Showing posts with label dracula. Show all posts
Showing posts with label dracula. Show all posts

Tuesday, May 26, 2026

Notes For May 26th, 2026


This Day In Literary History

On May 26th, 1897, Dracula, the classic horror novel by the legendary Irish writer Bram Stoker, was published in London. Though not a huge commercial success, it was very popular with Victorian readers and critics.

Stoker's epic epistolary horror novel is told in the form of letters and journal entries, as different characters, both male and female, narrate the story. The novel opens with entries from Jonathan Harker's journal.

The young solicitor travels to the border of Romania's Transylvania region in the Carpathian Mountains, where he has an appointment at the ominous Castle Dracula to help the nobleman Count Dracula complete his purchase of a new estate in London.

Though impressed by the Count's impeccable manners, Harker soon finds himself a prisoner in the castle. He meets "the sisters" - a trio of seductive female vampires who crave his blood. Dracula saves him, but Harker soon learns his host's terrifying secret.

Dracula is a bloodthirsty vampire himself and plans to move from Transylvania to London in search of new victims to feed on and add to his army of the undead. Harker barely escapes Castle Dracula with his life.

Later, in North Yorkshire, England, the Russian ship Demeter runs aground and the captain is found dead and bound to the helm. The log relates the story of the entire crew's disappearance. An animal resembling a large dog was seen leaping off the ship.

From there, we meet Jonathan Harker's fiancee, Mina Murray, and her friend, Lucy Westenra. One of Lucy's suitors is Dr. John Seward. When Lucy begins wasting away from a mysterious illness he can't diagnose, Seward contacts his old teacher, Dr. Abraham Van Helsing.

Van Helsing immediately recognizes that Lucy is the victim of a vampire's bite, but keeps his diagnosis to himself. After Lucy dies, nighttime attacks on children by someone described by the victims as a "bloofer lady" (beautiful lady) appear in the newspapers.

Knowing that Lucy has become a vampire, Van Helsing finally reveals the truth to Seward. His former student is shocked that a man whom he considers one of the world's greatest scientists could believe in vampires.

Seward becomes a believer when he and his mentor team up with Lucy's other suitors and track her to her coffin. She attacks them, but they destroy her by driving a stake through her heart, beheading her, and filling her mouth with garlic.

Around this time, Jonathan Harker returns, marries Mina, and joins Van Helsing, Seward, and their friends to hunt and kill the vampire who attacked Lucy - Count Dracula - before he can add more victims to his undead army.

Victorian readers described Dracula as "the most blood-curdling novel of the paralyzed century." In a review in the Daily Mail published on June 1st, 1897, Dracula was proclaimed a classic of Gothic horror, the critic stating:

In seeking a parallel to this weird, powerful, and horrorful story, our mind reverts to such tales as The Mysteries of Udolpho, Frankenstein, The Fall of the House of Usher... but Dracula is even more appalling in its gloomy fascination than any one of these.

Dracula is a novel very much the product of its time, that being late 19th century England - the waning years of the Victorian era. The book speaks both metaphorically and directly of the conflicts between science and religion and traditional versus modern life.

The character of Mina Harker represents the conflict between traditional and modern womanhood. Some have suggested that in Dracula, vampirism is a metaphor for uncontrolled sexual desire, the ungodly lust for blood equated with lust for the flesh.


Sexuality in the Victorian era was a strange and sharp paradox; religious fervor, rigid morality and fear of the body and one's natural biological impulses ruled on the outside, with unwed motherhood a scandal worthy of suicide. Yet, behind closed doors, Victorians rarely practiced what they preached.

There was a thriving, seamy sexual underground in England at the time that included both female and male brothels catering to all desires. Some of the best literary erotica ever written was penned during the Victorian era and published in underground literary magazines and anthologies, all of which were distributed on the sly - usually under cover of darkness.


Though the suave and seductive Count Dracula's name was taken from that of the infamous, bloodthirsty Romanian prince Vlad Tepes, aka Vlad the Impaler and Vlad Dracul - dracul meaning devil in the Romanian language - the novel was partly inspired by Sheridan Le Fanu's classic 1871 novella Carmilla.

