta walks in on the crime, forcing Raskolnikov to kill her as well. Tortured by guilt, Raskolnikov falls into an unbalanced state, drawing the suspicion of police detective Porfiry.

Raskolnikov falls in love with Sonya, a devout Christian woman forced into prostitution by her father. Seeing her as a spirit guide, Raskolnikov confesses his crime to Sonya. She reads him the gospel story of Jesus raising Lazarus from the dead.

Sonya gives Raskolnikov hope for his own redemption. He goes to the police, confesses, and is sent to a prison camp in Siberia. Sonya follows him, and the novel ends on a note of hope that Raskolnikov will be redeemed under her influence.

Dostoyevsky would follow Crime And Punishment with another masterwork, The Idiot (1869). The tragic story of the love triangle between Christ-like, epileptic Prince Myshkin, fallen woman Nastasya Fillipovna, and Myshkin's friend Rogozhin, would not be translated into English until the 20th century.

In his tragic quest to defend her honor from ridicule and contempt, Prince Myshkin's love for Nastasya is a pure, Christian kind of love, while Rogozhin is driven by lust - which eventually drives him to murder and madness. Another man, Ganya, wants to marry Nastasya just for her dowry, so he can improve his social status.

Dostoyevsky's last novel is considered by most to be his masterpiece - and one of the greatest novels of all time. The Brothers Karamazov (1881) is a dense, philosophical 750+ page epic novel.

It explores and debates the nature of God, morality, and free will. Part satire of human corruption, part a meditation on faith in an age of skepticism, and part murder mystery and courtroom thriller, the novel follows buffoonish, lecherous miser Fyodor Karamazov and his grown sons.

When Fyodor is murdered, his oldest son Dmitri becomes the prime suspect. Each of the Karamazov brothers represents a part of the Russian character. Dmitri is a selfish lout, Ivan is a tortured intellectual, and Alyosha is the spiritual seeker.

Alyosha is Dostoyevsky's heroic prototype of the Christian idealist, yet the Church is not spared from criticism. As Russia stands on the brink of socialist revolution, Ivan delivers one of the most potent criticisms of organized religion ever written.

Although much admired as a writer, Dostoyevsky courted controversy with views that were considered anti-Semitic. In A Writer's Diary, a two volume collection of essays and short stories, he perceived the ethnocentrism and influence of Jews in Russia's border regions as a threat to Russian peasants living in those areas.

However, he would later argue in favor of giving Jews equal rights in Russian society, advising Tzar Alexander II to give Jews the right to assume positions of influence such as professorships at universities. He also expressed a desire to peacefully reconcile Christians and Jews so they could come together in brotherhood.

Fyodor Dostoyevsky spent his last years living at the Staraya Russa resort in Northern Russia. He died of a lung hemorrhage from emphysema and an epileptic seizure on February 9th, 1881, at the age of 59. He still remains a major literary influence.


Quote Of The Day

"The cleverest of all, in my opinion, is the man who calls himself a fool at least once a month."

- Fyodor Dostoyevsky


Vanguard Video

Today's video features a complete reading of Fyodor Dostoyevsky's classic novel The Idiot. Enjoy!

Tuesday, November 10, 2026

Notes For November 10th, 2026


This Day In Literary History

On November 10th, 1973, copies of Slaughterhouse-Five (1969), the classic novel by the legendary American writer Kurt Vonnegut, were burned by administrators of a high school in Drake, North Dakota, as per the orders of the Drake School Board.

Slaughterhouse-Five, considered to be Vonnegut's masterpiece, was a landmark experimental novel. Opening during the Battle of the Bulge in World War II, its main character is Billy Pilgrim, an American soldier.

A poorly trained soldier who hates war, Pilgrim is captured by the Nazis and becomes a prisoner of war. He and his comrades are interned in a prison camp whose quarters used to be a slaughterhouse.

Pilgrim soon finds himself "unstuck in time," as he travels through the past and the future, experiencing historical events out of sequence. He meets a failed science fiction writer named Kilgore Trout, who would return in Vonnegut's 1973 novel Breakfast of Champions.

In his most memorable adventure, Pilgrim is kidnapped by space aliens from the planet Tralfamadore, who exhibit him in their zoo, along with his "mate" - a sex film starlet named Montana Wildhack.

Vonnegut's brilliant, fantastical, and scathing antiwar satire was controversial for its political themes. The novel explored the Allied extermination of tens of thousands of German civilians in the Dresden bombings.

It was also one of the first major literary works to explore the fact that in addition to Jews, Romanis, and political opponents, the Nazis also exterminated homosexuals during the Holocaust.

An English teacher at the Drake high school had assigned Slaughterhouse-Five to his students for classroom study. One student complained to her mother about profane language in the novel, and the disgruntled parent contacted the principal, who brought the issue to the attention of the board of education.

The Drake School Board decided not only to ban Slaughterhouse-Five from the classroom and the school library, but also to confiscate students' personal copies of the novel and burn them. Most of the students refused to turn over their copies of the book, so school officials just broke into their lockers and stole them.

All the seized copies of Slaughterhouse-Five (and other books banned by the Board, including James Dickey's classic suspense thriller Deliverance) were tossed into the school's furnace and burned.

