Thursday, February 21, 2019

Notes For February 21st, 2019

This Day In Literary History

On February 21st, 1903, the legendary French writer Anaïs Nin was born. She was born Angela Anaïs Juana Antolina Rosa Edelmira Nin y Culmell in Neuilly-sur-Seine, a suburb of Paris.

Her father, Joaquin Nin, was a Cuban pianist and composer. Her mother, Rosa Culmell, was a classically trained singer of French and Danish descent. She had two younger brothers, Thorvald and Joaquin.

When Anaïs was a young girl, her family traveled throughout Europe. They lived for a time in Spain and in America, then moved back to her mother's French homeland. There, they lived in an apartment rented from an American friend who had gone away for the summer.

Anaïs, then in her teens, stumbled across the man's collection of French erotic paperbacks and read them all. By then, she had already determined to become a writer, and had begun keeping the diaries for which she would become most famous.

At sixteen, she completed her primary education and became an artist's model. She had begun learning English while her family was living in America; soon she became fluent in English, though French would remain her native language.

In March of 1923, at the age of twenty, Anaïs married her boyfriend, Hugh Parker Guiler, a banker who years later would reinvent himself as an experimental filmmaker named Ian Hugo. The couple settled in Paris and would maintain an open marriage.

While her husband was preoccupied with his banking career, Anaïs took up writing and flamenco dancing. Her first book, published in 1932, was an acclaimed work of nonfiction titled D.H. Lawrence: An Unprofessional Study. She wrote it in just over two weeks.

At the time of its publication, literary critics had begun turning their backs on Lawrence, the legendary English writer best known for his classic and controversial novel, Lady Chatterley's Lover. Anaïs' masterful, scholarly study of Lawrence's works was an eyebrow raiser - no woman had dared praise his controversial writings before.

At the time she wrote her first book, Anaïs Nin was living the bohemian life in Paris. She met the legendary American writer Henry Miller, then a down-and-out expatriate trying to start his own career as a novelist. She let him read her diaries, and they were a revelation to him.

Her writing had the poetry and passion that his lacked. With Anaïs serving as his muse, Miller wrote his classic debut novel, Tropic of Cancer (1934), which made his name as a writer. Meanwhile, Anaïs worked on her own fiction.

While they tried to keep their writing careers going, Anaïs and Henry struggled to make ends meet, as France had also fallen victim to the Great Depression. They and their writer friends soon discovered they could make $1 per page writing pornographic literature for an anonymous private collector.

At first, they did it more for their own amusement than for the money, but soon it became an important source of income during the hard times of the Depression as $1 per page back then is equivalent to about $19 per page in today's money.

Believe it or not, for Henry Miller, writing decent erotica in those days was a struggle. Anaïs Nin, however, was brilliant at it. Her erotica, told from a woman's perspective, was dazzling, poetic, sensual, and even philosophical at times, while also surprisingly graphic.

She explored all the known sexual taboos, including male and female homosexuality, sadomasochism, and incest. Though she retained her original manuscripts for these stories, she never intended to have them published.

Anaïs Nin and Henry Miller became close friends and ultimately lovers. When Miller's wife June arrived in Paris, the relationship would become something of a ménage à trois. Though Anaïs came to love June and found herself attracted to the woman, she preferred sex with men.

In 1936, Anaïs published her first novella, House Of Incest, which would prove to be one of her most famous works of fiction. The Nin family had feared that it was going to be an expose of a recent incestuous affair between Anaïs and her father.

Instead, it was a novella filled with surrealist prose poetry, metaphors, and psychological symbolism, based on a series of dreams she had. Anaïs would later chronicle the actual incestuous affair in her famous diaries.

Shockingly, one of her therapists had encouraged her to seduce, then abandon her father as an act of revenge for his abandonment of her when she was a young girl. The therapist believed that this would leave Anaïs feeling empowered. It didn't.