Carmilla told the story of a lesbian vampire preying on lonely, vulnerable young women. Stoker added new aspects to the vampire mythos; in Dracula, for the first time, a vampire cast no reflection in a mirror, could be driven away with garlic, and could be destroyed by driving a wooden stake through its heart - though Dracula himself meets a different, much nastier fate.


Dracula would be adapted as a stage play by Bram Stoker himself. While Dracula's name may have come from the Romanian prince, his charisma, elegance, and gentlemanly manner were inspired by an actor named Henry Irving, who also managed the Lyceum Theatre, where Bram Stoker had worked for twenty years.

Stoker admired Irving greatly and hoped he would play the vampire count in his stage adaptation of Dracula, but Irving wasn't interested. Years later in 1931, a Hungarian actor named Bela Lugosi, famous for his stage portrayal of the vampire, played the part again in the first sound film adaptation of the novel.

The first film adaptation of Dracula was the classic silent feature film Nosferatu, made in 1922 by legendary German director F.W. Murnau. It was an unauthorized adaptation of Bram Stoker's novel.

Though basically faithful to the plot of the book, in order to avoid a lawsuit, Murnau changed the ending and the names of all the characters. Florence Stoker, Bram's widow, still sued for copyright infringement.

The judge ruled in her favor. Prana Film, the studio that made the movie, went bankrupt. Nosferatu would be its first and only film. The judge's decision against Prana ordered all the studio's copies of the movie destroyed.

By then, the film had been distributed around the world, and the owners of those foreign release prints couldn't be forced to destroy them. As a result, the movie fell into the public domain, where it could be distributed without payment - saving one of the greatest films in the history of world cinema from being lost forever.

Many distributors altered the title cards and restored the characters' original names to cash in on the Dracula names. Nosferatu would become a classic film, famous not for its sordid legal history, but for F.W. Murnau's brilliant direction and the surreal expressionist sets.

The most striking difference between Nosferatu and Tod Browning's Dracula is in the depiction of the main character. In Nosferatu, Count Dracula - renamed Count Orlock - is no suave, seductive aristocrat.

With his skeletal frame, long, claw-like fingers, bat ears, bald head, and mouth full of jagged, fangy teeth, Count Orlock, played by the legendary German character actor Max Schreck, looks like a human plague rat. There's nothing remotely alluring about him.

Though it wasn't the first classic novel to feature a vampire, for nearly 130 years since its initial publication, Dracula has inspired countless works of vampire fiction, most famously Salem's Lot, by modern horror master Stephen King.

Published in 1975, Salem's Lot, which told the story of a writer who returns to his small New England hometown and finds it infested with vampires, was inspired by and an homage to Bram Stoker's Dracula - one of King's favorite books, which he taught to his students as a high school English teacher.

Bela Lugosi's legendary performance as the Count in the first sound film adaptation of Dracula in 1931 set the stage for the vampire on film. The character would be played on film well over 200 times by other great actors such as Christopher Lee and Frank Langella. Jack Palance delivered a sympathetic portrayal of the count in a 1973 TV movie.

But it was Bram Stoker's novel that established the vampire as one of the most popular and intriguing characters in world culture.
Dracula is more than just a horror novel. It's also a classic work of 19th century English literature.


Quote Of The Day


"The strength of the vampire is that people will not believe in him."

- Bram Stoker



Vanguard Video

Today's video features a complete full cast reading of Bram Stoker's classic novel Dracula. Enjoy!

Thursday, May 26, 2011

Notes For May 26th, 2011


This Day In Writing History

On May 26th, 1897, Dracula, the classic horror novel by legendary Irish writer Bram Stoker, was published in London. Stoker's tale of handsome, seductive Romanian nobleman and bloodthirsty vampire Count Dracula's move from Transylvania to London in search of new victims to feed on and add to his army of the undead wasn't a huge commercial success, but it was very popular with Victorian readers and critics alike.