When Kurt Vonnegut learned that copies of his novel had been burned, the irate author wrote the following to a member of the Drake School Board:

Dear Mr. McCarthy:

I am writing to you in your capacity as chairman of the Drake School Board. I am among those American writers whose books have been destroyed in the now famous furnace of your school.

If you were to bother to read my books, to behave as educated persons would, you would learn that they are not sexy, and do not argue in favor of wildness of any kind. They beg that people be kinder and more responsible than they often are. It is true that some of the characters speak coarsely. That is because people speak coarsely in real life.

If you and your board are now determined to show that you in fact have wisdom and maturity when you exercise your powers over the education of your young, then you should acknowledge that it was a rotten lesson you taught young people in a free society when you denounced and then burned books — books you hadn't even read.

You should also resolve to expose your children to all sorts of opinions and information, in order that they will be better equipped to make decisions and to survive. Again: you have insulted me, and I am a good citizen, and I am very real.


Nine years later, in the case of Island Trees School District v. Pico (1982), the U.S. Supreme Court ruled that the First Amendment limits the authority of school boards to remove books from middle and high school libraries.

Students had sued the Island Trees School Board of Long Island, New York, over their ban on Slaughterhouse-Five and other books that they'd declared "anti-American, anti-Christian, anti-[Semitic], and just plain filthy."

Public burnings of books still take place in the United States. In 2019, after Jennine Capó Crucet, a novelist and associate professor at the University of Nebraska, gave a lecture at Georgia State University on her novel Make Your Home Among Strangers, students there burned copies of the book.

The award winning autobiographical novel, which mixed a coming-of-age story with scathing satirical comedy, told the tale of a young Cuban-American woman who enrolls at a prestigious, predominantly white university where white privilege places her at a distinct disadvantage.


Quote Of The Day

"Any reviewer who expresses rage and loathing for a novel is preposterous. He or she is like a person who has put on full armor and attacked a hot fudge sundae."

- Kurt Vonnegut


Vanguard Video

Today's video features a rare recording of Kurt Vonnegut reading from his classic novel, Slaughterhouse-Five.


Friday, November 6, 2026

Notes For November 6th, 2026


This Day In Literary History

On November 6th, 1921, the famous American writer James Jones was born in Robinson, Illinois. In 1939, at the age of eighteen, Jones enlisted in the U.S. Army and was stationed in Oahu, Hawaii, at Schofield Barracks.

After the Japanese attack on Pearl Harbor (which he witnessed) that led his country into World War II, Jones was stationed on Guadalcanal island, where he was wounded in action.

After the war, Jones wrote an autobiographical novel called They Shall Inherit The Laughter, but getting it published proved unsuccessful - it was rejected several times as being too shrill and lacking perspective.

So, Jones abandoned it and began writing what would become his first published novel, an 850+ page epic novel based on his experiences in the Army before and during the war.

From Here To Eternity (1951) was considered a landmark novel for its expose of the dark side of life as a soldier in the U.S. military. The book chronicles the Army's violent subculture of company boxing, its hazing rituals, and the profane language and sexual exploits of its soldiers.

It proved to be quite a shocker, offending both the Army and conservative readers. Nevertheless, it became a best seller. Critics savaged the novel over its frequently misspelled words and numerous punctuation errors.

They didn't realize that the mistakes were deliberate and part of a writing style conceived by the author for this particular book, which won the 1952 National Book Award and has been named one of the 100 Best Novels of the 20th Century by the Modern Library.

The novel opens in the summer of 1941, at Schofield Barracks, Oahu, months before the Pearl Harbor attack. It follows several soldiers in G Company. First Sergeant Milt Warden begins a passionate affair with Karen Holmes, the neglected wife of Captain Dana "Dynamite" Holmes.

Meanwhile, in the conflict at the heart of the novel, Private Robert E. Lee "Prew" Prewitt, an infantryman from Kentucky, refuses to fight on the G Company team, although he's the best boxer. That's because in his last boxing match, he ended up blinding his opponent.

Prew's refusal to fight angers his superiors, (Warden and Holmes) who put him through the Treatment in order to break his will. The Treatment is a daily hazing ritual of brutal physical and psychological torture.

Prew grew up dirt poor and joined the military not out of patriotism, but because it was the only honest way out of poverty. An aspiring career soldier, he understands the motive behind the Treatment and won't allow it to break his will. Prew has a love interest - Lorene, a prostitute who helps him when he gets into trouble.

Trouble comes in the form of Old Ike, a sergeant with whom Prew gets into a scuffle. Sentenced to the stockade and forced to break rocks with a sledgehammer, he must also endure solitary confinement in the "hole" and physical abuse at the hands of the sadistic guards.

When one of the guards beats another inmate to death, Prew vows revenge, which leads to his downfall. The man who once lived for the Army is destroyed by it. In 1953, From Here To Eternity was adapted as a highly acclaimed feature film, directed by Fred Zinnemann.

Due to the novel's length and wealth of objectionable elements (Hollywood's Production Code was still in effect) many wondered if it could be adapted for the screen.

It took over a year to write a suitable screenplay that remained (mostly) faithful to the novel, while at the same time, taming the objectionable elements. Finally, screenwriter Daniel Taradash had a workable script.