In the summer of 1939, with the winds of war brewing, Anaïs and her husband left Paris and moved to New York City. She would remain in America for pretty much the rest of her life. In 1947, she met Rupert Pole, an ex-actor sixteen years her junior, in an elevator while on her way to a party. They began dating, then ran off together.

The couple married in Arizona before moving to California. While Anaïs would live with Rupert until her death in 1977, she annulled their marriage in 1966 for tax reasons - and because she had never formally divorced her first husband.

Anaïs continued to write fiction and maintain her diaries. In 1958, she began publishing Cities of the Interior, her classic "continuous novel" which appeared in a series of five volumes. The most famous volumes were the third, The Four-Chambered Heart, and the fourth, A Spy in the House of Love.

While living in California, Anaïs struck up friendships with experimental filmmakers and appeared in a few films. Her most famous film role was of the goddess Astarte in Kenneth Anger's classic film, Inauguration of the Pleasure Dome (1956). She also appeared in Maya Deren's classic experimental film, Ritual in Transfigured Time (1946).

Over the years, Anaïs' famous diaries would be published in a series of eleven volumes. They would also appear as collections of excerpts, the most famous of which was Henry and June: From a Journal of Love (1986).

Henry and June: From a Journal of Love contained excerpts from Anaïs' diaries chronicling her relationships with Henry Miller and his wife, June. This memorable volume would be adapted by director Philip Kaufman as the highly acclaimed and controversial 1990 feature film Henry & June.

Starring Fred Ward as Henry Miller, Uma Thurman as June, and, in a bravura performance, Maria de Medeiros as Anaïs Nin, it was the first movie to be rated NC-17, which had replaced the X rating.

Bowing to pressure groups, most theaters banned NC-17 rated pictures as they had X-rated films, and Henry & June played on only a few hundred screens nationwide. It earned most of its profits in videotape sales and rentals, which were unaffected by the NC-17 rating.

Still, film critics, most famously the legendary film critics Gene Siskel and Roger Ebert, decried the film's rating as undeserved and protested the NC-17 rating in general as unnecessary and continuing the X rating's tradition of imposing censorship on filmmakers.

(Since most theaters, especially shopping mall multiplexes, refused to play X or NC-17 rated movies, filmmakers were forced to cut their pictures to obtain a lower rating in order to get a wider distribution and hopefully make a profit.)

By 1976, Anaïs was losing her battle with cancer when a publisher approached her about releasing a volume of her famous erotic short stories, which everyone knew about but nobody had seen - except for the anonymous patron who had paid her to write them.

She still didn't want to publish them, but her ex-husbands Hugh Parker Guiler and Rupert Pole, both of whom she still loved, had fallen into poverty. She figured that the money could be used to help them out. She died in January of 1977 at the age of 73. Six months later, Delta of Venus was published.

As the publisher had expected, the short story collection became a huge hit, though Anaïs Nin had considered the stories an embarrassment because they were more caricature than serious writing and had been penned for a private patron's money rather than written for publication.

Nevertheless, they provided a memorable exhibition of Nin's talent for erotic literature. They also added to her legacy as a feminist icon. With the success of Delta of Venus, a second erotic short story collection, Little Birds, was published in 1979.

Quote Of The Day

"If you do not breathe through writing, if you do not cry out in writing, or sing in writing, then don't write, because our culture has no use for it." - Anaïs Nin

Vanguard Video

Today's video features Anaïs Nin reading from her famous diaries. Enjoy!

Wednesday, February 20, 2019

Notes For February 20th, 2019

This Day In Literary History

On February 20th, 1926, the famous American writer Richard Matheson was born in Allendale, New Jersey. Born to Norwegian immigrant parents, he would grow up in Brooklyn, New York.

In 1943, after graduating from high school, he joined the military and served as an infantry soldier during World War II. After the war ended, Matheson enrolled at the University of Missouri, where he earned a degree in journalism.