Readers described the book as "the most blood-curdling novel of the paralyzed century." In a review in the Daily Mail published on June 1st, 1897, Dracula was proclaimed a classic of Gothic horror, the critic stating that "In seeking a parallel to this weird, powerful, and horrorful story, our mind reverts to such tales as The Mysteries of Udolpho, Frankenstein, The Fall of the House of Usher ... but Dracula is even more appalling in its gloomy fascination than any one of these."

Bram Stoker's epic epistolary horror novel is told in the form of letters and journal entries, as different characters, both male and female, narrate the story. The novel opens with entries from Jonathan Harker's journal, as the young solicitor travels to the border of Romania's Transylvania region in the Carpathian Mountains, where he has an appointment at the ominous Castle Dracula to help the Count complete his purchase of a new estate in London. Harker soon finds himself a prisoner in the castle and uncovers the Count's monstrous secret.

Dracula is a novel very much the product of its time, that being the late 19th century - the waning years of the Victorian era, as a new century approached. The book speaks both metaphorically and directly of the conflicts between science and religion and traditional versus modern life. The character of Mina Harker represents the conflict between traditional and modern womanhood. Some have suggested that in Dracula, vampirism is a metaphor for uncontrolled sexual desire, the ungodly lust for blood equated with lust for the flesh.

Sexuality in the Victorian era was a strange and sharp paradox; rigid morality and fear of the body and one's natural biological impulses ruled on the outside, with unwed motherhood a scandal worthy of suicide. Yet, behind closed doors, Victorians rarely practiced what they preached.

There was a thriving, seamy sexual underground in England at the time that included both female and male brothels catering to any and all desires. Some of the best literary erotica ever written was penned during the Victorian era and published in underground literary magazines and anthologies, all of which were distributed on the sly - usually under cover of darkness.


Though the suave and seductive Count Dracula's name was taken from that of the infamous Romanian prince Vlad Tepes, aka Vlad Dracul - dracul meaning devil in the Romanian language - the novel was partly inspired by Sheridan Le Fanu's classic 1871 novella Carmilla.

Carmilla told the story of a lesbian vampire preying on lonely, vulnerable young women. Stoker added new aspects to the vampire mythos; in Dracula, for the first time, a vampire cast no reflection in a mirror, could be driven away with garlic, and could be destroyed by driving a wooden stake through its heart - through Dracula himself meets a different, nastier fate.


Dracula would be adapted as a stage play by Bram Stoker himself. While Dracula's name may have come from the Romanian prince, his charisma, elegance, and gentlemanly manner were inspired by an actor named Henry Irving, who also managed the Lyceum Theatre, where Bram Stoker had worked for twenty years. Stoker admired Irving greatly and hoped he would play the vampire count in his stage play adaptation of Dracula, but Irving wasn't interested. Years later in 1931, a Hungarian actor named Bela Lugosi, famous for his stage portrayal of the vampire, would play the part again in the first sound film adaptation of Stoker's novel.

The first film adaptation of Dracula was the classic silent feature film Nosferatu, made in 1922 by legendary German director F.W. Murnau. It was an unauthorized adaptation of Bram Stoker's novel. Though basically faithful to the plot of the book, in order to avoid a lawsuit, Murnau changed the ending and the names of all the characters. Florence Stoker, Bram's widow, still sued for copyright infringement.

The judge ruled in her favor. Prana Film, the production company that made the movie, went bankrupt. Nosferatu would be its first and only film. The judge's decision against Prana ordered all the studio's copies of the movie destroyed. By then, the film had been distributed around the world, and the owners of those foreign release prints could not be forced to destroy them. As a result, the movie survived and fell into the public domain, where it could be distributed without payment to Prana or the Bram Stoker estate. Many distributors altered the title cards and restored the characters' original names to cash in on the Dracula name.

Nosferatu would become a classic film, famous not for its sordid legal history, but for F.W. Murnau's brilliant direction and the surreal expressionist sets. The most striking difference between Nosferatu and Tod Browning's Dracula is in the depiction of the main character. In Nosferatu, Count Dracula - renamed Count Orlock - is no suave, seductive aristocrat. With his skeletal frame, long, claw-like fingers, bat ears, bald head, and mouth full of jagged, fangy teeth, Count Orlock, played by legendary German character actor Max Schreck, looks like a human plague rat. There's nothing remotely alluring about him.

