Friday, December 30, 2011

Notes For December 30th, 2011


Happy New Year!

The Internet Writing Workshop would like to wish all of its members and blog readers a happy, healthy, prosperous, and productive new year.


This Day In Writing History

On December 30th, 1816, the legendary British poet Percy Bysshe Shelley married his second wife, writer Mary Wollstonecraft Godwin, who would become famous for her classic horror novel, Frankenstein.

Five years earlier, after he was expelled from college for refusing to recant the atheist views expressed in a pamphlet he'd written, Percy Bysshe Shelley, then nineteen years old, went to Scotland.

There, he married his 16-year-old girlfriend, Harriet Westbrook, the daughter of a pub owner. They were married on August 28th, 1811, and Shelley's father disinherited him as a result.

Three years later, Shelley's marriage to Harriet had become unhappy. He often left her alone with their daughter, Ianthe.

When he went to visit the writer, journalist, and philosopher William Godwin at his home and bookshop in London, Shelley also met his daughter, Mary Wollstonecraft Godwin, with whom he fell in love.

On July 28th, 1814, Percy Bysshe Shelley left his wife and ran off with Mary, taking Mary's stepsister Claire Clairmont along for company.

They sailed about Europe, wandered through France, and settled in Switzerland, living mostly on a small inheritance Percy had received from his grandfather. Six weeks later, broke and homesick, they returned to England.

In the summer of 1816, Shelley and Mary made another trip to Switzerland, at the behest of Claire Clairmont, who wanted them to meet the great poet Lord Byron - her ex-lover, whose affections she hoped to recapture.

The Shelleys and Byron rented neighboring houses on Lake Geneva. Percy Bysshe Shelley and Lord Byron became good friends, and their conversations got Shelley's creative juices flowing again; he began writing prolifically.

In December of 1816, not long after the Shelleys returned to England, Percy's estranged wife Harriet committed suicide, drowning herself in the Serpentine in Hyde Park, London.

A few weeks after Harriet's body was recovered, Percy and Mary Shelley were properly married, partly so Percy could regain custody of his children. Unfortunately, the court refused to grant him custody of his children because he was an atheist. They were placed with foster parents.

Six years later, on July 8th, 1822, Percy Bysshe Shelley drowned in a storm while sailing from Livorno to Lirici on his schooner, the Don Juan. The boat, which was custom made for Shelley in Genoa, sank after being pounded by the sudden storm.

Shelley claimed to have had a premonition of his death. Mary Shelley would later claim that her husband's boat wasn't seaworthy. Most believe that the boat was seaworthy and sank as the result of both the violent storm and the poor seamanship of Percy Shelley and his two mates.

Some have claimed that Percy Shelley may have been depressed and committed suicide at sea, while others believe that Shelley's boat was attacked by pirates who mistook it for Lord Byron's ship.

There is also evidence, albeit scattered and contradictory, that Shelley was murdered for political reasons by an agent of the British government, which he had antagonized with his anti-monarchist, pro-Irish views, writings, and activities.

When Shelley's body washed ashore, he was cremated on the beach as per the requirements of the quarantine laws of the time. His heart was rescued from the pyre by his friend, writer / adventurer Edward Trelawny, and given to Mary Shelley, who kept it with her until the day she died, after which, it was interred next to her grave.


Quote Of The Day

"A poet is a nightingale, who sits in darkness and sings to cheer its own solitude with sweet sounds." - Percy Bysshe Shelley


Vanguard Video

Today's video features a reading from Percy Bysshe Shelley's classic essay, A Defense Of Poetry. Enjoy!


Thursday, December 29, 2011

Notes For December 29th, 2011


This Day In Writing History

On December 29th, 1916, James Joyce's classic first novel, A Portrait of the Artist as a Young Man, was published in the United States. It was the first publication of the novel in book form, as it had previously been published in a serialized format in Ezra Pound's literary magazine, The Egoist, from 1914-15.

A Portrait of the Artist as a Young Man was a complete rewrite of Stephen Hero, an earlier novel Joyce had been working on from 1904-05. Frustrated, Joyce abandoned it, but an incomplete first draft of Stephen Hero would be published posthumously in 1944.

Told in Joyce's dazzling, trademark stream-of-consciousness narrative style, (and with his trademark use of dashes in place of quotation marks) A Portrait of the Artist as a Young Man was an autobiographical novel that told the story of the physical, intellectual, philosophical, political, and spiritual coming-of-age of its main character, Stephen Dedalus.

Named after the first Christian martyr, St. Stephen, who also had conflicts with the established religion of his homeland, and Dedalus, the architect of ancient Greek myth who became trapped in a labyrinth of his own design, Stephen Dedalus begins to question the Catholic doctrine he was brought up to believe in. He eventually rebels against the Church and renounces his religion.

In Dedalus' native Ireland, the Church exerts a tremendous amount of influence on and power over all aspects of secular life, including the government. Whether one is on the political left or right, or in the middle, one cannot escape the power and influence of the Catholic Church.

Realizing this, Stephen Dedalus refuses to commit himself to any political party or beliefs. He also realizes that there is no future for him in Ireland, so he leaves the country and moves abroad to pursue his artistic calling.

In a 1907 lecture, Joyce discussed the issues that Dedalus faces in the novel:

The Irishman, finding himself in another environment, outside Ireland, very often knows how to make his worth felt. The economic and intellectual conditions of his homeland do not permit the individual to develop.

The spirit of the country has been weakened by centuries of useless struggle and broken treaties. Individual initiative has been paralyzed by the influence and admonitions of the church, while the body has been shackled by peelers, duty officers and soldiers. No self-respecting person wants to stay in Ireland. Instead he will run from it, as if from a country that has been subjected to a visitation by an angry Jove.


A seminal early novel that established the literary style and personal philosophy of one of the world's greatest writers, A Portrait of the Artist as a Young Man is a must read for anyone interested in James Joyce or great novels.

Its main character, Stephen Dedalus, would reappear as one of the main characters in Joyce's controversial epic masterpiece, Ulysses.


Quote Of The Day

"Art is the human disposition of sensible or intelligible matter for an aesthetic end." - James Joyce


Vanguard Video

Today's video features a rare recording of James Joyce himself reading from his classic novel, Finnegan's Wake. Enjoy!

Wednesday, December 28, 2011

Notes For December 28th, 2011


This Day In Writing History

On December 28th, 1917, A Neglected Anniversary, the famous satirical essay by legendary American essayist, satirist, and journalist H.L. Mencken, was published in the New York Evening Mail.

The essay appeared to be a legitimate article on the American invention of the bathtub, but it was really a hoax - a practical joke on the American press and one of many classic Mencken jabs at the American bourgeoisie, which he liked to call the booboisie.

In a narrative parodying the style of an editorial, Mencken chided the public for failing to recognize such an important American cultural event as the anniversary of the invention of the bathtub.

"Not a plumber fired a salute or hung out a flag. Not a governor proclaimed a day of prayer. Not a newspaper called attention to the day," he lamented. To forget such an important anniversary was downright unpatriotic!

The nation had simply forgotten that the very first bathtubs appeared in Cincinnati. Why? Mencken believed it was because the bathtub had been denounced by the watchdogs of society as "an epicurean and obnoxious toy from England, designed to corrupt the democratic simplicity of the Republic."

The bathtub was also denounced by the American medical establishment, which believed that bathing in a tub caused "phthisic, rheumatic fevers, inflammation of the lungs and the whole category of zymotic diseases."

In a (seemingly) thoroughly researched account of the Great Bathtub Debate, Mencken observed:


The noise of the controversy soon reached other cities, and in more than one place medical opposition reached such strength that it was reflected in legislation. Late in 1843, for example, the Philadelphia Common Council considered an ordinance prohibiting bathing between November 1 and March 15, and it failed of passage by but two votes.

During the same year the legislature of Virginia laid a tax of $30 a year on all bathtubs that might be set up, and in Hartford, Providence, Charleston and Wilmington (Del.) special and very heavy water rates were levied upon those who had them. Boston, very early in 1845, made bathing unlawful except upon medical advice, but the ordinance was never enforced and in 1862 it was repealed.


Mencken was surprised and delighted when newspapers across the country fell for his phony article on the history of the American bathtub and republished it. Not only that, the "facts" in the article were added to reference books and touted by the health and hygiene industry.

The makers of calendars for the White House observed Mencken's anniversary of the bathtub and his claim that Millard Fillmore had been the first U.S. President to install one at the White House.