His first published short story, Born of Man and Woman, appeared in 1950, in an issue of The Magazine of Fantasy and Science Fiction. The story is narrated in broken English by the grotesque mutant eight-year-old son of a normal couple.

The "normal" parents keep their son chained in the cellar and beat him frequently. When the mutant boy breaks the rules and sneaks upstairs to spy on his parents, he discovers that he has a normal little sister whom he never met or knew existed.

Encouraged by his first sale, Matheson moved to California, hoping to become a professional writer. There, he married his girlfriend, Ruth Ann Woodson. They had four children, three of whom (Chris, Ali, and Richard Christian Matheson) would become writers.

Richard Matheson's first novel, Someone is Bleeding, was published in 1953, but his third novel, I Am Legend (1954), made his name as a writer. In it, a man named Robert Neville finds that he is apparently the last man left on Earth.

A pandemic quickly wiped out the rest of the world's population, but Neville is immune for some reason. He soon discovers that he is not alone; the world is still inhabited by the infected - who have become vampires that crave his blood.

The disease has mutated and the vampires can now spend brief periods of time in the daylight. After overcoming alcoholism and depression, Neville tries to find a cure for the disease before the vampires become indestructible.

I Am Legend would be adapted three times as a feature film: The Last Man on Earth (1964) starring Vincent Price, The Omega Man (1971) starring Charlton Heston, and I Am Legend (2007) starring Will Smith as Robert Neville.

Matheson's classic 1956 novel, The Shrinking Man, told the story of Scott Carey, a man exposed to radiation after accidentally ingesting an insecticide. The combination of the two alters Carey's biochemical structure, causing him to shrink in size a little every day.

Most of the story finds Carey at only seven inches tall. Ordinary small objects and creatures become terrifying. As he keeps shrinking, Carey soon realizes that he won't shrink to death, as he'd feared. Instead, he'll keep shrinking until he's the size of an atom.

The Shrinking Man is actually a scathing satire of 1950s white middle class manhood. When Scott Carey shrinks to doll size, he finds that he is no longer the man of the house. Now, his wife and children are intimidating him for a change - a huge blow to his ego and masculinity.

The Shrinking Man would be adapted by the author himself as the cult classic film, The Incredible Shrinking Man (1957). It would also be adapted as The Incredible Shrinking Woman (1981), a comic fantasy about the dangers of industrial chemicals and deceptive advertising.

Lily Tomlin starred as an average housewife and mother whose exposure to chemicals in everything from laundry detergents to foods, combined with her unique body chemistry, causes her to shrink a little every day. When she reaches doll size, she becomes a media sensation.

In 1958, Matheson published A Stir of Echoes, a supernatural horror novel about a mild-mannered fellow, Tom Wallace, who is hypnotized at a party by his brother-in-law. Wallace doubts the effectiveness of hypnosis until a post-hypnotic suggestion unlocks formidable psychic powers within him.

Suddenly able to read minds and predict the future, Tom's life plunges into a downward spiral. Then, the spirit of a murder victim begins stalking him, desperately searching for closure. This memorable novel would be adapted as the horror film Stir of Echoes in 1999.

Richard Matheson's success as a novelist and short story writer got him noticed by television. He would write fourteen episodes of the classic TV series, The Twilight Zone (1959-64). His memorable episodes include the classic Nightmare at 20,000 Feet.

In this episode, an aerophobic salesman (William Shatner) notices something terrifying during his flight - a gremlin clinging to the plane's wing, trying to destroy the aircraft. Is it real or all in his mind?

Another great Twilight Zone episode Matheson wrote was Little Girl Lost. In it, a little girl falls out of her bed in the middle of the night and tumbles through a gateway into another dimension. Her father must attempt a daring rescue before the door closes forever.

Matheson and his close friend, writer Charles Beaumont, who also wrote for The Twilight Zone, belonged to the Southern California Writing Group in the 1950s and 60s. Other members included Ray Bradbury, William F. Nolan, Jerry Sohl, and George Clayton Johnson.

