Thursday, March 12, 2026

Notes For March 12th, 2026


This Day In Literary History

On March 12th, 1922, the legendary American writer Jack Kerouac was born. He was born Jean-Louis Kerouac in Lowell, Massachusetts, to French Canadian parents who had emigrated from Quebec. They called him "Ti Jean," which meant "little Jean."

Kerouac's parents were both devout Catholics and ferocious anti-Semites. In an interview with the Paris Review, Kerouac recalled a time when his father assaulted a rabbi for allegedly disrespecting him.

When Jack Kerouac was four years old, his older brother Gerard died of rheumatic fever at the age of nine, which he would write about in his 1963 novel, Visions of Gerard.

The loss of his brother would have a profound effect on him. He didn't speak English until he was six years old and began formal schooling. He continued to speak French at home.

As a teenager, Jack's athletic talents led him to become a hurdler on the high school track team and a running back on the football team. His football skills earned him scholarship offers from Boston College, Columbia University, and Notre Dame.

He went to Columbia. During his freshman year, he cracked a tibia playing football and argued constantly with his coach, Lou Little, who kept him on the bench. So, he dropped out of university.

Kerouac moved to New York City, where he would meet his friends and fellow Beat writers William S. Burroughs, Allen Ginsberg, Neal Cassady, and Herbert Huncke. He began a relationship with Edie Parker, whose friend and roommate, Joan Vollmer, would later marry Burroughs.

Kerouac joined the Merchant Marine in 1942. A year later, he joined the Navy and was honorably discharged - for psychiatric reasons. They diagnosed him as having a schizoid personality. By 1944, he was back in New York, where he found himself caught up in a murder.

His friend, Lucien Carr, called him for help after killing another friend, David Kammerer. When Carr, who was not gay, spurned Kammerer's sexual advances and declarations of love, the obsessed Kammerer refused to take no for an answer and stalked him relentlessly.

Carr stabbed him to death, allegedly in self-defense, but was afraid to call the police. So, Kerouac helped him dispose of the evidence and dump Kammerer's body in the Hudson River. Later, on the advice of William Burroughs, Kerouac and Carr turned themselves in.

Jack's father refused to pay his bail and disowned him. His girlfriend Edie's parents bailed him out on the condition that he marry her, so he did. Since Kammerer was seen as a disturbed, predatory homosexual, Carr served just a brief sentence for covering up the killing.

Kerouac, who had been charged as a material witness and possible accessory, was cleared of wrongdoing. Free of legal trouble, Jack began his literary career. He collaborated on a novel with William Burroughs, And the Hippos Were Boiled in Their Tanks.

A fictionalized account of the killing of David Kammerer, it wouldn't be published in its entirety until 2008 - a raw early work featuring the burgeoning talents of Burroughs and Kerouac, whose parents moved to Queens. Jack lived with them after his marriage ended in an annulment.

Kerouac kept writing, and soon completed his first solo novel, The Town and the City, which was published in 1950 under the name John Kerouac. The epic autobiographical novel of life in rural Massachusetts, like his future works, employed a stream-of-consciousness narrative, but was not nearly as experimental.

The epic novel was cut by 400 pages prior to publication during the editing process. The reviews were good, but the novel sold poorly. Lack of commercial success failed to discourage Kerouac. On the contrary; he vowed to never again compromise his artistic vision for commercial success. He wrote constantly, both at home and while traveling the country in search of himself.

By 1951, Kerouac was living in Manhattan with his second wife, Joan Haverty. He completed the first draft of his second novel, which would go through many changes and become his greatest work. Early titles included The Beat Generation and Gone On The Road.

To write this novel, Kerouac used a new technique, one that he would continue to employ. He typed the manuscript on one long roll of paper instead of separate sheets. He did this because he found that pausing to load new sheets into his typewriter interfered with the flow of his writing, a style he called spontaneous prose.

He defined that vision in his classic essay, Essentials of Spontaneous Prose (1950), likening it to his favorite music, bebop jazz, which possessed a remarkably expressive fluidity despite its experimental, improvised nature. Not everybody got it; Truman Capote famously said of it, "That's not writing, that's typing."

It took a long time for Kerouac to get the novel published; its style was experimental and it painted a sympathetic portrait of minorities suffering from racist persecution. Editors were also uncomfortable with its graphic sexual content (which included both straight and gay sex scenes) and depictions of drug use.