Eight years after he wrote the bathtub article, Mencken decided it was time to end the joke and expose the hoax. He published a confession, but some people believed that was the real hoax, and his phony bathtub anniversary continued to be commemorated.

Mencken had written A Neglected Anniversary as a satirical slap at both the gullibility of the American booboisie and the American press, which had been acting as part of the government's propaganda machine. In 1917, when the article was published, the United States had entered World War 1. Unlike World War 2, the U.S. had not been attacked.

Many Americans were apprehensive about entering World War 1 to fight Germany and her allies. So, for propaganda purposes, the press smeared everything German. American citizens of German descent were denounced as "dirty Huns" and their patriotism was questioned. Even prominent German-American writers like H.L. Mencken and his close friend Theodore Dreiser were denounced.

The propaganda machine went to such absurd lengths that sauerkraut, the popular German side dish, had been renamed "liberty cabbage" by the U.S. government. Sound familiar? Remember "freedom fries?"

When the press smeared him for daring to admit that he wasn't ashamed of his German heritage and that he admired German culture, Mencken had enough. A Neglected Anniversary was his revenge on the press for being part of the propaganda machine instead of the objective journalists they were supposed to be.

What did Mencken think of Germany during the second World War? When Hitler first came to power, Mencken dismissed him as a buffoon. When the Nazis began persecuting Jews, Mencken compared Hitler's Third Reich to the American Ku Klux Klan.

And, when President Franklin D. Roosevelt refused to admit Jewish refugees into the United States, Mencken blasted him publicly. He was one of the first American journalists to speak out against the persecution of Jews in Germany at a time when even the New York Times remained silent on the issue.

H.L. Mencken died in 1956 at the age of 75. One can only imagine what he'd think of the times we live in now, and media outlets like the Fox News Channel that serve the propaganda machine, presenting lies as truths.


Quote Of The Day

"A newspaper is a device for making the ignorant more ignorant and the crazy crazier." - H.L. Mencken


Vanguard Video

Today's video features a clip of a rare interview with H.L. Mencken - the only recording of his voice known to exist. Enjoy!

IWW Members' Publishing Successes

As the year winds down, many Internet Writing Workshop members continue to wind up enthusiasm for writing and finding publishing success.

We lead our final 2011 list with Rosana Atreya's announcement; she stayed the course for five years, and her shortlisted book (up for the Tibor Jones South Asia Prize for unpublished manuscripts) exemplifies purpose and perseverance.

Ann Hite and Mel Jacob also made major announcements and have much to celebrate, so be sure to read through to the end and discover what promises to be a very Happy New Year for them and other IWW members.

Congratulations to all for some well deserved publishing successes!

Jody

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Rasana Atreya

My book, Tell A Thousand Lies, has been shortlisted for the Tibor Jones South Asia Prize for unpublished manuscripts.

Needless to say, Fiction group on IWW gets a big thank you (with specific mentions of Holly Michael, Carol Kean, Yael Politis, Regina Zeller Wingate, Vrinda Baliga, Silvia Villalobos).

And let's not forget all the wonderful people in Practice-W who put up with my pathetic first attempts, gently steering me to better writing: Albert Ervine, Alice Folkart, Mira Desai, Kathy Highcove, Wayne Scheer, Carol Hicks. Please forgive me if I've left out names.

~~~

Bill Backstrom

My very short story, "Midnight Crossing," was the Dec. 15 selection for OneFortyFiction.

~~~

Barry Basden

"Hawaiian Reservations," started as just another little nailpolish story. Then it got really long, with a new title. It was snapped up a few hours after submission to Airplane Reading.

Instant gratification.

~~~

Jan Bridgeford-Smith

My short story, "Grace's Good Intentions," was published in the inaugural edition of Lady Ink Magazine. The work of several IWW members can be found in this first issue!

The PDF version is a modest price and the publication is filled with interesting stories, poems, and art that "...seeks to promote an egalitarian view of women...and non-cliched treatments of the female form."

~~~

Mark Budman

A great review of Sudden Flash Youth: 65 Short-Short Stories. I am a co-editor.

~~~

Guilie Castillo

The link to my story, "Mischievous Moonlight," is now live on Fiction365.

Heartfelt gratitude to Wayne for this; after his Yahoo yesterday, I submitted a piece to Pure Slush and it's been accepted.

The piece is "Piano Sonata in C Major, K 545," which started as an exercise for Practice. Thank you so much to everyone that helped to make it stronger and publishable.

~~~

Jeannette de Beauvoir

My play about Harriet Quimby and Amelia Earhart was just published in the first issue of Lady Ink.

~~~

Ann Hite

I received the best of news late yesterday afternoon. The second book in the Black Mountain series will be published by Gallery Books, an imprint of Simon & Schuster. And I even get a slightly higher advance and an exciting promotional plan this time around ;). Those of us in the publishing industry know this is not a small accomplishment with the hard times the book business is going through at the moment. I'm very excited and see this as a wonderful Christmas gift. More exciting news to come about promotion for both Ghost and new book but this by far is thrilling. Ghost has only been out three months! We're on a roll.

Thank you for all your support and belief in me. I don't know what I'd do without you.

Also, Ghost On Black Mountain is one of the ten finalists for The Townsend Prize for Best Fiction. This is a prize given away every two years. My publisher is thrilled, but not as thrilled as me ;). Just being a finalist is a dream come true and gives me a place in Southern Fiction.

~~~

Mel Jacob

Just got the offer for a mystery to be published in July 2012. That means I'll have two novels coming out in 2012.

~~~

Jacquelynn Rasmenia Massoud

My story, "Muddy Promise" has been published by Every Day Fiction and is now online.

It may be worth mentioning that Every Day Fiction does pay $3 U.S. for a story. This can buy me two espressos from the cafĂ© up the road. So, $3 = a moment of happiness.

~~~

Pauline Micciche

My story, "The White Shoes," came in second in the public voting phase of the Columbus Creative Cooperative's "Shoes" Flash Fiction Contest. Unfortunately it did not win one of the prizes in the final phase conducted by Columbus Creative Cooperative judges.

~~~

Sarah Morgan

I haven't been writing much of late, but I'm pleased as punch to see my little "Rubber Boot Koan" appears in Four and Twenty's December 2011 issue. Click here for the pdf version and scroll down through the poems. Mine is number 19.

I've found the turnaround from submission to acceptance (or not) is quite quick. It's a fun place and the editors are great to work with.

~~~

Bob Sanchez

Holly Jahangiri did a great job interviewing me at her blog, The Next Goal.

I'd love it if you'd stop by and leave a comment.

Five Amazon reviews in December--two for When Pigs Fly and three for Little Mountain.

I'm tickled!

~~~

Wayne Scheer

My story, "Early Morning Reverie," is up at Pure Slush.

Fiction365 bought my story, "The Dance of the Long-Time Marrieds." It's set for publication in about a month and a half. They pay $10 for fiction ranging from flash to full-length stories.

Pure Slush accepted my flash, "A Jazz Tune-Up" for their January 18 issue. Each month is devoted to a theme. January's theme is music. They are still accepting stories for January.

Two small victories.

An old flash from Practice, "There's Always Hope," is up at Airplane Reading. Barry Basden is right about how this is a good site if you need instant gratification. I sent them the story last night. It was accepted and up on their site in the morning. They're looking for stories involving airplane travel.

My poem, "Keeping the Earth in Orbit," has been accepted at Long Story Short for a future issue.

Flash Fiction Offensive puts the offensive in Christmas stories. The editor has been putting up Christmas Grit for a while now and my flash, "Home for the Holidays," was published December 26. It's the place to go if you need an antidote for holiday sweets.

I have a "Bouquet of Shorts" up at Apollo's Lyre. FYI: I've notified the editor about two errors that need correcting.

~~~

Pat St. Pierre

My poem "The Green Shuttered Cape" was one of the 10 honorable mentions in the 14th Mattia International Poetry Contest (a Canadian contest). I have won honorable mentions there several times.

Just received an email from Silver Boomer Books that published "The Harsh and the Heart" military poems/stories (a poem of mine) in print; it will be an ebook on Amazon's Kindle.