In the 1970s, Matheson wrote the screenplays for two TV movies, The Night Stalker and The Night Strangler, which were based on a horror novel by Jeff Rice called The Kolchak Papers. The popular movies would spawn the short lived cult classic TV series Kolchak: The Night Stalker (1974-75).

The first of Matheson's TV movies, The Night Stalker, received record ratings for a TV movie. Darren McGavin starred as Carl Kolchak, a shrewd, obnoxious, wisecracking newspaper reporter covering a series of bizarre murders in Las Vegas.

All of the victims were completely drained of their blood. The police think that they're dealing with an insane serial killer, but Kolchak's investigation leads him to something more terrifying - a vampire. After Kolchak destroys the vampire, the police launch a cover-up and run him out of town.

The sequel, The Night Stangler (1973), finds Kolchak in Seattle, uncovering another supernatural mystery - identical series of murders that have occurred every 21 years since 1931. The killer is on the prowl again, draining more victims of their blood.

This time, instead of a vampire, the culprit is a former Civil War surgeon who discovered an elixir of life that grants him immortality. The formula must be taken every 21 years and requires a quantity of human blood from unwilling donors.

Richard Matheson wrote over two dozen novels and numerous short stories, as well as film and TV screenplays. He won several awards and was inducted into the Science Fiction Hall of Fame in 2010. His final novel, Generations, was published in 2012. He died in 2013 at the age of 87.

Quote Of The Day

"Life is a risk; so is writing. You have to love it." - Richard Matheson

Vanguard Video

Today's video features a Writers Guild Foundation interview with Richard Matheson. Enjoy!

Tuesday, February 19, 2019

Notes For February 19th, 2019

This Day In Literary History

On February 19th, 1917, the famous American writer Carson McCullers was born. She was born Lula Carson Smith in Columbus, Georgia. Her mother was the granddaughter of a Confederate war hero, her father a watchmaker and jeweler.

As a child, Carson McCullers was a musical prodigy. She began taking piano lessons at the age of ten. For her fifteenth birthday, her father gave her a typewriter. Nevertheless, she aspired to become a concert pianist.

In September of 1934, when she was seventeen years old, McCullers left home on a steamship bound for New York City, where she planned to study piano at Julliard. Unfortunately, she lost her tuition money and was unable to attend the school.

McCullers then worked menial jobs while she taking creative writing classes at both Columbia University and New York University. By 1936, at the age of nineteen, her first short story, Wunderkind, was published in Story magazine.

She'd found a new passion and decided to become a writer. A year later, in 1937, she married her husband, Reeves McCullers, an ex-soldier turned aspiring writer. They would separate in 1940. That year, Carson McCullers published her breakthrough debut novel, which established her as one of the greatest writers of her generation.

Set in the Depression-era American South, The Heart Is A Lonely Hunter told the story of four ragtag misfits whose varied lives have several things in common - loneliness, isolation, and seemingly unattainable dreams.

Mick Kelly is a restless 14-year-old tomboy with androgynous looks and musical talent forced to be a mother to her siblings and go to work to support her family; Jake Blount is an alcoholic itinerant laborer whose socialist convictions get him into trouble.

Dr. Benedict Copeland, a black physician, suffers from both tuberculosis and his desire to help free his people from racist oppression. Biff Brannon is a married cafe owner whose masculine appearance masks his inner struggle with his bisexuality.

All four characters are connected by a mutual friend, John Singer, an intelligent deaf-mute who can write, sign, and read lips. They all find peace in Singer's kindness, wisdom, and willingness to listen to and understand them. What they don't know is that Singer is just like them, suffering in silence.

His companion of ten years - a big Greek man and fellow deaf-mute named Spiros Antonapoulos - became mentally ill and was institutionalized by a relative. While Singer was there to listen to other people's problems and comfort them, there is no one to listen to Singer and comfort him, which ultimately leads to tragedy.