Taradash decided that most of the novel's brutality would be better communicated through suggestion. Instead of sending Prewitt (Montgomery Clift) to the military stockade, run by the sadistic Sgt. "Fatso" Judson (Ernest Borgnine), the screenplay sends his friend, Maggio (Frank Sinatra), instead.

This left Prewitt alive for a heroic and happy ending, where he kills Judson to avenge Maggio's death. Since producer Buddy Adler needed the permission of the Army to do location shooting at the actual Schofield Barracks, he and Taradash agreed to make two major changes.

Instead of being promoted as he was in the novel, Captain Holmes, (Philip Ober) who ordered Prewitt to get the Treatment, is cashiered and condemned by his outraged superiors. A long standing animosity is used to explain Judson's torture of Maggio; in the novel, torture is standard procedure.

Taradash's screenplay already cleaned up the soldiers' language, so only one more element needed to be changed for PCA (Production Code Administration) head censor Joe Breen to pass the film: the New Congress Club brothel was changed into a social club for soldiers, a sort of low rent USO instead of a house of prostitution.

In the movie, when one of the girls explains to Prewitt that the "privileges" of Club members are "dancing, snack bar, soft drink bar, and gentlemanly relaxation with the opposite gender so long as they are gentlemen, and no liquor is permitted. Get it?" Prewitt slyly replies "I get it," making it appear that a lot more is going on.

As for the adulterous affair between Warden (Burt Lancaster) and Karen Holmes (Deborah Kerr), Breen's only victory in censoring it was getting Taradash to push back the start of their sexual relationship so that they appear to have become involved out of love for each other rather than lust.

Breen still demanded that they be punished for their affair, but that only comes in the form of a single line of condemnation spoken by Karen when she and Warden end their affair, which seems to have been justified by the buildup of Captain Holmes's bad behavior, including his own infidelity.

Ironically, the famous love scene featuring Karen and Warden wrapped up in each other's arms and kissing passionately on the beach amidst the pounding surf, (which was seen in the film's trailer and print advertising) caused the most moral outrage.

James Jones followed From Here To Eternity with Some Came Running (1957), the story of an Army veteran with literary aspirations and personal problems. Former soldier Dave Hirsh is a cynical alcoholic who finds himself back in his hometown of Parkman, Illinois, after being put on a bus in Chicago while intoxicated.

Also on the bus is Ginny Moorehead, a woman of seemingly loose morals and poor education who is being stalked by her hoodlum ex-boyfriend. Dave doesn't think much of Ginny at first, but eventually, he will see past her flaws and fall in love with her.

He will also be reunited with his embittered older brother, Frank. Frank married well and inherited a successful jewelry business from his wife's father. To Frank, social status is his and his wife's highest priority.

Frank sees his brother as a threat to that, so he tries to make him respectable. Instead, Dave strikes up a friendship with Bama Dillert, a gambler. In 1958, Some Came Running was adapted as a feature film by director Vincente Minnelli.

Featuring Frank Sinatra as Dave Hirsh, Shirley MacLaine as Ginny Moorehead, and Dean Martin as Bama Dillert, the film is rightfully considered a masterpiece. It received five Academy Award nominations.

In 1962, James Jones published The Thin Red Line, the second book in a trilogy of military novels that began with From Here To Eternity. Praised by critics who compared it to Stephen Crane's classic novel The Red Badge Of Courage (1895), The Thin Red Line is a fictional account of the Battle of Mount Austen on Guadalcanal during World War II.

The story focuses on a number of characters and their different, individual reactions to combat, effectively capturing the horrors of the Pacific campaign. The author presents a chillingly realistic, non-judgmental depiction of battle, where ordinary people experience murder, terror, dread, helplessness, frustration, cruelty, emptiness, and other elements of war, including war crimes committed by American soldiers against Japanese soldiers.

For example, Japanese corpses are disinterred for fun or to steal their gold teeth, and Japanese prisoners of war are summarily executed. The author places no moral judgment on these acts, shown as the natural reactions of American soldiers to their environment. The novel was adapted as a film first in 1964, then remade in 1998.

With money earned from the success of From Here To Eternity, James Jones helped form and fund the Handy Writers' Colony in Marshall Illinois, which was conceived as a Utopian commune where aspiring writers could concentrate on their writing.

Organized by Jones' then girlfriend Lowney Handy, (who was still married at the time) the colony dissolved after a few years due to Handy's erratic behavior and Jones' focus on his own novels. He married his wife, Gloria Mosolino, and relocated to Paris.

James Jones continued to write novels. His last book, Whistle, was the third novel in his military trilogy. Suffering from a terminal heart condition while he wrote it, Jones died of congestive heart failure on May 9th, 1977, at the age of 55.

He had died before completing the last three chapters of Whistle, but left extensive notes and recorded conversations, enabling his friend, writer Willie Morris, (best known for his autobiography My Dog Skip) to complete the novel.

Whistle is about four wounded American soldiers in the South Pacific who are taken by hospital ship to a veteran's hospital in the fictional town of Luxor, Tennessee.

