Showing posts with label helping writers. Show all posts
Showing posts with label helping writers. Show all posts

Friday, November 14, 2008

Hey, Max Barry! We Love New Members!


  • Listening to the ABC radio national book show where Max Barry was one of the guest speakers. He strongly recommended the writing workshop.
  • I found you from this website: http://www.writing-world.com/links/critique.shtml
  • I first heard of the IWW several years ago (2001, I think) when I searched for
  • a writing workshop online.
  • I heard about you by doing web searches for online writing groups.
  • I found the site through google.
  • I saw your web page on http://www.writing-world.com/links/critique.shtml
  • I found out about your critique group through a friend. He recommended your group because it more organized than the critique group I was previously using.
  • I found these lists through a Yahoo group - "Momwriters."
  • I found you through a search engine.
  • I found you by searching "Writing workshops" on Google
  • I have joined a writer's group in Hollywood but wasn't too impressed with it so someone in the class talked about the Internet Writing Group and I found you!
  • I found you through a Google search for “internet novice novel critique”
  • I found out about IWW when i took Wendee Holtcamp's e-writing course.
  • I found out about IWW when i took Wendee Holtcamp's e-writing course.
  • Google search.
  • I found this website when searching the net for writing courses.
  • I think it was momwriters group.
  • I found your site googling writing workshops.
  • Ps. I found you through a search engine on the internet when I typed in “writing workshops.”
  • I found your site through Writer Digest's 101 Best Websites.
  • How I found you: I hardly know you. Let's start off as friends a see where that takes us.

Friday, September 26, 2008

PageFour - Outliner


I visited yesterday with the writer Cait London, a novelist with dozens of books in print, and she told me that one of the most valuable computer tools she'd found recently was PageFour -- "a good place to stash story ideas and develop them," she said.

"The sample is great to try," she told me. "I got it and a few other helper programs at bitsdujour.com and watch for the discount programs to be the special of the day. It saves in .rtf which is great, also Dragon works with it."

PageFour - Outliner and Tabbed Word Processor for Writers

PageFour is a tabbed word processor and outliner for creative writers. Where other word processors were designed with the business user in mind, PageFour aims to meet the needs of a different class of writer. It does not improve your prose or make you a better writer - only you can do that, but PageFour does make your job just that little bit easier.

Tuesday, September 16, 2008

New Members from around the World


  • I do enjoy writing and agreed to join in response to the urging of a friend.
  • I have been writing for 10 years and was a member of the workshop a few years ago.
  • I found you guys on the Writer's Digest list of top internet sites.
  • I have found the Internet Writing Workshop through Writing-World.com.
  • I was googling 'Fantasy critiques' when I found this site.
  • If you must blame anyone for my presence, it would have to be Holly Michael. I had the good fortune to meet her a few months ago and she seems to think that my scribblings are not entirely without merit.
  • I found you via a link from this web page: http://megwaiteclayton.com/1stbooks/?p=43
  • I found you through a web search.
  • I was searching for information on writing when I came across your site.
  • I found The Internet Writing Workshop while searching on Google for online critique groups. The website I found, http://www.writing-world.com/links/critique.shtml, had a link to your website.
  • I found you through google.
  • I found this website in a post on the Willamette writers forum.
  • I found this site via Google.
  • I discovered your page from this blog post: http://maxbarry.com/writing/help.html.
  • I found you through Writers Digest 101 Best Sites for Writers.
  • I was introduced to your workshop four years ago by Guy Koehler when we were both members of a flash fiction writing workshop moderated by Pam Casto at the U of Texas.
  • I enjoyed IWW when I participated before and look forward to picking up where I left off.
  • I found you while searching the internet for a writers workshop. I live on a remote farm and since leaving the UK I have no access to workshops, this web based option would be great for me.
  • I found IWW through Writer's Digest (the website).
  • I was introduced to this website by Richard Maffeo.
  • I found you in: writing-world.com
  • Google search is how I found you.
  • I found this group by searching for "poetry criqtique groups online" and following a couple of links.
  • I found out about this list at www.writing-world.com
  • I found your group by searching on the web. I spent a lot of time looking. I feel your group is the best because you are serious and committed to what you are doing.
  • I heard about you last week at my writing class.
  • I found you through the Ozarks Writer's Regional Loop.
  • Google for "writing workshops."
  • As I said, I was previously a member, but re-found you by a google search for "Writing Groupsd Non Fiction."
  • I belong to a paranormal romance writers loop, one of the writers raved about this site.
  • i am currently doing a writing course at my local living and learning center and found this site through here.
  • From Help A Reporter Out
  • I found you through Google with the keywords: “online writing group” and then clicking through on a hyperlink pointing to your website, listed on the page http://www.forwriters.com/groups.html .
  • I found this group through searching Google for online writing groups.
  • I found you on-line.
  • I found this address from the website of that Max guy who wrote 'Syrup'. He said this site was a real help and it looks very interesting.
  • I found the workshop by reading Max Barry's blog. I recall he had mentioned the workshop quite some time ago, and only just now got around to trying to use it.
  • I found you through the bulletin board on the Willamette Writers website.
  • I found you in this list- http://www.forwriters.com/groups.html. I had done a search on Yahoo or Google for writers' groups and forums, and found the "for writers" website's list of writing groups.
  • Google search.
  • http://www.writing-world.com
  • I was Googling for Washington DC writers' groups and stumbled across this instead. It seemed to suit me better than most of the in-person options I found.