Meanwhile, Kerouac's pregnant wife left him. She gave birth to his only child, a daughter named Jan, but he refused to accept that she was his daughter until she was nine years old and a blood test proved his paternity.

Not long after his daughter was born, Kerouac took off and spent several years traveling extensively throughout the U.S. and Mexico. During this time, he wrote extensively and fell into periods of depression accompanied by heavy drug and alcohol abuse.

In 1954, Kerouac came across Dwight Goddard's book, A Buddhist Bible, in a public library. It began his nearly lifelong interest in Buddhism. A year later, he wrote a biography of the Buddha, Wake Up, which would be published posthumously, in a serialized version, by Tricycle: The Buddhist Review from 1993-95.

In 1957, after being rejected numerous times over the last several years, Kerouac's second novel, the classic On The Road, was bought by Viking Press. They demanded major revisions, which included removing most of the sexual content.

Based on Kerouac's travels throughout America and Mexico with his best friend, Beat icon and future Merry Prankster Neal Cassady, the novel told the story of two disillusioned young men in postwar America embarking on an existentialist journey in search of themselves.

Along the way, they make friends, enjoy the pleasures of wine, women, grass, and jazz, and earn a few bucks to keep the trip going. In the end, the narrator finds himself and settles down with his true love, but his self-absorbed best friend hits the road again for more kicks.

Since Kerouac had used the real names of his relatives and friends, his publisher, fearing lawsuits, demanded that he use pseudonyms. So, Kerouac became Sal Paradise and Neal Cassady became Dean Moriarty. Allen Ginsberg was named Carlo Marx, and William Burroughs became Old Bull Lee.

The publication of On The Road brought Kerouac rave reviews, good money, and nearly overnight fame. He was dubbed "the king of the Beat generation." He soon developed a distaste for celebrity, as not everyone appreciated his novel.

Conservatives believed that On The Road was the bible of immorality and despised its popularity with young people. Once, Kerouac was attacked outside a bar in New York by three conservative men who accused him of corrupting the youth of America. They beat him savagely.

Nonetheless, his celebrity continued to grow. In 1959, he made a memorable appearance on The Steve Allen Show, reading from On The Road and an early novel, Visions Of Cody. Allen accompanied him on the piano.

During the years Kerouac traveled before the publication of On The Road, he had written the first drafts of what would become his next ten novels. He continued to work on them. His classic novel The Dharma Bums was published in 1958.

Also autobiographical, the novel follows Ray Smith (Kerouac) as he goes on a journey in search of enlightenment, which he finds while communing with the outdoors, (hiking, bicycling, and mountain climbing) traveling aimlessly, and discovering jazz clubs, poetry readings, drunken parties, and of course, Buddhism.

The existentialist novel is most famous for Kerouac's depiction of the legendary 1955 Six Gallery Reading in San Francisco, where the East and West coast factions of Beat literati met to read their works.

The co-promoter of the event was Kerouac's friend, legendary poet Allen Ginsberg, who performed his first public reading of his celebrated classic poem, Howl, which appears in the novel as Wail.

The Dharma Bums became a huge hit with literary critics and readers, who rightfully declared it Kerouac's second masterpiece. Unfortunately, the novel was rejected by the leaders of the American Buddhist community.

Disillusioned and depressed, Kerouac abandoned Buddhism and returned to Catholicism. To care for his elderly mother and escape his celebrity, he moved to Northport, New York. He continued to write and published a succession of memorable novels.

These included Visions Of Cody, Doctor Sax, The Subterraneans, Desolation Angels, Lonesome Traveler, and Big Sur. He also wrote collections of poetry.

As a poet, Kerouac was famous for making the Japanese haiku popular in America. His haiku did not follow the traditional three line, seventeen syllable structure, as he knew that more words could be formed in seventeen English syllables than in seventeen Japanese syllables.

He wrote his haiku shorter to make them more authentic. His 1959 spoken word album, Blues and Haikus, featured a lengthy reading of haiku, accompanied by the jazz riffs of legendary saxophonists Al Cohn and Zoot Sims.

In the 1960s - the last years of his life - Kerouac's drinking problem grew worse. A symbol of the rebellious, free spirited, and disaffected youth whose writings defined one generation (the Beats) and set the stage for the next, (the Hippies) Kerouac changed dramatically.

Too old to hit the road again, not knowing what to do with his life, bitter, and suffering from depression and the ravages of his increasingly severe alcoholism, he crashed, burned, and plunged into a quagmire.