Before he began writing it, Jones said that he expected that the novel would say "Just about everything I have ever had to say, or will ever have to say, on the human condition of war and what it means to us, as against what we claim it means to us."


Quote Of The Day

"There are so many young guys, you know - young Americans, and yes, young men everywhere - a whole generation of people younger than me who have grown up feeling inadequate as men because they haven't been able to fight in a war and find out whether they are brave or not. Because it is in an effort to prove this bravery that we fight - in wars or in bars - whereas if a man were truly brave, he wouldn't have to be always proving it to himself. So therefore, I am forced to consider bravery suspect, ridiculous, and dangerous. Because if there are enough young men like that who feel strongly enough about it, they can almost bring on a war, even when none of them want it, and are in fact struggling against having one. And as far as modern war is concerned, I am a pacifist. Hell, it isn't even war anymore, as far as that goes. It's an industry, a big business complex."

- James Jones


Vanguard Video

Today's video features a 64-minute, 1985 documentary on James Jones. Enjoy!


Thursday, November 5, 2026

Notes For November 5th, 2026


This Day In Literary History

On November 5th, 1943, the famous American playwright, screenwriter, director, and actor Sam Shepard was born. He was born Samuel Shepard Rogers IV in Fort Sheridan, Illinois. His parents were teachers.

After graduating from high school, Sam briefly attended college, then dropped out to join a traveling theater group. In 1963, he was working as a busboy in Manhattan's Greenwich Village.

He delved into illicit drugs and for a time became a drummer for the eccentric folk-rock group The Holy Modal Rounders, which were featured in the classic movie, Easy Rider (1969). He avoided the draft for Vietnam by claiming to be a heroin addict.

Shepard returned to the theater, becoming involved with New York's off-Broadway theater scene. Although he acted occasionally, he was primarily interested in writing. His plays were staged at several different off-Broadway venues, mostly at the Theatre Genesis in the East Village.

Richard O'Brien, author and co-star of the musical The Rocky Horror Picture Show, which would be adapted in 1975 as one of the greatest cult classic films of all time, cited Shepard's 1969 science fiction play The Unseen Hand as an influence.

Though Shepard wrote for the stage, he also earned some impressive early screenwriting credits. He contributed to the screenplays for Robert Frank's indie classic Me And My Brother (1968) and Michelangelo Antonioni's classic film, Zabriskie Point (1970).

In the early 1970s, Sam Shepard lived in England for three years, then moved back to the United States, where he settled in the San Francisco Bay Area and became playwright-in-residence at the Magic Theatre, which produced his works.

Some of his notable plays from this period include Geography Of A Horse Dreamer (1974), Suicide In B Flat (1976), and Angel City (1976).

Shepard's 1978 play, Buried Child, won him a Pulitzer Prize for drama the following year and brought him international fame. It was the first time that an off-Broadway play won a Pulitzer Prize.

Buried Child debunks the mythology of the American Dream in its tale of Dodge, the aged, failed patriarch of a dysfunctional Midwestern farm family.

A weak, sardonic alcoholic who is bullied by his wife and children, Dodge represents the archetypal American father's failure to create the environment of "family values" idealized by the American Dream.

Dodge's sons, Tilden and Bradley, are also failures. One is handicapped physically, the other emotionally. They are unable to take over the family farm or care for their parents in their old age.

Never able to make a success of his farm, the now elderly Dodge sits in his living room and decays, his immobility a metaphor for his disappointment and disillusionment. His wife Halie, now in her mid-60s, still worships her late third son Ansel, whom she sees as an All-American hero.

Ansel, a former star basketball player, was found dead in his motel room under suspicious circumstances. Other characters in the play include Reverend Dewis, the family minister - a married man who drinks and carouses with women and once had an affair with Halie.

A subplot finds Shelly, the girlfriend of Tilden's son Vince, (who hates being at his grandparents' house) uncovering the shocking family secret - Vince is the child of an incestuous union between his father and grandmother.

Although Sam Shepard's film career began as a contributing screenwriter, he would turn to acting, debuting as the wealthy farm owner in Terrence Malick's 1978 epic film, Days Of Heaven.

Shepard would follow his debut with a memorable co-starring role in the 1980 movie, Resurrection. It was about a woman, Edna McCauley (Ellen Burstyn), who survives the horrific car accident that kills her husband.

Paralyzed from the waist down, Edna discovers that she has gained the power to heal herself and others. Her new boyfriend Cal Carpenter, (Shepard) a young hellraiser, begins to think that Edna is the second coming of Christ.

Cal becomes a born again Christian. Edna fails to see what her survival and healing powers have to do with religion, and this disturbs Cal greatly. His mental state begins to deteriorate to the point that he becomes dangerously unbalanced, believing that Edna is the Antichrist - and must be destroyed.

In 1983, Sam Shepard co-starred as astronaut Chuck Yeager in The Right Stuff, a performance that earned him an Academy Award nomination for Best Supporting Actor. Although he had a fear of flying, he allowed the real Chuck Yeager to fly him high in preparation for the role.

Shepard appeared in memorable supporting roles in numerous films. He was the voice of the narrator in the 2006 live action feature film adaptation of E.B. White's classic children's novel, Charlotte's Web.