All the characters in the novel are sad and intriguing, but there is nothing sentimental about their sadness. In fact, one of the novel's main themes is the selfish nature of loneliness and emotional detachment. The most intriguing characters are Mick Kelly and Biff Brannon, with their sexual ambiguity.

At first, Mick dresses like a boy and acts like one, too. But after experiencing her first romantic relationship with Harry, a Jewish neighbor boy, which results in her first sexual experience, Mick changes her appearance, dressing and acting more like a lady.

Biff Brannon, impotent and emotionally distant from his wife, finds himself sexually attracted to the boyish-looking Mick, but rather than act on his impulses, he keeps his emotional distance.

When Mick starts dressing and acting like a woman, Biff loses sexual interest in her, but warms up to her emotionally. After his wife Alice dies, Biff feels little grief - their marriage was loveless - but he starts wearing her clothes and perfume.

There is also a strong homoerotic tone to the relationship between John Singer and Spiros Antonapoulos - in the beginning, the two deaf-mute men walk together arm in arm, and later, Singer longs for his institutionalized companion - but they are not specifically described as a gay couple.

Carson McCullers was only 23 years old when The Heart Is A Lonely Hunter was published. For such a young novelist to have crafted such a deep and profound novel is amazing. The book became an overnight success, receiving rave reviews.

Critics admired McCullers' handling of racial issues (Dr. Copeland is angry with his fellow blacks who refuse to stand up for their rights and choose to accept their unequal status in society with aplomb) and the evils of anti-communist hysteria.

Her novel would foreshadow the coming of both the civil rights movement and the anti-communist witch hunts that would take place a decade after its publication, conducted by Joseph McCarthy, the notoriously corrupt Republican Senator from Wisconsin.

The Heart Is A Lonely Hunter would be adapted as a feature film in 1968, (starring Alan Arkin as John Singer) and as a stage play in 2005.

In 1946, McCullers published another classic novel, The Member of the Wedding. It told the story of Frankie Addams, a lonely and alienated 12-year-old tomboy who dreams of running away to join her brother and his new wife on their honeymoon in Alaska.

The semi-autobiographical novel was based on McCullers' childhood. It explores the nature of racial and sexual identity, as Frankie is close to her family's black maid and wishes that people could "change back and forth from boys to girls." She would later adapt her novel as a Broadway play.

The issues of sexual identity raised in The Member of the Wedding came from the fact that McCullers herself was bisexual and had struggled with her own identity. Her volatile marriage didn't help matters.

After her separation, she moved in with George Davis, the editor of Harper's Bazaar, but ended up remarrying Reeves McCullers in 1945. Three years later, while suffering from depression, she attempted suicide.

Five years after that, in 1953, Reeves tried to convince Carson to commit suicide with him. She left him and he killed himself with an overdose of sleeping pills. Her 1957 play, The Square Root of Wonderful, was an attempt to come to terms with these painful experiences.

Carson McCullers was sickly throughout her life; she suffered strokes since childhood and contracted rheumatic fever when she was fifteen. By the time she was 31, strokes had paralyzed her left side completely.

She died of a brain hemorrhage in 1967 at the age of fifty. Her unfinished autobiography, Illumination and Night Glare, which she dictated during the last few months of her life, was published posthumously in 1999.

Quote Of The Day

"The thinking mind is best controlled by the imagination." - Carson McCullers

Vanguard Video

Today's video features a rare 1956 interview with Carson McCullers. Enjoy!

Monday, February 18, 2019

IWW Members' Publishing Successes

Wayne Scheer

My story, "Marriage," is up at Everyday Fiction.

Diane Diekman

Thanks to the NFictioners who critted my review of THE MAN IN BACK: Jimmy Capps, The Autobiography. It's been published by the Internet Review of Books.