So I guess that's more exposure of my work.

~~~

Joanna M. Weston

I'm so pleased that my poem, "Rain," is up at the Camel Saloon.

A poem, "The Gardener," is up at Mused Online, the current issue, 9th from the bottom!

Two stories up at Nailpolish Stories. I just had to try these, thanks to Barry.

Happy New Year.

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Tuesday, December 27, 2011

Notes For December 27th, 2011


This Day In Writing History

On December 27th, 1904, Peter Pan, the classic play by the famous Scottish playwright and novelist J.M. Barrie, opened in London at the Duke of York's Theatre. The play, whose full title was Peter Pan, or the Boy Who Wouldn't Grow Up, a beloved fairy tale which the author would novelize seven years after its stage premiere, actually had its roots in tragedy.

In 1866, when James M. Barrie was six years old, his 13-year-old brother David died suddenly. He was killed in an ice skating accident, leaving their mother devastated, as David had been her favorite son. To ease his mother's grief, (and finally get some attention from her) James took to wearing David's clothes in her presence and whistling the way David always did.

Barrie's mother was able to come to terms with her grief, and took comfort in knowing that David would be a boy forever, and never grow up to leave her. James took similar comfort in dealing with his own grief over his brother's death. Although the character wasn't named after him, it would be David he was thinking of when he conceived the character of Peter Pan - another boy who would never grow up.

Peter Pan was named after Peter Llewelyn Davies, one of the five Llewelyn Davies boys. Barrie was a close friend of the Llewelyn Davies family; the boys - Peter, George, John, Michael, and Nicholas - called him Uncle Jim. After the sudden deaths of their parents, Barrie was named one of their guardians in their mother's will.

The play opens with Peter Pan making another of his secret nighttime visits to the Darling family of Kensignton, London, to listen to Mrs. Darling tell her children a bedtime story. Peter is a boy of about twelve years old. He never grew up, and doesn't want to. He has become an immortal child who can fly. He lives in a magical place called Neverland.

On this particular visit, Peter is accidentally spotted. He flees, but loses his shadow. When he returns later to get it back, he wakes Mrs. Darling's oldest child, Wendy - a girl of about Peter's age. After she reattaches Peter's shadow to him, he invites Wendy and her two brothers, John (about ten years old) and Michael (about five) to Neverland. To get there, he teaches them how to fly.

In Neverland, the Darling children have many adventures. They meet the Lost Boys - whom Peter rescued after they got lost in Kensington Gardens - and Peter's fairy friend, Tinker Bell, who seethes with jealousy when Wendy falls in love with Peter and he begins to have romantic feelings for her.

Soon, however, Peter Pan finds himself once again battling his archenemy, the murderous pirate Captain James Hook, who blames Peter for his hand being bitten off by a crocodile. First, Peter saves Indian (Native American) princess Tiger Lily from Captain Hook and his pirate crew, then he must save Wendy, John, and Michael when they're captured by Hook.

The most famous scene in the play finds Peter, not realizing she's been kidnapped, deciding to take his medicine to please Wendy. After kidnapping Wendy and her brothers, Captain Hook had poisoned the medicine. Tinker Bell, having no time to warn Peter, drinks the medicine herself.

As she lies near death, Tinker Bell tells Peter that her life could be saved if children believed in fairies. So, Peter turns to the audience and pleads with the children watching to clap their hands if they believe in fairies. This always results in an explosion of applause, and Tinker Bell is saved.

In the end, Peter saves Wendy and her brothers and feeds Captain Hook to the crocodile who bit off his hand. Then he sails Hook's ship back to London. Peter wants Wendy to stay with him in Neverland, but she decides that her place is at her home in London. She, like all children, must grow up.

Not wanting to lose Wendy, Peter decides to trick her into thinking that her mother has forgotten about her, but when he realizes how much Mrs. Darling misses her children, he reconsiders.

In a surprise twist, it's hinted that Mrs. Darling was Peter's friend before she decided to grow up. Peter promises to visit Wendy every spring. The play ends with Wendy looking out her window and calling to him, "You won't forget to come for me, Peter? Please, please don't forget!"

When Peter Pan premiered in London in 1904, Peter was played by a woman - Nina Boucicault, the daughter of playwright Dion Boucicault. When the play opened on Broadway the following year, Maude Adams was cast as Peter Pan. It became a tradition for Peter to be played by a woman.

In 1954, a new Broadway musical version of Peter Pan opened, featuring Mary Martin in the title role. She would become the most famous actress to play Peter Pan on stage. Other notable Peters include Sandy Duncan and Cathy Rigby.

Peter Pan would also be adapted several times as a feature film, including the famous 1953 Disney animated musical, with Peter voiced by Disney child star Bobby Driscoll.

Hook, a 1991 adaptation, was an unusual sequel that found Peter Pan (Robin Williams) finally grown up. Now a middle aged husband and father, Peter must return to Neverland to battle Captain Hook (Dustin Hoffman), who has kidnapped his two children.

In 2003, Peter Pan, a lavish, big budget live action feature film adaptation of the play, was released. The acclaimed film featured Jeremy Sumpter as Peter, Rachel Hurd-Wood as Wendy, and Jason Issacs in a dual role as Captain Hook and Mr. Darling. (It was also traditional for Hook and Mr. Darling to be played by the same actor.)

Seven years after his play debuted in London, J.M. Barrie published a novelization of Peter Pan called Peter and Wendy. It would be somewhat different from the original play script, as Barrie would continually revise the play. He would publish another novel, Peter Pan in Kensington Gardens in 1906.

Throughout his literary career, J.M. Barrie authored many novels and plays. He died of pneumonia in June of 1937 at the age of 77. In his will, Barrie left all the rights to Peter Pan to the Great Ormond Street Hospital - England's leading chidren's hospital.


Quote Of The Day

"All the world is made of faith, and trust, and pixie dust." - J.M. Barrie


Vanguard Video

Today's video features the official theatrical trailer for 2003 feature film adaptation of J.M. Barrie's classic play, Peter Pan. Enjoy!

Sunday, December 25, 2011

This Week's Practice Exercise


This Little Light of Mine


Prepared by: Alice Folkart
Posted on: December 25, 2011

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In 400 words or less write a scene that takes place on the night of the Winter Solstice, the longest night of the year, and show us someone or something bringing light into the darkness.

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Our ancestors regarded the lengthening darkness of winter and the longest night of the year, the Winter Solstice, as a threat. They feared the darkness would never end, the sun wouldn't come back, crops would fail, and they would die, a fear which led to the development of rituals to chase away the darkness and beckon the light's return, where bonfires, torches, lamps and candles were important.

This exercise asks us to show the contrast between the time of darkness and the coming of light. You may set your scene in the past, present or future, in any culture. It might be as simple as the electricity going out and someone replacing a fuse or finding the flashlight. Or the scene might be dramatic--a man kindling a fire in desperate circumstances; nostalgic-- a family lighting the candles of the Menorah; or exciting, like the lighting of the huge bonfires along the levees in New Orleans. You might look at what the displays of Christmas lights do for the mood of communities. Why, in the dead of winter, do we need to 'lighten up?'

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In 400 words or less write a scene that takes place on the night of the Winter Solstice, the longest night of the year, and show us someone or something bringing light into the darkness.

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In your critique, look at whether the author has made you feel the threat of the darkness. Can you sense the relief brought by the coming of light? Do we participate in the story through the feelings of characters, description of the scene or through the development of the plot? What did you like best about the story? Could the story be improved? How?

These exercises were written by IWW members and administrators to provide structured practice opportunities for its members. You are welcome to use them for practice as well. Please mention that you found them at the Internet Writing Workshop.

Friday, December 23, 2011

Notes For December 23rd, 2011


Happy Holidays!

We at the Internet Writing Workshop would like to wish all of our members and blog readers a happy and safe holiday season. For your holiday reading, I recommend A Christmas Carol by Charles Dickens, A Child's Christmas in Wales by Dylan Thomas, and Old Christmas by Washington Irving.



This Day In Writing History

On December 23rd, 1926, the famous American poet, philosopher, and activist Robert Bly was born. He was born in Lac qui Parle County, Minnesota. After graduating high school in 1944, Bly joined the Navy and served for two years. He then enrolled at St. Olaf College in Minnesota, where he stayed for a year before transferring to Harvard University.

At Harvard, Bly's fellow undergraduate students included a group of poets and writers who would later become famous, such as George Plimpton, John Hawkes, Kenneth Koch, John Ashbery, and Frank O'Hara. Robert Bly graduated Harvard in 1950 and moved to New York, where he spent the next few years.

In 1952, Bly received a Fulbright Grant to travel to Norway and translate Norwegian poetry into English. Being of Norwegian descent himself, Bly also took time to meet his Norwegian relatives.