Wednesday, August 6, 2008

Thoughts on Self-Publishing


by Jack Shakely

To actively avoid all independently-published books is like saying you'll never listen to a garage band. There is some good stuff out there if you know where, and how, to look.

In the interest of full disclosure, I should tell you I am the author of a self-published historical novel, The Confederate War Bonnet. During my research for this book, which deals with the Creek nation in Indian Territory during the Civil War, I found that many of the books, both fiction and nonfiction, that dealt with this Civil War backwater were self-published. In a few cases the books, even some of the less polished ones, were so chock-full of information and anecdotes that they were very much worth the read.

Eventually I met other historical novelists on-line, and we discovered that most of us were self published. Last year we formed a loose affiliation called the Independent Authors Guild. It's still very much a work in progress, but it's a start on a segment of the book publishing world that is bound to grow as the number of agents, book stores and traditional publishing houses diminish.

Here are some things I have observed: the best independent books are likely to be found in historical nonfiction, historical fiction and memoirs. The reason is obvious -- these are often first-person accounts or thinly-veiled family histories that traditional publishers felt didn't have enough potential audience to justify the expense. Some of these books are darn good.

Many self-published books, of course, are just plain lousy. I have found this especially true in the romance fiction, science fiction and erotic fiction genres. And you might want to avoid books with titles like Twenty Things Mr. Whiskers Taught Me About God, especially if there is a photo of the author and a cat on the cover.

Increasingly, however, through sophisticated key word searches, Amazon's "Search Inside" feature, growing on-line book review opportunities, and author web sites that allow the reader to "sample" a book the same way we can sample a musical album, you can get a pretty good idea of the quality of a book before you buy.

The future success of publish on demand books may be when large independent publishing houses, like Amazon's Book Surge and Barnes and Noble's Author's House/iUniverse, provide publishing plateaus that are earned, not purchased. iUniverse has something like this with its "editors' choice" and "publisher's choice" designations, but it is not industry-wide and not fully understood.

Don't give up on self-publishing just yet. It has a long way to go, but it is light-years ahead of the old vanity press days, and developing technology is going to make it even better.


Sunday, July 13, 2008

This Week's Practice Exercise~

Prepared by: Patricia Johnson
Reposted, revised on: Sunday, 12 July 2008



Exercise: In 300 words or less, create a scene that includes at least one metaphor. Make sure it is relevant to the story.








Metaphors and similes are common tools used by writers to make comparisons. Both help to increase understanding in an original and effective way.

The difference between the two, simply put, is that a metaphor equates one thing with another. A simile doesn't go quite that far; it states that one thing is LIKE another. Examples:

Metaphors:

This guy is a thorn in my side.

Fog creeps in on little cat feet. (—Carl Sandburg)

Elizabeth Bishop's poem "Armadillo" uses this metaphor to describe a baby rabbit: "so soft!-a handful of intangible ash with fixed, ignited eyes."

Sandra McPherson in Alleys uses this metaphor to describe the first flower she picked for her husband:

"It is
Not even a withered flower anymore,
But the dust of the first thing I did for him."

Simile:

This guy is like a thorn in my side.
(Don't confuse this with the Valley Girl metaphor: This guy is, like, a thorn in my side.)

A good metaphor is original, fresh and revealing, and does not have to explain itself. It is closer to understatement than to exaggeration. To work, no matter how abstract, a metaphor must be on target and truthful without being farfetched. It must also avoid clichés. Sometimes an author will extend a metaphoric idea with many variances within a single story or poem.

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These exercises were written by IWW members and administrators to provide structured practice opportunities for its members. You are welcome to use them for practice as well. Please mention that you found them at the Internet Writers Workshop.