Though it wasn't the first classic novel to feature a vampire, over a hundred years since its initial publication, Dracula has inspired countless works of vampire fiction. Bela Lugosi's legendary performance as the Count in the first sound film adaptation of Dracula in 1931 set the stage for the vampire on film. But it was Stoker's novel that established the vampire as one of the most popular and intriguing characters in Western culture.

But Dracula is more than just a horror novel. It's also a classic work of 19th century English literature.


Quote Of The Day


"There are mysteries which men can only guess at, which age by age they may solve only in part." - Bram Stoker


Vanguard Video

Today's video features the classic 1922 silent feature film Nosferatu - the first film adaptation of Bram Stoker's classic novel, Dracula,
directed by the great F.W. Murnau and starring Max Schreck as the Count! This film is complete and uncut. Enjoy!


Wednesday, May 26, 2010

Notes For May 26th, 2010


This Day In Writing History

On May 26th, 1897, Bram Stoker's classic novel Dracula was published in London. Stoker's tale of handsome, seductive Romanian nobleman and bloodthirsty vampire Count Dracula's move from Transylvania to London in search of new victims to feed on and add to his army of the undead wasn't a huge commercial success, but it was very popular with Victorian readers and critics alike.

Readers described the book as "the most blood-curdling novel of the paralyzed century." In a review in the Daily Mail published on June 1st, 1897, Dracula was proclaimed a classic of Gothic horror, the critic stating that "In seeking a parallel to this weird, powerful, and horrorful story, our mind reverts to such tales as The Mysteries of Udolpho, Frankenstein, The Fall of the House of Usher ... but Dracula is even more appalling in its gloomy fascination than any one of these."

Bram Stoker's epic epistolary horror novel is told in the form of letters and journal entries, as different characters, both male and female, narrate the story. The novel opens with entries from Jonathan Harker's journal, as the young solicitor travels to the border of Romania's Transylvania region in the Carpathian Mountains, where he has an appointment at the ominous Castle Dracula to help the Count complete his purchase of a new estate in London. Harker soon finds himself a prisoner in the castle and uncovers the Count's monstrous secret.

Dracula is a novel very much the product of its time, that being the late 19th century - the waning years of the Victorian era, as a new century approached. The book speaks both metaphorically and directly of the conflicts between science and religion and traditional versus modern life. Some have suggested that in Dracula, vampirism is a metaphor for uncontrolled sexual desire, the ungodly lust for blood equated with lust for the flesh.

Sexuality in the Victorian era was a strange and sharp paradox; rigid morality and fear of the body and one's natural biological impulses ruled on the outside, with unwed motherhood a scandal worthy of suicide. Yet, behind closed doors, Victorians rarely practiced what they preached. There was a thriving, seamy sexual underground in England at the time that included both female and male brothels catering to any and all desires. Some of the best literary erotica ever written was penned during the Victorian era and published in underground literary magazines and anthologies, all of which were distributed on the sly - usually under cover of darkness.

Though the suave and seductive Count Dracula's name was taken from that of the infamous Romanian prince Vlad Tepes, aka Vlad Dracul - dracul meaning devil in the Romanian language - the novel was partly inspired by Sheridan Le Fanu's classic 1871 novella Carmilla, which told the story of a lesbian vampire preying on lonely young women. Stoker added new aspects to the vampire mythos; in Dracula, for the first time, a vampire cast no reflection in a mirror, could be driven away with garlic, and could be destroyed by driving a wooden stake through its heart - through Dracula himself meets a different, nastier fate.

Though it wasn't the first classic novel to feature a vampire, over a hundred years since its initial publication, Dracula has inspired countless works of vampire fiction. Bela Lugosi's legendary performance as the Count in the first sound film adaptation of Dracula in 1931 set the stage for the vampire on film. But it was Stoker's novel that established the vampire as one of the most popular and intriguing characters in Western culture.

But Dracula is more than just a horror novel. It's also a classic work of 19th century English literature.