While working on his poetry translations, Bly encountered the works of other internationally renowned poets who were barely known in the United States, including Pablo Neruda, Cesar Vallejo, Antonio Machado, Gunnar Ekelof, Georg Trakl, Rumi, Mirabai, and Harry Martinson.

Bly was determined to create an American forum for English translations of the works of those and other foreign poets. So, he founded a succession of literary magazines that introduced them to the writers (and readers) of his generation. He also published essays on American poets.

In 1954, he entered the Iowa Writers Workshop at the University of Iowa. While there, he met a girl named Carol on a blind date and later married her. She bore him four children and became a successful writer and teacher of the craft. They divorced in 1979. A year later, Bly married his second wife, Ruth.

Robert Bly's first poetry collection, Silence in the Snowy Fields, was published in 1962. It would prove to be a major influence on American poetical voice for the next two decades.

In 1963, Bly published an essay, A Wrong Turning in American Poetry, where he made a case against the influence of T.S. Eliot, Ezra Pound, William Carlos Williams, and Marianne Moore on American poetical voice, believing that American poets should look toward the likes of Pablo Neruda, Cesar Vallejo, Juan Ramon Jimenez, Antonio Machado, and Rainer Maria Rilke for inspiration.

In 1966, Bly became a political activist, co-founding American Writers Against The Vietnam War. The group organized public readings, meetings, teach-ins, and antiwar rallies and demonstrations. Bly would become a leader in the writing community's opposition to the Vietnam War.

Bly would publish more collections of poetry, including The Light Around the Body (1967), which won him the National Book Award. In 2000, he received the McKnight Foundation's Distinguished Artist Award.

In 2002, he won the Maurice English Poetry Award and was named the University of Minnesota Library's Distinguished Writer. Six years later, in 2008, Bly was named the state of Minnesota's first poet laureate.

In addition to his poetry collections, Robert Bly wrote non-fiction books on a variety of subjects, including poetry and philosophy. His most famous non-fiction book combined both poetry and philosophy.

Iron John: A Book About Men (1990) uses an obscure Brothers Grimm fairy tale to deliver a philosophical treatise on the masculinity of the modern man.

Bly argues that the male psyche has been damaged by both the chauvinistic, aggressive "macho man" model of the 1950s (which was rejuvenated and embraced by the Reagan conservatives of the 1980s) and the "sensitive man" model of the 1970s created in part by the feminist movement.

Instead of these equally destructive models, Bly proposes an alternative model of manhood - a man of strength, bravery, intelligence, and conviction who is also a nurturer and not afraid to show (and share) his emotions.

Bly also proposes a return to the rituals of guiding boys into manhood. Iron John: A Book About Men has been credited with starting the Mythopoetic men's movement of the early 1990s.

In 2006, the University of Minnesota purchased Bly's archive of over 80,000 pages of handwritten manuscripts, a journal covering nearly 50 years of his life, notebooks filled with poems, early drafts of translations, his correspondence with many other writers, and hundreds of audio and video tapes. The collection is housed at the Elmer L. Andersen Library on the University's campus.


Quote Of The Day

"The beginning of love is a horror of emptiness." - Robert Bly


Vanguard Video

Today's video features Robert Bly reading his poem Talking Into the Ear of a Donkey at his 80th birthday party at the Guthrie Theatre. Enjoy!

Thursday, December 22, 2011

Notes For December 22nd, 2011


This Day In Writing History

On December 22nd, 1849, the legendary Russian novelist Fyodor Dostoevsky was forced to suffer the psychological torture of a mock execution at the hands of Czar Nicholas I.

Dostoevsky was prepared for execution and made to stand in front of a firing squad. Just as he thought the soldiers were about to fire, he was given a reprieve, taken away, and
sentenced to four years of hard labor at a prison camp in Omsk, Siberia.

Dostoevsky
had been arrested for being a member of the Petrashevsky Circle, a liberal intellectual group founded by Mikhail Petrashevsky, a follower of French utopian socialist Charles Fourier.

The Petrashevsky Circle opposed the czarist autocracy and Russian serfdom. Their members included writers, teachers, students, government officials, military officers, and others.

Czar Nicholas I, fearful that the revolutions being waged in other countries would spread to Russia, mistakenly believed that the Petrashevsky Circle was a subversive revolutionary organization and ordered the arrest of its members.

While serving his time at the squalid, freezing, and filthy prison camp, Dostoevsky became disillusioned with Western ideas and converted to Russian Orthodox Christianity, planting the seeds for the next phase of his literary career.

He would later become famous for his legendary novels Crime and Punishment (1866), The Idiot (1869), and The Brothers Karamazov, (1881) cementing his legacy as one of the greatest novelists of all time.

Fyodor Dostoevsky died of a lung hemorrhage from emphysema and an epileptic seizure on February 9th, 1881, at the age of 59.


Quote Of The Day

"It is not the brains that matter most, but that which guides them - the character, the heart, generous qualities, progressive ideas." - Fyodor Dostoevsky


Vanguard Video

Today's video features a reading from Fyodor Dostoevsky's classic novel, The Brothers Karamazov. Enjoy!

Wednesday, December 21, 2011

Notes For December 21st, 2011


This Day In Writing History

On December 21st, 1879, A Doll's House, the classic play by legendary Norwegian playwright Henrik Ibsen, opened in Copenhagen. Ibsen, born into an affluent family in Skien, Norway, took up writing while studying as an apprentice pharmacist. At this time, his parents, who were both descended from some of Norway's oldest and most respected families, experienced sudden financial ruin.

Ibsen's father plunged into severe depression. His mother sought solace in religion. They would both serve to inspire the characters in their son's plays, which often dealt with financial adversity, moral conflicts, and the hypocrisy and dark secrets that often lurk beneath cloaks of respectability. Henrik Ibsen would become one of the greatest playwrights of all time - and one of the most controversial. A Doll's House would become his most famous play.

A Doll's House opens with Nora Helmer, a middle class housewife and mother, returning home after doing her Christmas shopping. Her husband, Torvald, has a new job as a bank manager, and both he and Nora believe that their finances will improve. Torvald is terrified of debt; Nora behaves childishly, but her husband enjoys treating her like a child. He instructs her like a parent and indulges her whims.

Nora's old girlfriend Christine Linde arrives for a visit. Christine is a childless widow whose husband left her no money, so she has supported herself by doing various jobs. She's looking for more work, preferably work that's not too physically demanding.

Nora tells Christine the secret she's been keeping from her husband: when Torvald fell seriously ill, Nora borrowed money from disgraced lawyer Nils Krogstad to save his life. To protect her husband's pride, Nora made him and everyone else believe that she inherited the money from her father, who had died at the time.

Nora has been repaying her debt by skimming money from her housekeeping budget and secretly working, making handwritten copies of papers. Being able to earn her own money "as if she were a man" makes Nora proud. Now that her husband has a new job, the extra money he'll give her, combined with her secret earnings, will finally enable Nora to pay off her debt completely.

Nora asks Torvald to give Christine a secretarial job at his bank. He agrees. Later, Nora is approached by Nils Krogstad, who also works at Torvald's bank. He fears that he will be laid off to make room for Christine's position and demands that Nora help him keep his job. When she refuses, he threatens to reveal that she forged her husband's name on the loan bond.

Krogstad warns her that her reputation will be ruined like his if he exposes her forgery. He doesn't go into detail about his own indiscretion, but says that he did it for the same reason as Nora - to provide for a seriously ill spouse.

Krogstad leaves, but Torvald, who had seen him, asks Nora if Krogstad tried to get her to help save his job. Nora asks about Krogstad's indiscretion, and Torvald tells her that he committed forgery, then escaped prosecution by playing a "cunning trick."

Torvald would have trusted Krogstad had he admitted his guilt, but by continuing to feign innocence, Krogstad "has lost all moral character." Torvald believes that a parent who "lives a lie" poisons his children and causes them to become criminals as well. This distresses Nora greatly.

When Krogstad does lose his job, he arrives to tell Nora that while he no longer cares about the loan he made her, he intends to use the forged bond to blackmail Torvald into not only retaining his position but giving him a promotion as well. When Nora tells Christine of this, Christine reveals that she and Krogstad were in love once, and she'll talk to him.

Christine tells Krogstad that she always loved him and was forced to marry her husband out of financial desperation. She blames herself for Krogstad's disgrace. Moved, Krogstad abandons his blackmail plan, but Christine believes that Torvald should know the truth, for the sake of his and Nora's marriage.

When Torvald learns the truth about Krogstad's loan to Nora, he explodes. He berates Nora, denouncing her as a dishonest and immoral woman and an unfit mother. He declares that their marriage is over, and will only be preserved for the sake of appearance.

When Krogstad tells him that he has no intention of blackmailing him, Torvald burns the incriminating evidence and takes back his harsh words to Nora. But instead of recognizing the agonizing choice Nora made for the sake of his health, he attributes her actions to her foolishness, which is one of her most endearing feminine traits.