He also co-starred in the 2008 prison drama, Felon, which starred Stephen Dorff as a loving family man who finds himself sent to prison for killing a burglar who had broken into his home.

Shepard would return to screenwriting in 1984, co-writing the Wim Wenders film, Paris, Texas. The following year, he wrote and starred in an adaptation of his play, Fool For Love, directed by the great Robert Altman. In 2005, he co-wrote and starred in another Wim Wenders movie, Don't Come Knocking.

Shepard played an aging Western movie star disgusted with his decadent, meaningless life. So he flees the set of his latest film and hits the road on horseback in search of his past and the woman (Jessica Lange) he left behind twenty years ago.

Sam Shepard proved himself to be one of America's best modernist playwrights. He wrote over 45 plays, eleven of which won Obie Awards, and one the Pulitzer Prize. He also earned Tony Award nominations.

In 1986, he was elected to the American Academy of Arts and Letters, which in 1992 awarded him the Gold Medal for Drama. In 1994, he was elected to the Theatre Hall of Fame. He taught drama for many years.

His classes in play writing and theater arts were held at various theater workshops, festivals, and universities. During the 1970s, he served as a professor at the University of California, Davis.

Sam Shepard died in 2017 at the age of 73, following a battle with ALS, also known as Lou Gehrig's disease. His final play, A Particle of Dread (Oedipus Variations), was written in 2014.


Quote Of The Day

"There are places where writing is acting and acting is writing. I'm not so interested in the divisions. I'm interested in the way things cross over."

- Sam Shepard



Vanguard Video

Today's video features Sam Shepard reading from his work at Trinity College, Dublin, in 2012. Enjoy!


Wednesday, November 4, 2026

Notes For November 4th, 2026


This Day In Literary History


On November 4th, 1948, the famous American poet and playwright T.S. Eliot won the Nobel Prize in literature. Born in St. Louis, he emigrated to England in 1914 at the age of 25. He later became a naturalized British subject.

Eliot is probably most famous today for his whimsical poetry collection Old Possum's Book of Practical Cats, (1939) which was adapted by Andrew Lloyd Webber as the avant garde hit Broadway musical, Cats.

By the time he'd written that book, Eliot had already established himself as one of the most profound poets of his time. His classic poems The Waste Land (1922), Ariel Poems (1927-31), and Ash Wednesday (1930) were steeped deep in spirituality and philosophy.

Eliot's first major work, The Love Song Of J. Alfred Prufrock, (1917) introduced his poetic style, which combined blank verse with long, fragmented images, a style that still influences poetic voice to this day.

Although some scholars consider The Waste Land to be Eliot's masterpiece, most believe that Four Quartets (1945) was his greatest work and what led him to win the Nobel Prize.

Four Quartets was a collection of four long poems (Burn Norton, East Coker, The Dry Salvages, and Little Gidding) inspired by Eliot's considerable knowledge of mysticism and philosophy.

T.S. Eliot's winning the Nobel Prize award came as quite a shock, as he was a controversial figure. A devout Anglican and staunch conservative, Eliot had voiced support for fascism and praised Italian dictator Benito Mussolini before the outbreak of World War II.

He had also been accused of anti-Semitism, an idea that is still hotly debated to this day. In a series of lectures he gave at the University of Virginia in 1933, which were published a year later as After Strange Gods, Eliot said:


What is still more important is unity of religious background, and reasons of race and religion combine to make any large number of free-thinking Jews undesirable.

He would later disavow
After Strange Gods and prevent any part of it from being reprinted.

Eliot was defended by his friends, poet Stephen Spender and writer Leonard Woolf, (the husband of Virginia Woolf) who were both Jewish. Woolf said that Eliot was "slightly anti-Semitic in the sort of vague way which is not uncommon. He would have denied it quite genuinely."

In 2003, Professor Ronald Schuchard of Emory University published the details of a previously unknown series of letters written by T.S. Eliot to Horace Kallen, a Jewish American philosopher.

The letters revealed that during World War II, Eliot helped German and Austrian Jewish refugees settle in England and the United States. In letters he wrote after the war, Eliot voiced support for Israel as a Jewish state.


Despite the controversy surrounding his personal and political beliefs, T.S. Eliot still remains a strong influence on modern poetic voice.


Quote Of The Day

"Genuine poetry can communicate before it is understood."

- T.S. Eliot



Vanguard Video

Today's video features a rare recording of T.S. Eliot reading his classic epic poem, The Waste Land. Enjoy!

Tuesday, November 3, 2026

Notes For November 3rd, 2026


This Day In Literary History

On November 3rd, 1938, the legendary American playwright Terrence McNally was born. He was born in St. Petersburg, Florida, but grew up in Corpus Christi, Texas. In 1956, McNally moved to New York City.

He attended Columbia University, from which he graduated in 1960, earning a degree in English. During his last year at university, McNally became a member of the Phi Beta Kappa Society, an academic honor society for outstanding students of the liberal arts and sciences.

After he graduated, Terrence McNally went to Mexico and began his career as a playwright. He wrote a one-act play which he submitted to the Actors Studio in New York City for production.

The Studio turned down McNally's play, but was impressed with his script and offered him a position as stage manager so he could gain experience in the theater. He moved back to New York and took the job.