Quote Of The Day


"There are mysteries which men can only guess at, which age by age they may solve only in part." - Bram Stoker


Vanguard Video

Today's video features the classic 1922 silent feature film Nosferatu - the first film adaptation of Bram Stoker's classic novel, Dracula.
Although it was an unauthorized adaptation, it remains an all-time classic film, directed by the great F.W. Murnau and starring Max Schreck as the Count! This film is complete and uncut - enjoy!


Tuesday, May 26, 2009

Notes for May 26th, 2009


This Day In Writing History

On May 26th, 1897, Bram Stoker's classic novel Dracula made its debut in London. Stoker's tale of handsome, seductive Transylvanian nobleman and bloodthirsty vampire Count Dracula's move to London in search of new victims to feed on and add to his army of the undead wasn't a huge commercial success, but it was very popular with Victorian readers and critics alike.

Readers described the book as "the most blood-curdling novel of the paralyzed century." In a review in the Daily Mail published on June 1st, 1897, Dracula was proclaimed a classic of Gothic horror, the critic stating that "In seeking a parallel to this weird, powerful, and horrorful story, our mind reverts to such tales as The Mysteries of Udolpho, Frankenstein, The Fall of the House of Usher ... but Dracula is even more appalling in its gloomy fascination than any one of these."

Dracula is a novel very much the product of its time, that being the late 19th century - the waning years of the Victorian era, as a new century approached. The book speaks both metaphorically and directly of the conflicts between science and religion and traditional versus modern life. Some have suggested that in Dracula, vampirism is a metaphor for uncontrolled sexual desire, the ungodly lust for blood equated with lust for the flesh.

The Victorian era was a sexual paradox; rigid morality and fear of the body and one's natural biological impulses ruled on the outside, with unwed motherhood a scandal worthy of suicide. But behind closed doors, Victorians rarely practiced what they preached. There was a thriving, seamy sexual underground in England at the time that included both female and male brothels catering to any and all desires. Some of the best literary erotica ever written was penned during the Victorian era and published in underground literary magazines and anthologies, all of which were distributed on the sly - usually under cover of darkness.

Though the suave and seductive Count Dracula's name was taken from that of the infamous Romanian prince Vlad Tepes, aka Vlad Dracul - dracul meaning devil in the Romanian language - the novel was partly inspired by Sheridan Le Fanu's classic 1871 novella Carmilla, which told the story of a lesbian vampire preying on lonely young women. Stoker added new aspects to the vampire mythos; in Dracula, for the first time, a vampire cast no reflection in a mirror, could be driven away with garlic, and could be destroyed by driving a wooden stake through its heart - through Dracula himself meets a different fate.

Though it wasn't the first classic novel to feature a vampire, over a hundred years since its initial publication, Dracula has inspired countless works of vampire fiction. Bela Lugosi's legendary performance as the Count in the first sound film adaptation of Dracula in 1931 set the stage for the vampire on film. But it was Stoker's novel that established the vampire as one of the most popular and intriguing characters in Western culture.


Quote Of The Day

"Patriotism is the virtue of the vicious." - Oscar Wilde


Vanguard Video

Today's Vanguard Video is Creative Writing Masterclass 1: Ideas & Inspiration, the first in a five-part series of creative writing lectures by Keith Gray. For those of you who don't know, best selling and award winning Scottish writer Keith Gray is one of the hottest young adult novelists in the United Kingdom today. Enjoy!


Saturday, April 25, 2009

Fiction Trends: The Vampire Phenomenon

Vampires may be undead creatures, but in the writing world, they're very much alive. Recently on the Writing list, we discussed the popularity of vampires in today's fiction. The incredible success of Stephenie Meyer's Twilight series of vampire novels (despite all the critical scorn) is proof that the mysterious fanged night stalkers are here to stay. Even though I agree with the critics who dismissed the Twilight novels as pure drivel - and with Stephen King, who, in a recent interview, opined that Stephenie Meyer "can't write worth a damn" - I've always been a fan of vampire fiction.