Nora finally realizes that the strong and gallant man she thought she'd married is a weak-willed, hypocritical, self-absorbed narcissist whose love for her was really love for himself for being a wonderful husband.

The play ends with Nora declaring that her sham of a marriage is over. She's leaving Torvald and her children and will live alone while she tries to find out who she is and decide what to do with her life. All her life, she's been treated like a doll - a plaything - first by her father, then by her husband, and she's not going to take it anymore.

Torvald insists that Nora do her duties as wife and mother, but Nora says that her first duty is to herself. She reveals that she had planned to kill herself to save Torvald's reputation because she thought that he would sacrifice his reputation to save hers.

Now she knows that would have been a pointless act, as Torvald only cares about himself. Before the curtain falls, Nora lets herself out of the house, leaving behind her wedding ring and keys. Her narcissistic husband is left behind as well, in a state of confusion.

A Doll's House was received with a mixture of high praise and loud cries of outrage. Ibsen's fellow playwright, George Bernard Shaw, found the play exhilarating. Most of Ibsen's fellow Scandinavians loved it; at the time the play premiered in Copenhagen, sales of printed copies were record breaking. But some critics saw in the play a direct assault on the sanctity of marriage.

For the play's debut in Germany, Ibsen was forced to write an alternate ending. The lead actress refused to play Nora as she was written, and producers demanded that the ending be changed as well, to make the play more palatable to conservative German audiences.

So, in that production, instead of leaving her husband, Nora decides to stay with Torvald for the sake of their children. Ibsen later condemned the alternate ending as a disgrace to the original play, calling it a "barbaric outrage."

A Doll's House would later be adapted for the radio, screen, and television. It is rightfully considered to be one of the greatest plays ever written.


Quote Of The Day

"The majority is never right. Never, I tell you! That's one of these lies in society that no free and intelligent man can help rebelling against. Who are the people that make up the biggest proportion of the population -- the intelligent ones or the fools? I think we can agree it's the fools, no matter where you go in this world, it's the fools that form the overwhelming majority." - Henrik Ibsen


Vanguard Video

Today's video features a clip from a rare 1959 live TV production of A Doll's House, featuring Julie Harris and Christopher Plummer as Nora and Torvald. Enjoy! Note: You'll have to click on Watch On YouTube to see it.

Tuesday, December 20, 2011

Notes For December 20th, 2011


This Day In Writing History

On December 20th, 1929, Lady Chatterley's Lover, the classic novel by the legendary English writer D.H. Lawrence, was banned as legally obscene by the United States.

Lawrence's novel told the story of Lady Constance Chatterley, whose husband Sir Clifford's war injuries have left him crippled, impotent, and embittered. Lady Chatterley soon finds herself driven to the brink of madness by sexual frustration.

Finally, in desperation, she embarks on a passionate affair with her gamekeeper, Oliver Mellors. The affair leads her to realize that in order to truly live, she (and all human beings) needs to be alive not only intellectually and emotionally, but sexually as well.

Due to the novel's daring philosophy, explicit and erotic depictions of sexual encounters, and use of language considered obscene, including the words fuck and cunt, Lady Chatterley's Lover was banned in the United States.

When he wrote the novel, D.H. Lawrence was hoping to create a breakthrough work of literature that would set the literary world alight - a challenging, thought provoking novel that would open people's eyes and minds. He got his wish, though he wouldn't live to see it granted.

The content of Lady Chatterley's Lover made it impossible to publish in Lawrence's native England. The uncensored first edition was published in Italy in June of 1928, in an initial press run of 1,000 copies, all of them signed by the author. It sold out across Europe.

In early 1929, when British Customs agents learned that copies of the novel were being imported into the UK, they quickly began seizing them. As a result of the UK ban, and bans in other European countries, cheap pirated editions of the novel were produced en masse and sold on the black market and under the counter in certain bookshops.

In response to the pirated editions, Lawrence decided to self-publish a new, authorized uncensored second edition. Printed by a publisher friend of his in Paris, the signed second edition was released in a serialized version and sold via subscription.

The subscriptions were sold and shipped discreetly to countries where Lady Chatterley's Lover had been banned. Despite the continued presence of pirated editions, Lawrence's new official version sold well and made him a healthy profit. But soon, Customs agents in various countries caught on to the subscription plan, and the novel was banned yet again.

Lawrence had hoped that in the United States, whose constitution's First Amendment guaranteed freedom of expression, he would have an unrestricted market for his novel. Unfortunately, at the time, there was a federal law on the books called the Comstock Act which prohibited the shipment of obscene materials through the mail.

The Comstock Act, which would remain in effect in various forms until the Supreme Court struck it down completely in 1965, had a definition of obscenity so vague that its creator, Postal Inspector Anthony Comstock, even used it to block the shipment of certain medical textbooks to medical students. Years earlier, Comstock used his law to have James Joyce's classic epic novel Ulysses declared obscene.

By December of 1929, U.S. Customs agents had begun seizing all copies of Lady Chatterley's Lover that came into America. D.H. Lawrence, bemoaning the fate of his novel at the hands of "policemen, prudes, and swindlers," realized that he may have to do what he dreaded most - prepare a bowdlerized version of his novel:

"So I begin to be tempted and start to expurgate. But impossible! I might as well try to clip my own nose into shape with scissors. The book bleeds."

D.H. Lawrence was suffering from tuberculosis before Lady Chatterley's Lover became embroiled in a censorship battle. The stress resulting from the persecution of the novel and his vigorous attempts to defend it caused his frail health to deteriorate quickly. He died in March of 1930 at the age of 44.

The United States government's ban of Lady Chatterley's Lover would remain in effect for thirty years. Then, in 1959, legendary American publisher Barney Rosset of Grove Press published the original uncensored version of the novel in defiance of the ban, setting the stage for a landmark trial where it would be ruled not legally obscene. The ruling would be upheld by the Second Court of Appeals in March of 1960.

Around the same time that Lady Chatterley's Lover was being tried for obscenity in the United States, the legendary British publishing house Penguin Books defied the ban on it in England and faced a similar trial. In November of 1960, the novel was ruled not legally obscene by the Central Criminal Court at the Old Bailey.


Quote Of The Day

"The essential American soul is hard, isolate, stoic, and a killer. It has never yet melted." - D.H. Lawrence


Vanguard Video

Today's video features an excerpt from D.H. Lawrence's famous novel, Lady Chatterley's Lover, read by Emilia Fox. Enjoy!



Friday, December 16, 2011

Notes For December 16th, 2011


This Day In Writing History

On December 16th, 1775, the legendary English novelist Jane Austen was born in Steventon, Hampshire, England. Born into a large upper class family, Jane had six brothers and one sister, Cassandra.

With five sons to educate, (Jane's brother George was mentally handicapped and sent to live elsewhere) the Austens couldn't afford to send Jane and her sister to school, too. (When Jane was eight, the girls did go to Oxford for a year to begin their formal education, but then they fell ill with typhus and the family's finances became strained.)

So, the girls were well educated by their father and older brothers. Jane's clergyman father, William Austen, provided his daughters access to his large and eclectic library of books. He also provided them with writing and drawing materials.

Though part of the British upper class, the Austens were a liberal, intellectual family. Beginning around the time Jane was seven years old, the family staged plays privately for the amusement of themselves and their relatives and friends. Most of the plays were comedies and no doubt cultivated Jane's talents for comedy and satire.

She began writing her own plays, poems, and stories at the age of twelve. These works were originally written for her and her family's amusement, but she made clean copies of the manuscripts and organized them into three bound volumes known as the Juvenilia.

Among the works in the Juvenilia were Love And Friendship, a satirical epistolary novella, and The History of England, a scathing parody of Oliver Goldsmith's historical work of the same name, featuring watercolor illustrations by Jane's sister, Cassandra.

Scholar Richard Jenkyns has compared Austen's Juvenilia to the works of 18th century British novelist Laurence Sterne and the 20th century British comedy troupe, Monty Python's Flying Circus.

As she grew into womanhood, Jane Austen became involved in activities typical for young women of her age and social class. She practiced the piano, helped her mother and sister supervise the servants, attended church regularly, and socialized with her friends and neighbors. Socializing at the time usually involved dancing, and as her brother Henry later observed, "Jane was fond of dancing and excelled at it."

Although she had become an accomplished seamstress, at around the age of fourteen, she decided that she wanted to be a professional writer. In 1793, at the age of eighteen, Jane began work on a novella, Lady Susan, which she completed two years later.