While learning the ropes both working and writing for the theater, McNally became the protege and lover of legendary playwright Edward Albee. In 1968, McNally's first produced project made its debut. He had co-written the book for a musical called Here's Where I Belong.

Unfortunately, McNally was so disappointed in the final product that he asked for his name to be removed from the credits. It was a wise decision. The musical bombed and closed after one performance.

That same year, Terrence McNally wrote what would prove to be one of his early breakthrough plays. Sweet Eros opened off-Broadway at the Gramercy Arts Theatre in New York City on November 21st, 1968.

It was part of a double bill with Witness, another early McNally play. Sweet Eros was a 45-minute, one-act, two-character play about a disturbed young man with a history of failed relationships who kidnaps a young woman and brings her to his home in the country.

The play opens with the girl sitting in a chair, bound and gagged, while the young man sits opposite her. He explains his motive for the kidnapping, then methodically strips her naked, both body and soul.

After removing her clothing, he (presumably) rapes his victim, then subjects her to a series of rants and monologues about life and love. He wants to make the girl understand him, and ultimately, submit to him.

Sweet Eros caused a sensation when it opened, because the girl, played by Sally Kirkland, was nude on stage for almost the entire length of the play.

In 1969, McNally once again won critical praise with his timely comedy, Next. Also a one-act, two-character play, Next told the story of Marion Cheever, an overweight, middle-aged sad sack who is mistakenly drafted. He reports to Sgt. Thech, a tough female examining officer.

The two engage in a battle of wits, as Cheever is just as determined to avoid military service as Thech is to induct him. The play opened off-Broadway, on February 10th, 1969, at the Greenwich Mews Theatre.

It was part of a double bill with Adaptation, a play written by Elaine May, who directed both productions. James Coco and Elaine Shore co-starred in Next. Both plays ran for over 700 performances.

In the 1970s, McNally continued to win critical praise with two more comedies, Bad Habits (1974) and The Ritz (1975), which is my favorite McNally play. Bad Habits takes place during one day in a rehab center that caters to various "bad habits."

The play is focused on three particular patients: an alcoholic, a drag queen, and a perverted, sadistic deluded man. Dr. Toynbee is the head doctor at the center.

Described as a saint and revered by everyone, the doctor has developed a serum that can supposedly cure his patients' bad habits, but it only lasts momentarily and doesn't cure anything... or does it?

The Ritz was a landmark gay-themed play that managed to be both poignant and screamingly funny. Gaetano Proclo is a meek, straight businessman from Cleveland on the run from his brother-in-law, murderous mob boss Carmine Vespucci.

Proclo flees to New York City, where he hides out at a Manhattan bathhouse, (The Ritz) not realizing that it's a gay bathhouse. He suspects that something is not quite right as he meets the oddball characters there.

They include a fat fetishist, go-go boys, and a squeaky-voiced detective. Performing at the establishment is Googie Gomez, a third-rate Puerto Rican lounge singer with Broadway aspirations and a fiery Latin temper.

When Proclo realizes that he's staying at a gay bathhouse, he's horrified at first, but soon comes to accept his gay housemates. Then his wife tracks him down and jumps to the wrong conclusion about his sexuality, and Carmine finds him, too!

The Ritz opened on Broadway on January 20th, 1975, at the Longacre Theatre, and ran for 398 performances. Original cast mates Jack Weston, Rita Moreno, Jerry Stiller, F. Murray Abraham, Stephen Collins, and George Dzundza would reprise their roles a year later in an acclaimed feature film adaptation of the play, which was directed by Richard Lester.

In the 1980s, Terrence McNally would establish himself as one of America's greatest contemporary playwrights with his classic play, Frankie and Johnny in the Clair de Lune. The two-character play was about two lonely people - a middle-aged man (Johnny) and woman (Frankie) - who end up in bed after their first date.

Johnny believes that he's found a soul mate in Frankie, but she's not so sure about him. As the night progresses, Frankie and Johnny slowly reveal themselves to each other, baring their souls as they take tentative steps toward the beginning of a relationship.

Frankie and Johnny in the Clair de Lune opened off-Broadway on June 2nd, 1987, at the Manhattan Theatre Club, directed by Paul Benedict (best known as Harry Bentley, the daffy British neighbor of the Jeffersons) and starring Kathy Bates and Kenneth Welsh in the lead roles.

In 1991, the play was adapted as an acclaimed feature film called Frankie and Johnny, starring Al Pacino and Michelle Pfeiffer, who beat out Kathy Bates for the role of Frankie. McNally wrote the screenplay, but the movie differs greatly from the play on which it was based.

McNally would return to musical theater in 1984, writing the book for a musical called The Rink. He would also write the books for hit musicals such as Kiss Of The Spider Woman (1992), Ragtime (1996), and The Full Monty (2000).

In 1990, McNally ventured to a new medium - television, writing the teleplay for a TV movie called Andre's Mother. The acclaimed telefilm was written as an episode of PBS's American Playhouse series. The gay-themed drama is about a woman, Katherine, who is unable to come to terms with the death of her son Andre from AIDS.