Today's vampire fiction owes its success to a book written over a hundred years ago. When Bram Stoker's classic novel Dracula was first published in 1897, it wasn't the first classic of the genre. Sheridan Le Fanu's famous novella Carmilla, about a lesbian vampire who preys on lonely young women, was published in 1871. In 1818, John Polidori's classic short story The Vampyre was published - though the byline was miscredited to Polidori's friend, Lord Byron, who was just as angry as Polidori over the incident.


While Polidori's short story had previously depicted the vampire as a suave, aristocratic man, it was Stoker's novel that presented him as the seductive embodiment of evil. The very name Dracula is a reference to the notorious Romanian prince, Vlad Tepes aka Vlad Dracul. To his enemies, the prince was known as Vlad The Impaler because his preferred method of execution was to impale his enemies on wooden stakes. The word dracul means devil in the Romanian language.

Dracula wasn't a huge commercial success upon its initial publication in 1897, but it was quite popular with Victorian readers and received rave reviews from critics. It has been seen as a metaphor for the changing times - the conflict between tradition and modernity and between religion and secular science at the end of the 19th century. The character of Mina Harker represents the conflict between traditional and modern womanhood. And some have suggested that Count Dracula's vampirism is a metaphor for uncontrolled sexual desire - the ungodly lust for blood equated with lust for the flesh. The novel itself is darkly erotic.

While Dracula's name may have come from the Romanian prince, his elegant, gentlemanly mannerisms were inspired by the mannerisms of an actor named Henry Irving, who also managed the Lyceum Theatre, where Bram Stoker had worked for twenty years. Stoker admired Irving greatly and hoped he would play the vampire count in a stage play version of Dracula, but Irving wasn't interested. Years later in 1931, a Hungarian actor named Bela Lugosi, famous for his stage portrayal of the vampire, would play the part again in the first sound film adaptation of Stoker's novel.

It was Lugosi's famous portrayal of Dracula as a handsome, suave, and seductive aristocratic gentleman that made the vampire such a popular character not only in films, but in books and plays as well. Lugosi's Dracula was the polar opposite of Max Schreck's Count Orlock in F.W. Murnau's 1922 silent film classic Nosferatu - an unauthorized adaptation of the Stoker novel. With his skeletal frame, long, claw-like fingers, bat ears, bald head, and mouth full of jagged, fangy teeth, Count Orlock looks like a human plague rat. There's nothing remotely alluring about him.

The worst film adaptation of Dracula? Without a doubt, Francis Ford Coppola's 1992 artistic misfire, Bram Stoker's Dracula. Despite a formidable cast, including Gary Oldman as Dracula and Anthony Hopkins as Dr. Van Helsing, Coppola's film is so overblown and laughably pretentious that it ultimately becomes high camp.

Through the years, the vampire has been depicted in books and on film as both monster and tragic figure, and the vampire mythos has moved in offbeat directions as authors try new angles and fresh approaches to the venerable character. Recently, I've been enjoying The Southern Vampire Mysteries series of novels by Charlaine Harris. Set in the fictional small Southern town of Bon Temps, Louisiana, the main character is Sookie Stackhouse, a young woman who works as a waitress at a restaurant-bar called Merlotte's. (Isn't Sookie Stackhouse a great name for a Southern waitress?)


Sookie isn't like most young women - she can hear people's thoughts. She regards her psychic abilities as more of a curse than a blessing. As you can imagine, it makes relationships extremely difficult. Sookie's boss and close friend, Sam Merlotte, isn't like most restaurant owners - he's a shape-shifter who can take the form of a dog. And new customer Bill Compton isn't like most of Sookie's redneck clientele. He's a real old-fashioned Southern gentleman, and the only person whose thoughts Sookie can't hear. That's because he's a vampire.

Ever since the invention of synthetic human blood, vampires have come out of the coffin, er, closet, and are trying to peacefully coexist with humans, despite huge resistance from the Christian right. Many people in Bon Temps are prejudiced against vampires, and some even hunt and kill them and drain their blood, which in humans acts as a potent drug that dramatically heightens the senses - and the libido. The saliva of a vampire can heal wounds.

I don't want to give out more plot details and ruin the novels for those of you who haven't read them yet. I can tell you that the Southern Vampire Mysteries novels have been adapted as an HBO series called True Blood, which I really enjoyed watching. Academy Award winning actress Anna Paquin makes the perfect Sookie Stackhouse. The first season comes out on DVD on May 19th. The second season premieres on HBO in June.