In this epistolary novella, Lady Susan is an intelligent, attractive, and self-centered middle aged widow who uses her beauty and charm to manipulate and seduce both married and single men alike in her quest to snare another rich husband. She also tries to marry off her daughter Frederica, whom she considers stupid and stubborn, to a rich man. Frederica, however, is a sweet and sensible girl, and will have none of that.

Lady Susan was considered risque and shocking for its time, but Jane's liberal parents supported her writing endeavors. Around the time she completed the manuscript, the twenty-year-old Jane Austen met Tom Lefroy, the nephew of her neighbors.

Having just graduated from university, Lefroy, a young Irishman, had come to London to train as a barrister. He and Jane met at a social gathering, and it was love at first sight. They spent a lot of time together, but then Tom's family intervened and sent him away. They had decided that Tom and Jane were too young and too poor to marry, despite their social class. Jane never saw him again.

Jane began work on her first full-length novel, Elinor and Marianne, which would later be revised considerably and published as the classic Sense and Sensibility.

While working on her second novel, First Impressions, (which would be revised and later published as Pride and Prejudice) Jane's father tried to get Elinor and Marianne published. It was rejected. Jane probably never knew about it, as she kept writing.

In 1800, William Austen surprised his family by announcing his retirement and his plan to move the family to Bath. Jane was shocked at having to move out of the only home she had ever known. In Bath, she fell into a deep depression and her writing productivity slowed down to almost a standstill. Two years after the move, Jane and her sister visited their old friends, Althea and Catherine Bigg. Their younger brother, Harris Bigg, was back home, having returned following his graduation from Oxford.

Jane had known Harris since they were both young. He was a large, unattractive man who rarely spoke. When he did speak, he stuttered, engaged in aggressive conversation, and was completely tactless. He was, however, an heir to his family's considerable fortune, so when he proposed to Jane, she accepted.

Marriage to Harris would be practical - he could take care of her, provide a comfortable life for her parents in their old age, and a home for her unmarried sister. The next morning, though, Jane realized she had made a terrible mistake and withdrew her acceptance.

In 1804, Jane began work on a new novel, The Watsons, but it would remain unfinished. Several months after she started writing it, her father died suddenly. This left Jane, her sister Cassandra, and their mother penniless.

Jane's brothers Edward, James, Henry, and Francis contributed to the support of their sisters and mother. The women lived in rented rooms in Bath and Southampton for the next four years. Then, Edward's fortunes improved and he moved them into a cottage on his estate in Chawton.

Feeling secure again, Jane returned to her writing, and her level of productivity soared. In 1811, her first full-length novel, Sense and Sensibility, was finally published. The book was published anonymously, under the name "A Lady." The reviews were great and the first edition sold out.

The royalties provided Jane with both financial and psychological independence. She continued to publish classic novels, including Pride and Prejudice (1813) and Mansfield Park (1814), the first editions of which had also sold out.

After her novel Emma was published in 1815, Jane learned that the Prince Regent admired her writing and kept a set of her novels at every one of his residences. His librarian sent her an invitation to meet with the Prince at his home in London.

Jane disliked the Prince, but she couldn't refuse the invitation. She would later base her satirical piece, Plan of a Novel, (1815) on the many suggestions made to her by the Prince's annoying librarian.

In July of 1816, Jane completed the first draft of her next novel, The Elliots, which would later be published as Persuasion. Earlier in the year, she had fallen ill, but ignored her illness and kept writing at her usual pace.

As a result, her health began a long and slow deterioration. As the illness progressed, she lost all of her energy and experienced increasing difficulty in walking. Jane Austen died the following year at the age of 41. Her last two novels, Persuasion and Northanger Abbey, would be published posthumously in 1817.

Most of Jane's biographers relied on Dr. Vincent Cope's 1964 retrospective diagnosis of Addison's disease. Some claimed that Jane suffered from Hodgkin's lymphoma, a form of cancer. In a recent work, Katherine White of Britain's Addison's Disease Self Help Group suggested that Jane Austen most likely died of bovine tuberculosis, a common disease during her time that was contracted by drinking unpasteurized milk.

To this day, Jane Austen is rightfully considered one of the greatest English novelists of all time. Her works are still studied and admired by readers around the world.


Quote Of The Day

"There is no charm equal to tenderness of heart." - Jane Austen


Vanguard Video

Today's video features a reading from Jane Austen's classic novel, Pride and Prejudice, performed by the acclaimed British actress, Helena Bonham Carter. Enjoy!

Thursday, December 15, 2011

Notes For December 15th, 2011


This Day In History

On December 15th, 1936, the legendary British writer George Orwell (the pseudonym of Eric Blair) delivered the completed manuscript for his famous non-fiction book, The Road To Wigan Pier (1937), before leaving for Spain to help fight the fascists in the Spanish Civil War.

The Road To Wigan Pier was Orwell's account of life in Wigan, a poor coal mining town in Northern England. To research his book, Orwell lived like one of the locals, in a dirty rented room above a tripe shop.

He met many Wiganers, took extensive notes on the living conditions and wages, explored the mine, and spent days in the library researching public health records, working conditions in mines, and other subjects.

The resulting book is divided into two parts; the first part is a straightforward documentary on life in Wigan. The second part is a philosophical treatise that asks and attempts to answer a question: if socialism can improve the appalling conditions in Wigan and towns like it around the world, then why aren't we all socialists?

George Orwell was a lifelong socialist, and he believed that socialism could improve the condition of towns like Wigan. Why then was socialism not universally accepted? Orwell believed that reason was the ferocious prejudice of the conservative white Christian middle class against the kind of people they associated with socialism.

Among these "undesirables" were the lower class poor, blacks and Jews, intellectuals, atheists and agnostics, libertines, hippies (or sandal-wearers, as Orwell called them) pacifists, feminists, and others. Orwell concluded that "The ordinary man may not flinch from a dictatorship of the proletariat, if you offer it tactfully; offer him a dictatorship of the prigs, and he gets ready to fight."

Orwell would later become famous for his novels Animal Farm (1945) and Nineteen Eighty-Four (1949), both of which were brilliant allegorical satires of Stalinism. Animal Farm was a modern cautionary fable, while Nineteen Eighty-Four was a work of dystopic science fiction.

In the years since their publication, right wingers in the United States and around the world embraced these novels as the bibles of anti-communism. George Orwell became their hero, and this gave way to a popular misconception that Orwell had been an arch conservative - perhaps even a fascist - though he was actually a staunch socialist.

Why then did Orwell write his famous novels? During the Spanish Civil War, Orwell fought alongside the POUM, (Partido Obrero de UnificaciĂłn Marxista - the Workers' Party of Marxist Unification) which was allied with Britain's Labour Party, of which he was a member.

The POUM was one of several leftist factions which had formed a loose coalition to fight General Franco's fascist army. Another member of this coalition was the Spanish Communist Party, which was controlled by the Soviet Union.

At the Soviets' insistence, the Spanish Communist Party denounced the POUM as a Trotskyist organization and falsely claimed that its members were in cahoots with the fascists. Near the end of the war, the POUM was outlawed, and the Spanish Communist Party began attacking its members.

Tragically, this infighting would break apart the coalition and give the fascists the opportunity to win the Spanish Civil War. Orwell was wounded in action, shot in the throat by a sniper. While he recovered in a POUM hospital, he had a lot of time to think, and he came to hate Soviet communism.

The lesson Orwell teaches us in Animal Farm and Nineteen Eighty-Four is that even an ideal as noble as socialism can become corrupted and twisted into something far worse than the ills it seeks to cure.

And yet, he remained a lifelong socialist and always hoped for a better world than the one of poverty, despair, and apathy that he experienced while researching and writing The Road To Wigan Pier.

George Orwell died of tuberculosis in January of 1950, at the age of 46.


Quote Of The Day

"During times of universal deceit, telling the truth becomes a revolutionary act." - George Orwell


Vanguard Video

Today's video features a reading from George Orwell's classic novel, Nineteen Eighty-Four, performed by Christina Woo during a Banned Books Week ceremony. Enjoy!

Wednesday, December 14, 2011

Notes For December 14th, 2011


This Day In Writing History

On December 14th, 1916, the famous American writer Shirley Jackson was born. She was born in San Francisco, California, to an upper-middle class family. When she was a young girl, the family moved across the country to Rochester, New York, where she later graduated from Brighton High School.

After high school, Shirley Jackson attended first the University of Rochester, then Syracuse University. While a student at Syracuse, her first published short story, Janice (1938), appeared, and through her work with the university's literary magazine, she met Stanley Edgar Hyman, who would become both a famous literary critic and her husband.