In recent years, scholars have speculated that Jack Kerouac's downfall was the end product of Chronic Traumatic Encephalopathy (CTE) resulting from multiple head injuries. When he played football in college, he suffered a concussion so severe that he was knocked unconscious. When he woke up, he didn't know who or where he was, or what he was doing on the field.

It wasn't until after he'd taken that horrific beating outside the bar in New York, which included having his head slammed repeatedly into the pavement by the conservative thugs who attacked him, that his friends began to notice startling changes in his behavior.

The formerly shy, quiet, fun loving and sweet-natured writer began suffering severe mood swings which ranged from sudden outbursts of rage to crippling depression with unexplained crying jags that could last all night. He was coming apart at the seams and it only got worse. His alcohol and drug use escalated alarmingly.

In a letter to a friend, Kerouac himself wrote, "I think I got brain damage."

He had become as fanatically devout a Catholic as his mother and politically conservative. He denounced the hippies, supported the Vietnam War, and befriended conservative icon William F. Buckley. Though he never inherited his parents' racial prejudices, he did inherit their hatred of communists.

After his mother died, a devastated Kerouac drank harder than ever, consuming a large quantity of alcohol every day. On October 21st, 1969, he was rushed to the hospital after he began hemorrhaging from cirrhosis - veins in his esophagus had burst.

Jack Kerouac died the classic drunkard's death, drowning in his own blood at the age of 47. He had said, "I'm Catholic and I can't commit suicide, but I plan to drink myself to death." Which is exactly what he did.

In 2007, to commemorate the 50th anniversary of Kerouac's classic novel, Viking Press finally published the original, unexpurgated version of On The Road. The novel would finally be adapted as a feature film in 2012.


Quote Of The Day

"I see a vision of a great rucksack revolution thousands or even millions of young Americans wandering around with rucksacks, going up to mountains to pray, making children laugh and old men glad, making young girls happy and old girls happier, all of 'em Zen lunatics who go about writing poems that happen to appear in their heads for no reason and also by being kind and also by strange unexpected acts keep giving visions of eternal freedom to everybody and to all living creatures."

- Jack Kerouac


Vanguard Video

Today's video features a 50-minute documentary on Jack Kerouac. Enjoy!


Wednesday, March 11, 2026

Notes For March 11th, 2026


This Day In Literary History

On March 11th, 1916, the famous American children's book writer and illustrator Ezra Jack Keats was born in Brooklyn, New York. He was born Jacob Ezra Katz; his poor Polish-Jewish immigrant parents, Benjamin and Augusta Katz, called him Jack.

As a little boy, it became evident that he was artistically gifted. In 1924, when he was eight years old, he painted a sign for a local storekeeper and was paid twenty-five cents for it.

Jack soon developed a passion for fine arts, and his dream was to become an artist. His mother was delighted, but his father was strongly opposed to him becoming an artist and constantly discouraged him, telling him that he would never make it as an artist.

He excelled in art in elementary school and won a medal for it in junior high. While he attended Thomas Jefferson High School, one of Jack Katz's oil paintings, which depicted unemployed men warming themselves by a fire, was selected by the Scholastic Publishing Company as the winner of its national contest.

The medal he was awarded meant a lot to Jack, and was a major source of encouragement for him. Nevertheless, his father kept discouraging him from pursuing his dream of becoming a professional artist. The country was in the grip of the Great Depression, and Benjamin Katz didn't believe his son could earn a living as an artist.

He wanted him to aim for something practical and become a professional sign painter. Once, he brought Jack some tubes of paint and told him:

If you don’t think artists starve, well, let me tell you: one man came in the other day and swapped me a tube of paint for a bowl of soup.

At school, Jack Katz continued to excel in art. When he graduated high school, he was awarded the senior class medal for excellence in art. Not long afterward, his father collapsed on the street and died of a heart attack.

The police called Jack in to identify the body. He did, and was stunned to discover that in his wallet, his father, who had derided his dream so relentlessly, kept a collection of newspaper clippings that reported on his son's artistic achievements.

Jack later told his friend, poet Lee Bennett Hopkins:

I found myself staring deep into [my father’s] secret feelings. There in his wallet were worn and tattered newspaper clippings of the notices of the awards I had won. My silent admirer and supplier, he had been torn between his dread of my leading a life of hardship and his real pride in my work.

After his father's death, Jack won three scholarships to art school, but he couldn't go because he had to work to help support his family. So, during the day, he worked for the WPA (Works Progress Administration) and at night, he took art classes when he could.