So, she directs her rage at his partner, Cal, (she never accepted her son's homosexuality) her own mother, (who did accept her grandson as gay) and even Andre himself. Andre's Mother won McNally an Emmy for Outstanding Writing for a Miniseries, Movie, or a Dramatic Special.

Andre's Mother would be followed by a sequel, Mothers and Sons. Twenty years after losing her son Andre to AIDS, Katherine visits his lover Cal, who is now married to his new partner, Will, in an attempt at reconciliation.

In 1994, McNally wrote another hit gay-themed off-Broadway play, Love! Valour! Compassion! The comedy-drama was about eight gay friends who meet at a lakeside summer vacation home in upstate New York to celebrate the Memorial Day, Independence Day, and Labor Day holidays.

The house is owned by Gregory, a middle-aged choreographer who fears that his creative talent is drying up, and his younger lover Bobby, a legal assistant who is blind.

During their holidays, Gregory, Bobby, and their friends deal with flirtations, infidelity, AIDS, truth telling, and soul searching. The play also includes a dress rehearsal for a wacky production of Swan Lake - performed in drag!

Love! Valour! Compassion! would be adapted as an acclaimed feature film in 1997, with McNally adapting his own play for the screen.

In 1998, McNally wrote his most controversial gay-themed play. Corpus Christi is a brilliant and scathing satire of the Passion play, with Jesus and his disciples depicted as gay men living in Texas.

Mixing elements of ancient times (a Roman occupation) and modern times, (television) the play satirizes religious persecution of gay people. Corpus Christi was scheduled to open off-Broadway at the Manhattan Theatre Club, but the Club's board of directors canceled it.

Death threats had been made by Christian groups against the board members. Their decision to cancel the production angered other playwrights, including Tony Kushner, who threatened to withdraw their own plays from the Club if Corpus Christi was banned.

The board members relented, and the show went on. The play contained scenes that raised the ire of right wing Christians and other conservative religious groups; in one scene, Jesus officiates at a gay wedding between two of his disciples.

In another scene, he is betrayed by Judas, whose betrayal is the act of a jealous lover. On opening night, the Theatre Club was besieged by two thousand protesters. When Corpus Christi opened in London, a Muslim group, Defenders of the Messenger Jesus, issued a fatwa sentencing McNally to death for blasphemy.

With his brilliant, challenging plays, Terrence McNally proved himself to be one of America's greatest contemporary playwrights. His final play, Fire and Air, was written in 2018. He died two years later from Covid complications at the age of 81.


Quote Of The Day

“I don't think I've ever written anything even remotely naturalistic. The closest probably would be seen as Frankie and Johnny, and that's only 'cause they eat a sandwich and make an omelet in act two. But it's a romantic fairy tale, and I'm very aware of that. I don't think it helps the actors in my plays to lose themselves in the reality of talking to another person. A good McNally actor always knows he's in a play with an audience.”

- Terrence McNally


Vanguard Video

Today's video features a documentary on Terrence McNally's most controversial play, Corpus Christi. Enjoy!


Friday, October 30, 2026

Notes For October 30th, 2026


Happy Halloween!


I'd like to wish all of you who celebrate it a happy and safe Halloween. As part of your celebration, I recommend reading the classic horror stories of Edgar Allan Poe, H.P. Lovecraft, Bram Stoker, Mary Shelley, Washington Irving, and Guy de Maupassant!


This Day In Literary History

On October 30th, 1938, the Mercury Theater radio program, famous for its radio play adaptations of classic literature, broadcast a production of War Of The Worlds, an adaptation of the classic science fiction novel by the legendary English writer H.G. Wells.

The radio play was written by and starred the legendary actor, filmmaker, and writer Orson Welles, who had co-founded the Mercury Theater company with actor / director John Houseman.

Welles was only 23 years old at the time of the broadcast, yet he had already established himself as a renowned stage and radio actor, having starred as the voice of the Shadow on that popular suspense series.

The Mercury Theater program aired on Sunday nights at 8PM. Many people would tune in around 8:12PM after the comedy sketch on the Chase & Sanborn Hour variety show (starring legendary ventriloquist Edgar Bergen and his dummy Charlie McCarthy) had ended and a singer filled out the remaining time.

Had these late comers tuned in at the beginning of this particular episode of Mercury Theater, they would have known that what they were listening to was Orson Welles' adaptation of War Of The Worlds.

Instead, they thought they were listening to a real newscast describing an actual Martian invasion of Earth! That's because the radio play was presented in the format of a mock news broadcast.

It began with an announcer reading a weather report, then taking listeners to "the Meridian Room in the Hotel Park Plaza in downtown New York, where you will be entertained by the music of Ramon Raquello and his orchestra."

After a few minutes of dreadful dance music, an announcer broke in with a news bulletin: a scientist, Professor Farrell of the Mount Jenning Observatory, had detected explosions on Mars.

The lame dance music returned, then an announcer broke in again to report that a large meteor had crashed into a farm in Grovers Mills, New Jersey. Soon, an on-the-spot reporter at the crash site begins describing a space alien emerging from a large metallic cylinder:

Good heavens! Something's wriggling out of the shadow like a gray snake. Now here's another and another one and another one. They look like tentacles to me... I can see the thing's body now. It's large, large as a bear. It glistens like wet leather. But that face, it... it... ladies and gentlemen, it's indescribable. I can hardly force myself to keep looking at it, it's so awful. The eyes are black and gleam like a serpent. The mouth is kind of V-shaped with saliva dripping from its rimless lips that seem to quiver and pulsate...