Shirley and Stanley settled down in rural Vermont and had four children - two sons and two daughters - who would become somewhat famous themselves when their mother included fictionalized versions of them in her humorous memoirs, Life Among the Savages (1953) and Raising Demons (1957).

Although Shirley's literary career - and sadly, her life - would be short lived, she wrote six novels, several children's books, and numerous short stories. She would famously quip, "Fifty percent of my life was spent washing and dressing the children, cooking, washing dishes and clothes, and mending."

Shirley Jackson's first novel, The Road Through the Wall was published in 1948. Inspired by the upper-middle class California suburb she had spent her early childhood in, the novel tells the dark stories of the people who live in a seemingly ideal community that is tearing itself apart on the inside. Meanwhile, a new road being built threatens to expose the isolated community to the outside world.

Jackson's first novel introduced her trademark prose style and fascination with the dark side of human nature. In her later novels, such as The Bird's Nest (1954) and The Sundial (1958), Jackson ventured into all out horror - stories that combined supernatural and psychological horror. This was nothing new to her. Jackson's most famous short story, The Lottery, dealt with similar themes.

The Lottery, first published in The New Yorker in 1948, told the story of a small, rural American town with a horrific secret. The story begins with the town's 300 residents acting strange and nervous, as June 27th approaches. That's when they will partake in their annual ritual, called "the lottery." In preparation for the ritual, children collect stones while the adults assemble for the event.

The reader soon learns that "the lottery" is an ancient ritual held to choose a human sacrifice to ensure a good harvest. In the first round, the head of each family chooses a slip of paper. Bill Hutchinson receives the paper with the black dot on it, so the sacrifice will come from his family.

In the second round, each Hutchinson family member chooses a slip of paper. Bill's wife Tessie receives the paper with the black dot. The townspeople stone her to death while she denounces the lottery to her dying breath.

The Lottery was quite a shocker for readers in 1948, and hundreds of letters poured in to the New Yorker. Shirley described the reactions as "bewilderment, speculation and old-fashioned abuse." Some charged her with a calculated, subversive attack on American values and religious faith.

The story would be republished in book form as the title story of the collection, The Lottery and Other Stories (1949). It would be adapted as an acclaimed short film in 1969, a made-for-TV feature film in 1996, and as a short film again in 2007.

Shirley Jackson's most famous novel, The Haunting of Hill House, was published in 1959. The brilliant supernatural horror story told the tale of Dr. John Montague, a parapsychologist who rents the famous and supposedly haunted Hill House for a summer.

Montague intends to prove that the house is in fact possessed by supernatural forces. Accompanying him are two people who have already experienced supernatural phenomena. They are Theodora, a psychic, and Eleanor, a shy, troubled recluse who as a girl witnessed poltergeist activity in and around her family's home.

The haunting soon begins, and as the novel progresses, it becomes obvious that the evil forces in Hill House are intent on possessing the vulnerable Eleanor, as frightening incidents begin to erode her sanity. Dr. Montague's bossy, arrogant, and tactless wife later arrives to help her husband with his investigation, along with boys' school headmaster Arthur Parker, who is also interested in the supernatural. Will any of these people survive Hill House?

The Haunting of Hill House was adapted first as an acclaimed feature film called The Haunting in 1963, starring Julie Harris, Claire Bloom and Richard Johnson, and again in a mediocre 1999 remake starring Liam Neeson and Catherine Zeta-Jones.

In his 1981 non-fiction book Danse Macabre, an analysis of horror in literature, radio, film, and comics, legendary horror novelist Stephen King proclaimed The Haunting of Hill House to be one of the greatest horror novels of the late 20th century. The novel's masterful prose and power to scare can be seen in the famous opening paragraph:


No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.

As Shirley Jackson's reputation grew as a horror novelist, her husband Stanley started a myth that she practiced witchcraft. This was done as a publicity stunt to sell books, but many people took it seriously. Shirley found it funny. Later, the myth gave her the idea to write The Witchcraft of Salem Village (1956), a children's book based on the Salem witch trials.

Throughout her life, Shirley suffered from mental and psychosomatic illnesses. These illnesses, and the effects of the various prescription drugs she took to treat them caused her health to decline early in life. She was also overweight and a heavy smoker.

Shirley Jackson died in her sleep of heart failure in August of 1965 at the age of 48. In 1996, a crate of her unpublished short stories was found in the barn behind her home. The best of these stories were published later that year as the short story collection, Just An Ordinary Day.

In 2007, the Shirley Jackson Award was established, with permission from her estate, to honor her literary legacy and recognize outstanding achievement in psychological suspense, horror, and dark fantasy literature.


Quote Of The Day

"I have always loved to use fear, to take it and comprehend it and make it work and consolidate a situation where I was afraid and take it whole and work from there." - Shirley Jackson


Vanguard Video

Today's video features the acclaimed 1969 short film adaptation of Shirley Jackson's classic short story, The Lottery. Enjoy!




Tuesday, December 13, 2011

Notes For December 13th, 2011


This Day In Writing History

On December 13th, 1915, the famous Canadian-American crime thriller writer Kenneth Millar, best known by his pseudonym Ross Macdonald, was born. He was born in Los Gatos, California, to Canadian parents who then moved back to their hometown of Kitchener, Ontario.

When Millar was a boy, his father suddenly walked out on the family. Millar found himself moving frequently, shuffled between his mother and various relatives. Years later, the themes of broken homes and domestic discord would feature prominently in his fiction.

In 1938, while living in Canada, the 23-year-old Kenneth Millar met and married his wife, Margaret Sturm, who would become a successful mystery writer under her married name, Margaret Millar. She bore him a daughter, Linda. Kenneth Millar began his literary career writing short stories for pulp magazines.

To avoid being confused with his wife, Kenneth Millar took the pen name John Macdonald. Then he learned that there was a famous writer called John D. Macdonald. To avoid confusion again, Millar changed his pseudonym to John Ross Macadonald before settling on Ross Macdonald as his permanent pen name.

For his college education, Kenneth Millar attended the University of Michigan in the United States, where he earned a degree in literature. In 1944, while doing his graduate work, his first novel was published.

The Dark Tunnel, aka I Die Slowly, published under his first pseudonym John Macdonald, was a spy thriller. In it, college professor Robert Branch ridicules his best friend for suspecting that a Nazi spy may be lurking in their sleepy Midwestern town. Branch is more interested in the fact that his German ex-girlfriend has accepted a position at the university where he teaches.

Trouble lands a one-two punch when first Branch's ex is suddenly engaged to marry the son of the university's German professor, then Branch witnesses his suspicious best friend fall to his death from his office window. Branch is the only one who doesn't believe that his friend's death was a suicide. When the professor tries to solve the crime, he finds himself marked for death.

The same year that Kenneth Millar's first novel was published, he joined the Navy, as World War 2 was still raging. He served a two-year tour of duty as a communications officer. After his discharge in 1946, he returned to Michigan, earned his Ph.D., and continued with his literary career.

Millar's third novel, Blue City (1947), marked his transition to hard-boiled detective fiction. It told the story of Johnny Weather, a young soldier who returns from the war to find that his estranged father is dead. His father, a nightclub owner, was a prominent figure involved in the corruption of the town, and the police are more than happy to let his murder remain unsolved.

As Johnny Weather tries to solve the crime, he finds that more people than just the cops prefer that his father's murder remains unsolved, even the man's ex-wife, who attempts to seduce Johnny. The novel would be adapted as a feature film in 1986.

In 1949, Kenneth Millar published The Moving Target, his first novel featuring a detective character who had been the subject of a short story series. Lew Archer, named after writer Lew Wallace and Philip Marlowe's partner Miles Archer, was not your typical detective. We learn a lot about him in his first novel.

Big (6'2") and tough, yet intelligent and empathetic, Lew Archer possesses a far greater depth of humanity than the average hard-boiled detective. A troubled child (he says that he once "took the strap away from my old man") turned petty thief, Archer was befriended and reformed by a kindhearted older policeman.

Archer became a cop himself, training with the Long Beach (California) Police Department. When he finds that the department is a cesspool of corruption, he won't go along with it, and is kicked off the force. With the war on, he joins the Army and serves in military intelligence. After the war ends, he returns home and becomes a private detective.

While he solves crimes, Archer pines for his ex-wife Sue and drinks too much. In his first novel, he's hired by the dispassionate wife of an eccentric oil tycoon who has mysteriously vanished. His attempts to solve the crime lead him to a strange cast of characters and numerous other crimes that must be solved before he can solve the one that he was hired to investigate.