He would leave the WPA three years later to work as a comic book illustrator. By 1942, he was drawing the backgrounds for the popular Captain America comic strip. In April of 1943, He enlisted in the Army, which took advantage of his artistic talent and trained him to design camouflage patterns.

After the war ended, Jack returned home to New York, then left again to spend a year studying art in Paris. When he came back, he resumed his career as a professional artist.

He painted covers for Reader's Digest and drew illustrations for The New York Times Book Review and magazines such as Playboy and Colliers. His oil paintings were sold via Fifth Avenue shop window displays.

Jack made good money, but was haunted by the specter of anti-Semitism that ran rampant in America during the late 1940s and early 1950s. So, Jacob Ezra "Jack" Katz legally changed his name to Ezra Jack Keats.

In 1954, he embarked on a new phase of his art career when he was hired to illustrate a children's book called Jubilant For Sure, written by Elisabeth Hubbard Lansing. "I didn't even ask to get into children's books," he later observed. He fell into it through a contract job.

Jack's memorable illustrations were a hit, and he would be hired to illustrate many more children's books. By 1960, he had decided to write and illustrate his own.

His first book, My Dog is Lost (1960), set the stage for his future works. It told the poignant story of Juanito, a little Puerto Rican boy who just arrived in New York City. He doesn't speak English, and he has lost his dog.

Two years later, Keats completed his next book, which established him as one of the greatest children's book writers of all time. The Snowy Day (1963) featured a 4-year-old black boy named Peter as its hero, as he explores his neighborhood one winter day.

The progressive children's book, with its beautiful illustrations (using Keats's trademark technique that blended gouache with collage) won that year's prestigious Caldecott Award for the most distinguished picture book for children.

Keats described the genesis of The Snowy Day as follows:

Then began an experience that turned my life around—working on a book with a black kid as hero. None of the manuscripts I’d been illustrating featured any black kids—except for token blacks in the background. My book would have him there simply because he should have been there all along. Years before, I had cut from a magazine a strip of photos of a little black boy. I often put them on my studio walls before I’d begun to illustrate children’s books. I just loved looking at him. This was the child who would be the hero of my book.

Keats' hero, Peter, would return for six more books. The last one, A Letter To Amy (1968) finds the now preteen Peter nervous about inviting a girl - his friend Amy, whom he has a crush on - to his birthday party.

So, he writes her a special invitation letter and rushes out to mail it, braving a thunderstorm. On the way, he runs into Amy - literally - and accidentally knocks her down. Will she come to his party now? If so, how will the other boys react when they find out that Peter invited a girl?

Keats would write and illustrate many more classic children's books, including Whistle for Willie (1964), Jennie's Hat (1966), Apt. 3 (1971), Dreams (1974), and The Trip (1978).

All together, he would write and /or illustrate over 85 children's books. The books he wrote would be translated into nineteen languages, including Japanese. Hugely popular in Japan, the city of Tokyo honored Keats with a parade. An ice skating rink in Japan was named after him to commemorate the publication of his book Skates!

Ezra Jack Keats died of a heart attack in 1983 at the age of 67. Though he loved children and they loved him just as much, he never married and had any of his own.


Quote Of The Day

"I wanted to show an ordinary human situation, about a boy who has a crush on a girl, and the magic of what it's like in the city when it rains... I wanted to reflect the quality of magic which transforms the city in so many ways."

- Ezra Jack Keats on his children's book, A Letter To Amy (1968).


Vanguard Video

Today's video features a rare 1970 interview with Ezra Jack Keats on Temple University's Profiles in Literature series. Enjoy!


Tuesday, March 10, 2026

Notes For March 10th, 2026


This Day In Literary History

On March 10th, 1926, the Book of the Month Club published its first selection through Viking Press. The Book of the Month Club was a mail order service for book lovers, founded by ad copywriter Harry Scherman and his partners, Max Sackheim and Robert Haas.

They first broke into the mail order book selling business in 1916 with their Little Leather Library, of "30 Great Books for $2.98" (about $82 in today's money) - miniature reprints of classic novels "bound in limp Redcroft."

In its first five years, the Little Leather Library sold 40,000 copies. After that, business slowed down, and customers clamored for new additions to their "30 Great Books."

So, Scherman and his partners came up with an idea for a new mail order business, one that would automatically ship a new book to customers once a month for them to review. The customer could choose from the main selection or an alternate selection.