The Martians initiate a massive attack, wiping out 7,000 National Guardsmen and lobbing canisters of poison gas across America. The incredibly realistic radio play featured sophisticated sound effects and a first rate cast of actors portraying announcers and other terrified characters.

When one announcer character reported that widespread panic had broken out at the crash sites, with thousands of people trying to flee, it wasn't far from the truth: a minor panic broke out across the country, as perhaps a million people believed that Martians really had attacked Earth!

The total population of the United States in 1938 was approximately 130,000,000 people, so it wasn't the mass panic of legend that some believe, but a lot of people were frightened by the broadcast.

In New Jersey, people fleeing in terror caused huge traffic jams on the highways. Others begged police for gas masks to protect them from the Martians' poison gas and pleaded with electric companies to shut off the power so that the Martians couldn't see people's lights.

In Indianapolis, a terrified woman ran into a church during evening services, screaming that New York had been destroyed and warning the congregation that the end of the world had come. News of the panic reached CBS studio bosses, who also panicked.

Orson Welles then broke character to remind people that they were listening to a radio play. After the broadcast, the Federal Communications Commission investigated the Mercury Theater program and concluded that no laws had been broken.

Radio networks promised to be more cautious with their programming in the future. Nevertheless, people were furious that the War Of The Worlds broadcast caused so much unnecessary duress.

Most believed that the broadcast was a Halloween prank played on listeners by Welles and his cast mates. It wasn't, but Welles gave them the impression that it was in his snarky on-air apology:

This is Orson Welles, ladies and gentlemen, out of character to assure you that The War of the Worlds has no further significance than as the holiday offering it was intended to be. The Mercury Theater's own radio version of dressing up in a sheet and jumping out of a bush and saying boo. Starting now, we couldn't soap all your windows and steal all your garden gates by tomorrow night... so we did the next best thing. We annihilated the world before your very ears, and utterly destroyed the Columbia Broadcasting System.

You will be relieved, I hope, to learn that we didn't mean it, and that both institutions are still open for business. So goodbye everybody, and remember please, for the next day or so, the terrible lesson you learned tonight. That grinning, glowing, globular invader of your living room is an inhabitant of the pumpkin patch, and if your doorbell rings and nobody's there, that was no Martian. It's Halloween.


Despite Welles's apology, many still believed that the notorious War Of The Worlds broadcast was indeed a mean spirited practical joke aimed at a nervous American public weary from the Great Depression and wary of the looming threat of Hitler and another world war.

Orson Welles feared that his career had been ruined by the controversy, but just the opposite happened. The publicity helped him land a lucrative movie contract with RKO Pictures, for whom he would write, direct, and star in what many (including me) consider to be the greatest film ever made - Citizen Kane (1941).

To this day, the 1938 War Of The Worlds broadcast is rightfully considered an Old Time Radio (OTR) classic and is a treasured favorite of OTR enthusiasts like myself.

The famous radio broadcast would be recreated many times and inspire tribute productions such as the 1994 TV movie, Without Warning. The movie aired on the CBS network as both a Halloween special and a tribute to the Welles radio broadcast.

Taking the form of a mock newscast, the movie told the story of an extraterrestrial contact misinterpreted by the paranoid military, who attacks them. The unseen aliens then attempt to wipe out the human race - and succeed.

Like Orson Welles's famous radio play, the film included disclaimers before and after the commercial breaks stating that it was just a movie. Still, CBS and its affiliate stations were flooded with phone calls from frightened viewers wondering if the film's mock newscast was real.

The other TV networks - ABC, NBC, and Fox - were also flooded with calls asking why they weren't covering the same important story as CBS. The CBS network was later condemned as irresponsible for broadcasting the film on Halloween night.

Like the listeners who tuned in late to Orson Welles's famous radio broadcast, many adult TV viewers who tuned in late to Without Warning because of trick-or-treating or Halloween parties were not sure what they were seeing. Real CBS News graphics were used for the film's mock newscast.

No TV network has attempted a similar Halloween night broadcast since then. Two years before CBS aired Without Warning, the BBC broadcast Ghostwatch, a mock BBC TV reality program supposedly broadcast live from a haunted house and hosted by the legendary British TV journalist Sir Michael Parkinson in the BBC studio.

Many terrified viewers thought it was real, including an 18-year-old developmentally disabled man who then committed suicide, believing that the demonic entity in the film had come into his home, as seen in the film, which ended with the studio possessed and the entity escaping through the live TV cameras into people's homes.

The broadcast also caused some children to suffer post traumatic stress. So great was the uproar it caused that Ghostwatch was never rebroadcast and went unseen for many years until it was finally released on DVD, Blu-Ray, and streaming services.


Quote Of The Day

"Ask not what you can do for your country. Ask what's for lunch."

- Orson Welles


Vanguard Video

Today's video features the complete 1938 Mercury Theater broadcast of War Of The Worlds. Enjoy!