Joanna M. Weston

I have a triolet up at the Plum Tree Tavern.

Friday, February 15, 2019

Notes For February 15th, 2019

This Day In Literary History

On February 15th, 1986, the original typewritten manuscript of Tropic of Cancer, the classic debut novel of the legendary American writer Henry Miller, was sold at auction for $165,000 - then a record price for a 20th century manuscript and the equivalent of nearly $400,000 in today's money.

At the time Henry Miller wrote Tropic of Cancer - the novel was first published in 1934 - he had been living in Paris, having tired of his American homeland. He had first visited Paris in 1928, along with his wife, June. By 1931, he had emigrated and found work as a proofreader for the Paris edition of the Chicago Tribune newspaper.

Miller's first novel, Clipped Wings, was never published. His second, Moloch: or, This Gentile World, would be published posthumously, though he had abandoned it, calling it "utterly false." He was searching for a new literary direction.

His third attempt at writing a novel, Crazy Cock, though different from the first two, was going nowhere. Written in a conventional format, albeit with some graphic sexual content, Miller knew it would never sell. (It too would be published posthumously.)

Miller knew his writing was missing something, but what? Taking advantage of the highly charged creative atmosphere of Paris, he joined in the writing community and struck up friendships with fellow authors.

When he met legendary French writer Anaïs Nin, she immediately recognized his talent. She became his close friend and lover, and let him read her now famous diaries. Her prose was a revelation to him. He needed that kind of passion and poetry in his writing.

Excited, Miller abandoned Crazy Cock and set about writing a new novel. The muse seized him by the throat and wouldn't let go; as his fingers flew about the keys of his typewriter, he chain-smoked and listened to the jazz or Beethoven that blared from his Victrola.

He would write as many as 20, 30, or even 45 pages a day. When he completed the manuscript, he and Anaïs Nin both knew he had written something special - a novel that would revolutionize literature as the world knew it and probably land its author in jail for obscenity.

Miller was determined to get his new novel, Tropic of Cancer, published. One editor said of him, "Miller is so alive nothing else can exist. It is like being close to the sun."

The novel was brilliant, but the graphic sexual content, which Miller refused to censor, made it unpublishable. Finally, in 1934, Obelisk Press, an English language publishing house in Paris, published Tropic of Cancer unexpurgated.

Miller's fellow Americans would have to wait over 30 years for the novel to be legally published in the United States - it was banned as obscene until the Supreme Court overturned the ruling in 1964, in the case of Grove Press, Inc. v. Gerstein.

Grove would also win the legal right to publish the original, uncensored versions of D.H. Lawrence's Lady Chatterley's Lover, William Burroughs' classic novel, Naked Lunch, and Howl and Other Poems, the classic poetry collection by Allen Ginsberg.

Tropic of Cancer was a novel in the form of a memoir. Combining fiction with autobiography, the novel featured a narrative that alternated between conventional and experimental, combining sober accounts with dazzling stream of consciousness reflections.

Funny, sad, joyous, and mad, passionate and poetic, the novel is rightfully recognized as a masterpiece. In the opening pages, Miller described the book this way:

It is now the fall of my second year in Paris. I was sent here for a reason I have not yet been able to fathom. I have no money, no resources, no hopes. I am the happiest man alive. A year ago, six months ago, I thought that I was an artist. I no longer think about it, I am. Everything that was literature has fallen from me. There are no more books to be written, thank God.

This then? This is not a book. This is libel, slander, defamation of character. This is not a book, in the ordinary sense of the word. No, this is a prolonged insult, a gob of spit in the face of Art, a kick in the pants of God, Man, Destiny, Time, Beauty... what you will. I am going to sing for you, a little off key perhaps, but I will sing. I will sing while you croak, I will dance over your dirty corpse...