What makes the Lew Archer novels so memorable is that they're more than just detective novels. Using incredibly complex plots and adding a great deal of psychological depth and insights to his characters' motivations, Millar's detective novels were essentially part whodunit and part psychological thriller.

A huge hit with genre fans and literary critics alike, one of Millar's greatest admirers was his close friend, the legendary, Pulitzer Prize winning writer Eudora Welty. Millar would write 18 Lew Archer novels in all. His last, The Blue Hammer, was published in 1976.

Kenneth Millar, aka Ross Macdonald, died of Alzheimer's disease in 1983. He was 67 years old.


Quote Of The Day

"There's nothing wrong with Southern California that a rise in the ocean level wouldn't cure" - Ross Macdonald (Kenneth Millar)


Vanguard Video

Today's video features the original theatrical trailer for the Harper, the feature film adaptation of Ross Macdonald's first Lew Archer novel, The Moving Target. In this movie, the detective was renamed Lew Harper and played by the great Paul Newman. Enjoy!

IWW Members' Publishing Successes

Internet Writing Workshop members continue to find publishing success in all venues. Congratulations to this week's crew!

Jody

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G.K. Adams

My personal essay, "Hurricane Ike's Unexpected Fruit," has been accepted by Texas Gardener. Thanks to all on the nonfiction list who commented. I couldn't've done it without you!

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Rick Bylina

Okay, a bit of a Christmas present to pubbed writers on IWW--publicity, a bit of shameless self-promotion--naturally, and another long interview up on the web this morning--finally.

Listed the 2011 pubbed books that I know of from IWW writers along with some other friends of mine on my blog this morning. My Monday blog entry usually has over 100 hits so hopefully it's more exposure for you. If I missed you, add yours in comments or through an email to me. I can edit the blog entry.

The author interview, done two months ago, finally showed up on Book Bags and Cat Naps. I actually meet two out of three criteria the web owner cited for self-pubbed best-seller success. Guess which two?

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Barbara Johnson

Published: "The Internet Writing Workshop" with review of The Stasi File by Peter Bernhardt.

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Tom Mahony

Here's a review of my novel, Flooding Granite, at Paddling Life Magazine.

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Guilie Castillo Oriard

My story "Mischievous Moonlight," critiqued in Fiction, will be published on Fiction 365 this Friday, Dec. 16th.

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Wayne Scheer

In an attempt to get into the holiday spirit, One Forty Fiction has published my story in less than one hundred and forty characters, "The Christmas Spirit."

The Foliate Oak Literary Magazine has accepted my flash, "Stop Saluting Seahorses, Ernest," for their January issue.

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Pat St. Pierre

Two of my poems were accepted by Long Story Short Poetry.

One will be published in January. Will send link when published.

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Joanna M. Weston

I have a photo up at The Camel Saloon (poem will follow).

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Friday, December 9, 2011

Notes For December 9th, 2011


This Day In Writing History

On December 9th, 1608, the legendary British poet and polemicist John Milton was born in London, England. He had an older sister and a younger brother. Two baby sisters died in infancy.

Milton was born into an affluent and cultured middle class family. His father was cast out of the family when his own father, (John's grandfather) an insanely devout Catholic, caught him reading an English-language copy of the Bible.


As a child, John Milton lived with his grandmother and siblings. He attended a Protestant church where the minister, Richard Stock, became a close family friend and strong influence on John, who shared in Stock's hatred of the Catholic Church and belief in publicly censuring the sins of the powerful.

Although Milton's parents lived apart from the rest of the family, his father's prosperity provided him tutors. He soon entered St. Paul's School in London, where at the age of 15, he wrote his first known poems - two psalms.


In 1625, Milton enrolled at Christ's College, Cambridge, to be educated for the ministry. He had already begun studying Latin and Greek, and also learned Italian. He continued his language studies at university.

Later, he became friends with Anglo-American theologian and political dissident Roger Williams. Williams also loved languages, and soon, he and Milton were tutoring each other; Milton taught Williams Hebrew in exchange for Williams teaching Milton Dutch.


After graduating Christ's College in 1629. Milton enrolled at the University of Cambridge, from which he graduated with a Master of Arts degree in 1632. Although he had intended to become a minister, he didn't enter the ministry, as he had come to hate the Church of England as well, finding fault with organized religion in general.

He moved in with his parents on the outskirts of London and began educating himself. The family would move to Berkshire, most likely to avoid the plague outbreak.


In addition to Latin, Greek, Hebrew, Italian, and Dutch, Milton became proficient in French and Spanish as well. He also learned Old English and began writing poetry prolifically, though most of his work remained private and would not be published publicly for some time. To earn money, he wrote poetry and masques commissioned by wealthy patrons. Masques were the precursors of musical plays; not operas, but plays with music, singing, and dancing.

In 1638, John Milton embarked on a 15-month tour of France and Italy, accompanied by a servant. In Florence, he met legendary astronomer Galileo, who was under house arrest at the time. When he returned to England, the Bishops' Wars resulted in more armed conflict between England and Scotland.

Milton began a new phase of his writing career - he became a polemicist, writing prose tracts on various subjects; he opposed episcopacy and favored parliamentary government. He also became a private schoolmaster, educating his own nephews and other children from affluent families.


In June of 1643, Milton married Mary Powell, the 16-year-old daughter of a man who owed him money. A month later, unable to stand her cold and domineering 35-year-old husband any longer, Mary deserted him and returned to her family. Due to the outbreak of the English Civil War, Mary remained with her family for two years.

During this time, Milton wrote and published a series of pamphlets wherein he argued in favor of the legality and morality of divorce. The pamphlets outraged the authorities, who confiscated and burned them. When Milton learned of this, he wrote and published Areopagitica, his celebrated anti-censorship tract.


After the Civil War ended, Mary returned to John Milton and they reconciled. She bore him four children and remained with him until her death in 1652. His first published poetry collection, 1645 Poems, appeared late that year.

With the parliamentary victory in the First Civil War, Milton's reputation as a polemicist earned him an appointment as Secretary for Foreign Tongues in March of 1649. In October, he published his famous polemic text, Eikonoklastes, a defense of the execution of Charles I, in response to the Eikon Basilike, a text published by the exiled Charles II and his party, which depicted Charles I as a Christian martyr.


John Milton continued to serve in his position, despite the fact that he had developed an eye disorder (most likely glaucoma) which left him totally blind by 1654. Undaunted, Milton dictated his writings to assistants, which included a sonnet about his condition, On His Blindness, which is one of his best known poems.

After Oliver Cromwell died in 1658, the English Republic collapsed into warring factions. This led to the Restoration, where the government was restored under the rule of the monarchy, as Charles II returned from exile.


The return of the monarchy sent John Milton into hiding, as a warrant was issued for his arrest. His writings were seized and burned. He was eventually arrested and briefly imprisoned until some powerful friends intervened and got him a pardon.

He lived quietly for the last decade of his life, publishing several minor prose works. Then, in 1667, his greatest work was published, one that would establish him as one of the greatest English poets of all time.


Paradise Lost was a book-length, blank verse epic poem based on the biblical story of the fall of Adam and Eve, who were tempted by Satan and then expelled from the Garden of Eden by God.

The poem incorporates paganism and classical Greek references as well as Christianity. It deals not only with the Old Testament's book of Genesis, but incorporates elements from both Testaments of the bible and addresses such diverse topics as marriage, politics, monarchy, fate, sin, and death.


Milton's dazzling work is comprised of twelve "books." The first book opens with Satan and his fellow rebel angels in Hell, just after being cast out of Heaven following their defeat in a war with God.

The last book finds the Archangel Michael telling Adam of the future of the world before leading him and Eve out of the Garden of Eden. Though Adam and Eve have lost the physical Paradise, they have gained the opportunity to enjoy a Paradise within themselves, which is "happier farr."


Milton wrote Paradise Lost over a six year period, from 1658-64, via dictation to his assistants. It would become one of the most famous and influential works of English literature ever written. He would follow it with Paradise Regained, a shorter sequel, published in 1671, along with a play, Simon Agonistes.

John Milton died of kidney failure in 1674, at the age of 66.


Quote Of The Day

"Truth... never comes into the world but like a bastard, to the ignominy of him that brought her forth." - John Milton


Vanguard Video

Today's video features a reading of excerpts from John Milton's classic epic poem, Paradise Lost. Enjoy!

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