At the time the Twilight movie premiered in theaters, there was another vampire movie playing. Unfortunately, it didn't get much notice. It was a Swedish film called Let The Right One In. While the Twilight movie was roundly panned by critics as one of the worst movies of the year, Let The Right One In earned rave reviews and was declared one of the best movies of 2008. And it was. It proved to be not only one of the best horror movies of all time - a classic of the vampire genre - but one of the most touching love stories as well.

Stylishly directed by Tomas Alfredson, featuring incredible performances by its two young lead actors, and based on the stunning novel by John Ajvide Lindqvist, who also wrote the screenplay, Let The Right One In tells the story of Oskar, (Kåre Hedebrant) an odd, desperately lonely 12-year-old boy whose life is bleaker than the harsh winter landscape around him. Tormented at school by a gang of sadistic bullies and emotionally distant from his clueless, self-absorbed, divorced parents, Oskar is left alone to fantasize about killing his tormentors, stabbing at trees with his small hunting knife. That's really all he can do - he lacks the courage to stand up for himself.

Oskar's life changes forever when a new girl his age moves into the apartment next door. Her name is Eli, (Lina Leandersson) and she's a strange, darkly beautiful young girl with big brown eyes. Eli only comes out of her apartment at night, walks through the snow barefoot, and smells like a corpse when she's hungry. She and Oskar strike up an akward friendship that blossoms into a deep and true love. Eli is a sweet girl and loyal friend who gives Oskar the strength and courage to stand up for himself.

Eli is all alone in the world, too - except for Håkan (Per Ragnar) the creepy middle-aged man she lives with. Håkan is not Eli's father. He's a serial killer who murders people and drains their blood into plastic containers. Well, he tries to. He's a pathetic bumbler who screws up every attempt at collecting blood. In one darkly funny scene, a nosy poodle interrupts Håkan and almost gets him caught red handed - no pun intended.

When Oskar discovers that Eli is really a bloodthirsty vampire, he's horrified at first. But he can't stay away from her for long - he still loves her. Eli depends on Håkan, her creepy human "guardian," to collect blood for her because she can't bear to kill, (the movie doesn't elaborate on what he gets in return, but in the novel... well, you'll find out) but when his latest screw-up results in his capture, Eli must hunt for her own blood. When one of her victims, a woman named Virginia, survives and becomes a vampire herself, her husband tracks Eli down, breaks into her apartment, and tries to kill her. Oskar saves Eli, then leaves the apartment while she rips the intruder to shreds.

Sadly, Eli must now leave Oskar forever to avoid capture. This sets in motion the knockout ending, which proves to be both incredibly gruesome and deeply moving. With its chilly, brooding atmosphere of near constant dread, nail-biting suspense, and scary spates of carnage, Let The Right One In is a feast for the horror fan. But it's the love story that really drives the film. In one particularly sweet and tender subplot, Oskar learns Morse code, teaches it to Eli, and they use it to tap out messages to each other on the wall that divides their apartments. This subplot is a clever bit of foreshadowing. Watch the movie to the very end, and you'll see what I mean.

That's what I really liked about Let The Right One In. Eli is a tragic, sympathetic character trapped by her vampirism. She hates to kill - she even weeps over the body of her first victim - but she needs blood to survive. When Oskar discovers who she really is, a sad-eyed Eli simply says, "Try being me for a while." As good as it is, John Ajvide Lindqvist's screenplay serves as a minimalist adaptation of his detail-rich novel, which includes the bizarre backstory of how Eli became a vampire and who she really was before. I wholeheartedly recommend that you read it. But first, watch the movie. It's available on DVD now. One thing: be sure to select the original Swedish language audio track with English subtitles. The English dub track is horrible.

Though it wasn't the first work of fiction about a vampire, Bram Stoker's classic novel Dracula planted the seeds for the vampire pop culture phenomenon. It's a phenomenon that continues to grow and evolve in new ways and will be with us for a long time to come. There really is nothing like a good vampire story.