One of Miller's dirty corpses was that of his homeland, America. Predicting the uproar over the novel's graphic sexual content, he said:

America will call me the lowest of the low when they see my Cancer. What a laugh I'll have when they begin to spit and fume. I hope they'll learn something about death and futility, about hope, etc. I won't give them a fucking leg to stand on...

Henry Miller was no pornographer; he didn't write about sex to arouse his readers, he simply and honestly celebrated his sexual life. In his classic novella-length essay, The World of Sex (1940), he explained that the sex in his writings was the product of the libertine philosophy that he believed in and based his life on.

He criticized the American "values" that condemned sex as sinful. Instead of openly and honestly accepting and embracing something as wholesome and beautiful as sex, Americans would rather decry it as obscene, leaving the only outlet for sexual expression to smut peddlers.

Miller followed Tropic of Cancer with many more classic novels, including Black Spring (1936), Tropic of Capricorn (1939), and his famous Rosy Crucifixion trilogy - Sexus (1949), Plexus (1953), and Nexus (1960). He died in 1980 at the age of 88.

Quote Of The Day

“The aim of life is to live, and to live means to be aware, joyously, drunkenly, serenely, divinely aware.” - Henry Miller

Vanguard Video

Today's video features a reading from Henry Miller's classic novel, Tropic of Cancer. Enjoy!

Thursday, February 14, 2019

Notes For February 14th, 2019

This Day In Literary History

On February 14th, 1895, The Importance of Being Earnest, the classic play the by legendary Irish writer Oscar Wilde, opened in London. Wilde had written the first draft of the play in just three weeks. It was the fastest play he ever wrote.

The Importance of Being Earnest was also Wilde's most famous play. In this satire of the foibles and hypocrisy of the British upper class, young aristocrat Jack Worthing invents a fictional younger brother named Earnest.

Jack uses his fictitious sibling as a way of getting out of trouble. Sometimes he pretends to be Earnest when it suits his duplicitous purposes. When Jack's friend and fellow aristocrat Algernon Moncrieff learns about Earnest, he also assumes Earnest's identity for his own purposes.

Jack and Algernon's plans backfire when two women fall in love with them, but each girl thinks she's in love with a man called Earnest. In a surprise twist, it turns out that Algernon, who has been impersonating Jack's fictitious sibling, is actually his long lost brother.

The Importance of Being Earnest earned rave reviews and became a hit. It's considered Oscar Wilde's best play. It would also be his last. It closed after 83 performances because of a scandal that had ensnared the playwright.

Wilde was a bisexual who, although married to a woman and the father of her children, preferred men. During his time - the Victorian era in England - homosexuality was considered both a disgrace and a crime under British law punishable by imprisonment.

The Marquess of Queensberry, father of Wilde's male lover Lord Alfred "Bosie" Douglas, publicly accused Wilde of being a "posing sodomite," so Wilde made a complaint of criminal libel against him. The Marquess was arrested and released on bail.

A team of detectives led his lawyers to London's gay underground and details of Wilde's associations with male prostitutes, transvestites, and gay brothels were soon uncovered and leaked to the press, which assailed him nonstop.

Queensberry's lawyers claimed that the alleged libel was done for the public good. He was acquitted and Wilde found himself arrested for "gross indecency" - a term for homosexual acts that were illegal under British law.

The jury in Wilde's first trial failed to reach a verdict. At his final trial, presided by Justice Sir Alfred Wills, Wilde was convicted of gross indecency and sentenced to the maximum of two years imprisonment - a sentence that the judge believed was too lenient for the crime of homosexuality.

Wilde served his sentence at three different prisons. By the time of his release, prison life had left him in poor health. He spent his last years abroad in self-imposed exile, living under the alias Sebastian Melmoth.

The name was based on St. Sebastian (a Christian martyr believed to have been gay) and the main character of Melmoth The Wanderer, a Gothic novel written by Wilde's great uncle, Charles Robert Maturin.