Both selections would be chosen by a panel of judges based on literary merit. If the customer didn't like a particular book after reviewing it for a period of time, he could mail it back and not be charged for it.

The new service was called the Book of the Month Club. To induce customers to join the Club, they would be given a list of available books and invited to chose a few of them for one ridiculously low price.

Then, as part of their membership, the customers would agree to purchase a few books "at regular Club prices" within a certain period of time. The so-called "regular" prices were always higher than other booksellers' prices.

The Club published a monthly newsletter that allowed members to send in their own book reviews for others to read. The service would have a lasting impact on the publishing industry and the way books were marketed.

The first selection offered by the Book of the Month Club proved to be a shocker for the Club's 4,000+ members. It was Lolly Willowes, or The Loving Huntsman, the first novel of English writer Sylvia Townsend Warner.

In it, Laura "Lolly" Willowes is a 28-year-old spinster who suffers from the suspicion and disdain with which Edwardian (early 20th century English) society viewed unmarried women.

In Edwardian England, unmarried women couldn't be independent and self-reliant. They couldn't go out and earn their own money to support themselves. Instead, they had to live with relatives and perform thankless chores to earn their keep.

Lolly Willowes faces just such a situation, as she lives with her brother Henry, his wife, and their children. When she finally tires of living a life dedicated to meeting other people's expectations, she rebels in a rather unique way.

She becomes a witch, adopts a black cat, and makes a pact with the Devil to be a self-reliant woman and enjoy a life of peace, quiet, solitude, and independence. Or so she thinks.

The novel is actually a dreamlike Jane Austen-esque dark comedy written in an elegant, lyrical prose style. When Lolly meets a man she thinks is the Devil, she's surprised to find that he's handsome, charming, intelligent, understanding, and a good neighbor!

Lolly Willowes is a clever, darkly funny, metaphorical, existentialist novel of feminist determination that was way ahead of its time. It outraged the members of the fledgling Book of the Month club in 1926 who failed to grasp its metaphors and symbolism.

They saw it as a mockery of Christian family values - the very fabric of proper society - and a glorification of witchcraft, even though the supernatural elements were very understated.

The author, Sylvia Townsend Warner, was a controversial figure herself - she was an openly lesbian, outspoken feminist with an interest and expertise in the occult. Needless to say, she was the object of scorn and gossip in Edwardian England.

Although its first selection shocked and outraged its members, the Book of the Month Club became a huge success. Twenty years after it was founded, the Club had nearly a million members and its stock was traded publicly for the first time.

The Club would later merge with Doubleday and become Bookspan. Its business model would be used by other mail order services, including music and movie clubs, most famously the Columbia House Record and Tape Club, aka the Columbia House Music Club.

These successor services would come under fire for their shady business practices, including charging customers' credit cards for items they didn't want and refusing to honor membership cancellation requests.

Ironically, the services would be scammed out of their own money - a lot of money - by clever customers engaging in fraud schemes of their own. Ultimately, many services went out of business for these reasons.


Quote Of The Day

"When I die, I hope to think I have annoyed a great many people."

- Sylvia Townsend Warner


Vanguard Video

Today's video features a lecture on Sylvia Townsend Warner and her classic novel Lolly Willowes - the Book of the Month Club's first title - recorded at the University of Glasgow. Enjoy!


Friday, March 6, 2026

Notes For March 6th, 2026


This Day In Literary History

On March 6th, 1927, the legendary Colombian writer Gabriel García Márquez was born in Aracataca, Colombia. He was born Gabriel José de la Concordia García Márquez. His parents left him in the care of his maternal grandparents and moved away to seek their fortune.

Gabriel adored his grandparents. His grandfather, Colonel Nicolás Ricardo Márquez Mejía, was a hero of the Thousand Days War, Colombia's civil war of 1899-1902, where the Liberal Party revolted against the country's thoroughly corrupt conservative government:

My grandfather the Colonel was a Liberal. My political ideas probably came from him to begin with because, instead of telling me fairy tales when I was young, he would regale me with horrifying accounts of the last civil war that free-thinkers and anti-clerics waged against the Conservative government.

Gabriel's grandmother, Doña Tranquilina, was a storyteller, and she would regale him with tales of ghosts, premonitions, omens, curses, magic, and such. She was "the source of the magical, superstitious and supernatural view of reality."

It was she who inspired his literary style of magical realism, in which magical elements and events are injected into ordinary, realistic situations.

While studying law at the University of Cartagena, Gabriel García Márquez switched gears and began a career in journalism, during which he would serve as a reporter, columnist, and editorial writer. In 1955, Márquez was working as a writer for the newspaper El Espectador when he uncovered a major scandal.

A Colombian Navy vessel had been shipwrecked in a storm in the Caribbean. The entire crew was washed overboard by heavy waves. After four days, the search was called off and all the men were declared dead.

However, several days later, the sole survivor of the shipwreck, Seaman Luis Alejandro Velasco Rodríguez, was found off the coast of Colombia. He had been drifting on the sea in a raft for ten days - without food. Rodríguez was given a hero's welcome, military honors, and tons of publicity.

When Gabriel García Márquez interviewed Seaman Rodríguez, a much different story came out than the one trumpeted by Colombia's conservative government and the media outlets that served it.

The Colombian Navy vessel had been shipwrecked not by a storm, but by its poorly secured secret cargo - illegal contraband goods - which had broken loose on the deck.

Márquez published a series of 14 news articles on the shipwreck story. These articles would be published in book form as a nonfiction work called The Story of a Shipwrecked Sailor.

The result was a huge public outcry over the fact that the government had lied about the shipwreck. Feeling the heat, Márquez's employers exiled him to Europe to serve as a foreign correspondent.

Around the same time he wrote The Story of a Shipwrecked Sailor, Gabriel García Márquez had published his first novella, Leaf Storm, a work of experimental fiction that takes place in one room during a period of thirty minutes.

The story tells of an aging Colonel - modeled after the author's grandfather - who tries to give a proper Christian burial to a hated French doctor.

Márquez would go on write more great novels, including One Hundred Years of Solitude (1967) and Love in the Time of Cholera (1985). Steeped deep in magical realism and Latin American history, his novels also featured experimental narrative structures and non-linear plots. In 1982, he won the Nobel Prize in Literature.

The awarding of the Nobel Prize to Márquez was considered highly controversial. Although he had become the most famous and celebrated writer in Latin America, he was denounced by right wing critics around the world, especially in the United States.

Márquez was a vocal opponent of U.S. imperialism and the suffering it caused in Latin America. This earned him the friendship of many Latin leaders, including Fidel Castro. For years, Márquez was deemed a subversive and denied entrance visas by the U.S. Department of Immigration.

However, when Bill Clinton was elected President in 1992, he overturned the ban and allowed Márquez to visit America, boldly declaring that the author's classic work One Hundred Years of Solitude was his favorite novel.

In 1999, Márquez was diagnosed with lymphatic cancer. He received chemotherapy at a hospital in Los Angeles. It was successful, and he went into remission. His last work published during his lifetime, a novella called Memories of My Melancholy Whores, was published in 2004.

Five years later, in 2009, Márquez's literary agent, Carmen Balcells, told a Chilean newspaper that the then 82-year-old author would never write another novel. Márquez vehemently denied this, saying "Not only is it not true, but the only thing I do is write."

The following year, an editor at Random House revealed that Márquez was about to complete a new novel called We'll Meet in August. Conceived as a sequence of short stories, the book would go unfinished, as the author's health was deteriorating.

In addition to his other novels and novellas, Gabriel García Márquez also wrote short story collections, works of nonfiction, and movie screenplays. He died in April of 2014 at the age of 87.

A couple of the short stories from We'll Meet in August would be published on their own. Publishers are hoping to reach an agreement with the author's heirs to release all of the completed stories in book form.


Quote Of The Day

"Ultimately, literature is nothing but carpentry. With both you are working with reality, a material just as hard as wood."

- Gabriel García Márquez


Vanguard Video

Today's video features a 25-minute retrospective on the life and times of Gabriel García Márquez. Enjoy!

Noytes

Thursday, March 5, 2026

Notes For March 5th, 2026


This Day In Literary History

On March 5th, 1954, Under Milk Wood, the classic play by the legendary Welsh poet Dylan Thomas, was published in London, England - four months after the author's untimely death. The "play for voices" was originally written for BBC radio.

Under Milk Wood features an omniscient narrator who invites the audience to listen to the dreams and thoughts of the people who live in the small, seaside Welsh village of Llareggub.

The Welsh-sounding name Llareggub is actually a crude English phrase - bugger all - spelled backwards. It's a classic example of Thomas's humor and love of wordplay.