Wilde was broke, so his wife, who refused to meet with him or let him see his children, sent him money when she could. He took up with his first lover, Robert Ross, and they spent the summer of 1897 together in Northern France, where Wilde wrote his classic poem, The Battle Of Reading Gaol.

Despite the objections of their families and friends, Wilde later reunited with Bosie Douglas, and they lived together in Italy in late 1897. They soon broke up, this time for good.

Wilde settled at the Hotel d'Alsace in Paris, where, it has been said, he lived the uninhibited gay lifestyle that had been denied him in England. He died of cerebral meningitis on November 30th, 1900, at the age of 46.

Some have speculated that the meningitis was a complication of syphilis, but Wilde's grandson, Merlin Holland, said that it was a complication of a surgical procedure, most likely a mastoidectomy. Wilde's own doctors blamed the meningitis on an old suppuration of the right ear.

Quote Of The Day

"By giving us the opinions of the uneducated, journalism keeps us in touch with the ignorance of the community." - Oscar Wilde

Vanguard Video

Today's video features a complete live performance of Oscar Wilde's classic play The Importance of Being Earnest. Enjoy!

Wednesday, February 13, 2019

Notes For February 13th, 2019

This Day In Literary History

On February 13th, 1991, the famous auction house Sotheby's announced that the original draft of Mark Twain's classic novel, The Adventures of Huckleberry Finn (1885) had been discovered. Specifically, the first half of Twain's original draft manuscript, which had been thought lost.

The story of this major discovery began with a 62-year-old librarian from Los Angeles. Her aunt, who had lived in upstate New York, recently passed away. Six trunks full of her papers were sent to her niece. When the librarian finally got around to sorting through these papers, she made an incredible find.

Her grandfather, James Gluck, a lawyer and rare book collector, had acted as Twain's literary agent. Twain had sent Gluck the second half of his completed first draft of Huckleberry Finn to sell to the Buffalo and Erie Library in Buffalo, New York. He had once lived in Buffalo.

Twain had lost the first half of his manuscript, which is why Gluck only received the second half. For many years, it was believed that the first half had been lost forever. Then a librarian in Los Angeles sorted through trunks filled with her late aunt's papers.

There, in one of the trunks, she found the lost first half of Twain's original draft of Huckleberry Finn. Stunned, she asked Sotheby's to authenticate the manuscript. They had it shipped by armored car and plane to New York City, and found that it was indeed Mark Twain's lost original first half of Huckleberry Finn.

Since the manuscript contained the author's handwritten corrections and notes, there could be only one explanation for its existence: Twain had found the lost first half of his manuscript and sent it on to James Gluck in Buffalo. By then, he was already working on his second draft and gave no further thought to the original.

Finally put together as a complete whole, the original version of Huckleberry Finn is an amazing discovery. In addition to extended original scenes with more detail, it also included additional scenes that did not appear in the final version of the novel.

One of these additional scenes was a 15-page passage where, on a stormy night, Jim the runaway slave tells Huck Finn stories of his encounters with ghosts and corpses. Deemed too dark and macabre for a novel geared toward children, this scene had to be cut.

After a legal battle between Gluck's heirs, the Buffalo and Erie Library, and the University of Berkeley's Mark Twain Papers Projects over the rights to the manuscript, an amicable settlement was reached between all three parties.

The Buffalo and Erie Library retained the physical manuscript papers and all three parties would share equally in the royalties when the manuscript was published. Many publishing houses were chomping at the bit for the opportunity to publish it.

In 1995, Random House won the the bidding war for the right to publish the original version of The Adventures of Huckleberry Finn.

Quote Of The Day

"Substitute damn every time you're inclined to write very; your editor will delete it and the writing will be just as it should be." - Mark Twain

Vanguard Video

Today's video features a segment from the TV series 60 Minutes on a recent censorship controversy surrounding Mark Twain's classic novel, The Adventures of Huckleberry Finn.

The Craft of Writing in the Blogosphere


News from the World of Writing