Who lives in Llareggub? The twice married Mrs. Ogmore-Pritchard's husbands are both dead - so she nags their ghosts. The blind Captain Cat dreams of his seafaring adventures and his long dead love, Rosie Probert.

Dai Bread, the village baker, who has two wives, (one for the day and one for the night) dreams of harems. Polly Garter pines for her dead lover and dreams of babies. Meanwhile, Nogood Boyo can't be bothered to dream at all, and Organ Morgan is obsessed with his music.

Those are just some of the 60+ characters in the play, as Thomas paints funny, affectionate, sensitive, and sometimes disturbing portraits of people he had grown up with in the seaside Welsh village of his childhood.

Under Milk Wood had been commissioned and paid for in advance by the BBC. Thomas turned over his handwritten manuscript to a professional typist. After the typed copy was returned to him, he lost it.

He phoned his BBC producer to report the loss and told the man that if he could find the missing manuscript, he could keep it. The producer did find it - in a Soho pub - (imagine that) resulting in legal wrangling over the rightful ownership after Thomas died.

Not long after he lost and regained his manuscript for Under Milk Wood, Dylan Thomas embarked on his final American tour, where he participated in the first reading of his play on May 14th, 1953, at the Poetry Center in New York City. His health had already begun to deteriorate.

Several months later, he would die at the age of 39. At first, Thomas was thought to have died of a cerebral hemorrhage, but then there were reports that he had been the victim of a violent mugging.

Thomas had been an alcoholic notorious for his drinking binges, so some said that he drank himself to death. Others claimed that he died of drug addiction, or succumbed to diabetes complications.

Actually, Thomas died from a severe case of pneumonia, which resulted in swelling of the brain due to lack of oxygen. He had been plagued with breathing problems for some time and used an inhaler. The autopsy showed that his liver was in surprisingly good condition, but there were signs of alcohol poisoning.

In his book Fatal Neglect: Who Killed Dylan Thomas?, author David N. Thomas (no relation) claimed that Dylan Thomas really died from medical malpractice at the hands of his personal physician, Dr. Feltenstein.

Feltenstein had misdiagnosed Thomas's severe pneumonia as delirium tremens and given him morphine. Then, to cover his tracks, he pressured other doctors to conclude that Thomas died from complications of alcoholism.


Quote Of The Day

"An alcoholic is someone you don't like who drinks as much as you do."

- Dylan Thomas


Vanguard Video

Today's video features a complete performance of Dylan Thomas' classic play Under Milk Wood by actor Roger Worrod. Enjoy!

Wednesday, March 4, 2026

Notes For March 4th, 2026


This Day In Literary History

On March 4th, 1952, the legendary American writer Ernest Hemingway completed the manuscript for his classic final novel, The Old Man and the Sea. The novel would first be published in Life magazine that year.

Written while Hemingway was living in Cuba,
The Old Man and the Sea was his favorite work, and with good reason. His previous novel, Across the River and Into the Trees (1950) was savaged by the critics.

They said that Hemingway was washed up as a writer - he had become a parody of himself.
The Old Man and the Sea proved them wrong. It was the comeback novel of the decade, a success he desperately needed.

Hemingway's thrilling tale of Santiago, an aging Cuban fisherman far out in the Gulf Stream who struggles to reel in a giant marlin, won him tremendous praise by critics, who compared his novel with Melville's
Moby Dick and Faulkner's The Bear.

The Old Man and the Sea also won Hemingway the 1953 Pulitzer Prize for Fiction and the 1954 Nobel Prize in Literature. I first read it when I was thirteen and in the eighth grade. My English teacher assigned the class to read this amazing book. I loved it and became a big Hemingway fan. I still am.

The Old Man and the Sea
was first adapted as a feature film in 1958, starring Spencer Tracy as Santiago. Tracy's performance earned him an Oscar nomination.

Still, the film was a disappointment to Ernest Hemingway, who believed that Tracy was miscast - he looked like a rich old white actor, not a poor, aging Cuban fisherman.


A 1990 TV movie adaptation, starring Anthony Quinn as Santiago, proved to be even worse, with Quinn's solid performance sunk by a bad script and a low budget.


The Old Man and the Sea
would prove to be Ernest Hemingway's last great work of literature. Nine years after it was published, in July of 1961, Hemingway committed suicide with his hunting rifle after suffering from health problems and mental illness.

Ironically, even though he had previously voiced the Catholic belief that all suicides go to Hell, the Catholic Church ruled that Hemingway was not responsible for his suicide due to mental illness. He was therefore allowed to be buried in a Catholic cemetery.


Hemingway's father and two of his siblings had also committed suicide, and years later, his granddaughter, actress Margaux Hemingway, would take her life. Some believe that haemochromatosis, which ran in Hemingway's father's family, may have been the cause.

Haemochromatosis is a genetic disease that causes an excessive level of iron in the blood, resulting in damage to the pancreas and instability in the cerebrum - which can lead to depression and mental illness.



Quote Of The Day

"My aim is to put down on paper what I see and what I feel in the best and simplest way."

- Ernest Hemingway



Vanguard Video

Today's video features a complete reading of The Old Man and The Sea
. Enjoy!

Tuesday, March 3, 2026

Notes For March 3rd, 2026


This Day In Literary History

On March 3rd, 1926, the famous American writer James Merrill was born in New York City. His father, Charles E. Merrill, was a founding partner of the Merrill Lynch investment firm. As a young boy, James enjoyed a very privileged upbringing. He had a nanny who taught him French and German.

When Merrill was eleven years old, his parents separated. They would divorce two years later. As a teenager, Merrill attended the Lawrenceville School in New Jersey, where he met and became friends with future novelist Frederick Beuchner.

When he was sixteen, his father surprised him by privately publishing a collection of his short stories and poems under the title Jim's Book. James Merrill would later regard this collection as an embarrassment.

In 1944, Merrill found himself drafted into the Army. He served an eight month tour of duty. When he returned, he resumed his interrupted studies at Amherst College.

One of his professors, Kimon Friar, who was also his boyfriend, privately published a collection of his poems in Athens, Greece. Only fifty copies of The Black Swan (1946) were printed, making the book one of the most sought after literary rarities.

James Merrill's first commercially published book was a poetry collection titled First Poems (1951). In 1953, after a performance of Merrill's play The Bait in New York City, the author met David Jackson, who would become his partner of four decades.

By 1955, they settled in Connecticut. During the first two decades of their relationship, they would visit Greece every year, vacationing in Athens. Merrill's writings often featured Greek themes, locales, and characters.

As a poet, James Merrill's style was elegant and witty. He was a master of wordplay, puns, and traditional poetic forms and meter, but he also wrote many works of free verse and blank verse.

By the 1970s, he had established himself as one of the finest poets of his generation. In 1973, he won the Bollingen Prize. His seventh poetry collection, Divine Comedies (1976), which included his famous narrative poem Lost In Translation, won him a Pulitzer Prize. Divine Comedies also included The Book of Ephraim.

The Book of Ephraim was the first part of a three-book epic poem that would be published first in installments, then in one complete volume as The Changing Light at Sandover (1983).

The 560-page epic poem, sometimes referred to as a postmodern apocalyptic epic, was supposedly the result of twenty years of Merrill's transcriptions of spirit voices channeled through a Ouija board at seances held by Merrill and his partner, David Jackson.

Merrill's friends, admirers, and the literary world itself were quite shocked by his interest in the occult. Whether the epic poem really was dictated by spirit voices is debatable.

There can be no doubt that the books contained in The Changing Light at Sandover represent one of the most dazzling - and longest - epic poems ever written. It won Merrill the National Book Critics Circle Award in 1983.

One volume, Mirabell's Books of Number (1979), won him the National Book Award for Poetry. The Library of Congress awarded him the first Bobbitt National Prize for Poetry for his 1988 poetry collection, The Inner Room.

Although trust funds established during his early childhood provided James Merrill with great personal wealth, he preferred to live modestly and use his wealth to fund his philanthropic endeavors.

He created the Ingram Merrill Foundation, (named after his mother and father) which subsidized literature, the arts, and public television.

He also provided financial assistance to his close friends, poet Elizabeth Bishop and celebrated experimental filmmaker Maya Deren, as well as anonymous donations to other writers and artists.

Though he was best known as a poet, Merrill also wrote three plays, two novels, and works of nonfiction including a memoir, A Different Person (1993).

In this classic memoir, James Merrill painted a candid portrait of gay life during the 1950s and described his crippling bout with writer's block, for which he sought psychiatric help.

He died of AIDS-related complications in 1995 at the age of 68.


Quote Of The Day

"Strange about parents. We have such easy access to them and such daunting problems of communication."

- James Merrill


Vanguard Video

Today's video features a rare recording of James Merrill reading his poem Voices from the Other World. Enjoy!