Sunday, July 6, 2008

This Week's Practice Exercise~

Prepared by: Carter Jefferson
Reposted on: Sunday, 6 July 2008





Exercise: In 400 words or less, create the first scene of a story,
novel, or creative non-fiction essay. Let fire play a significant part
in that opening, and show its effect on the characters.

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Fire can keep us warm or force us out into the cold. It can light a
birthday candle or ignite a fuse, illuminate the pages of a book or
destroy a library. Like an unruly servant, it can be enormously helpful
or bring on disaster. It's been so important through the ages that it
used to be considered one of the four elements of which the entire
cosmos consists.

Great fires like the ones in London in 1666, Chicago in 1871, and Boston
in 1872 have influenced history. Authors as different as Shirley
Hazzard, Patricia Cornwell, and Nora Roberts have used fire, metaphoric
or real, as backdrops for best-selling novels. In this exercise, you
must light a fire, or discover one, and
show how it affects your characters.

Your scene will be an opening; make sure it will leave readers anxious
to know what happens next in your creation.

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These exercises were written by IWW members and administrators to provide structured practice opportunities for its members. You are welcome to use them for practice as well. Please mention that you found them at the Internet Writers Workshop.

Sunday, February 3, 2008

This Week's Practice Exercise~


Originated by: Bob Sanchez
Posted on: Sunday, February 3, 2008




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Exercise: In 400 words or fewer, show us a person beset by fear.

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"The only thing we have to fear is fear itself," FDR famously said.

We humans are hardwired to feel a range of emotions to fit the circumstances we face: love, hatred, anger, and joy, to name a few. They can be intertwined and confused, as fear and cowardice often are. Some succumb to their fears, while others don't. The soldier in combat knows he may die at any moment, yet he does his duty. Firefighters and police officers face their fears, yet do their jobs.

But we don't have to face death to feel fear. What about that final exam? That job interview? The speech you have to give? The teenager you're still waiting up for, and it's one a.m.? The sources of fear are endless; it can be the only reasonable emotion, or it can be irrational.

Get inside the poor bloke's head, letting us know how the person feels and why. The fear can be of pain or death, but feel free to inflict the worry of shame, imprisonment, divorce, dishonor, hell, public speaking, or even success.

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Exercise: In 400 words or fewer, show us a person beset by fear.

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In your critiques, consider whether the submission evokes a strong emotion in you--and never fear, because these Practice subs are always about the writing and never about the writer.

Have fun!!

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These exercises were written by IWW members and administrators to provide structured practice opportunities for its members. You are welcome to use them for practice as well. Please mention that you found them at the Internet Writers Workshop

~~~~~

Sunday, December 9, 2007

This week's practice exercise~


Prepared by Loretta Russell and Ruth Douillette
Reposted, revised, on: Sunday, December 9, 2007

In less than 400 words write a scene where the character has a flash of intuition. Show the character's response to the feeling and what the outcome is.
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The dictionary definition of intuition is "quick and ready insight, the act or process of coming to direct knowledge without reasoning or inferring." It is derived from the Latin word "intueri" which means "to see within." Intuition is a way of knowing or sensing the truth without benefit of logical explanations.

Most likely you've experienced the sense that something will happen, or you may have had a prickle of warning about a person, although there is no logical reason for you to feel this way. Call it a gut feeling or a hunch, you may have paid it no mind, or completely changed your plans based on the feeling.

Here are some examples to prime your pen:

You passed on a blind date, and later discovered the guy was a killer.

You pulled into a rest stop, but something didn't feel right, so drove off just as Highway Patrol vehicles pulled in.
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These exercises were written by IWW members and administrators to provide structured practice opportunities for its members. You are welcome to use them for practice as well. Please mention that you found them at the Internet Writers Workshop.

Saturday, October 27, 2007

This week's practice exercise~ My Way or the Highway

Exercise: My Way or the Highway (Version 2)

Prepared by: Rheal Nadeau
Reposted, revised, on: Sun, 28 Oct 2007


_____________________________

Exercise: In 300 to 500 words, put two or more characters in a
position of conflict. It should be reasonably clear to the reader what
motivates each character. Avoid outright exposition: show the conflict,
don't tell us about it.

-------------------------

Conflict is with us every day, from the war in Iraq to a teen arguing
against a curfew. Both sides are convinced they are right.

At times conflicts arise apart from a difference of opinion. One party
perceives an unfairness that may or may not exist. Think of the
stereotypical argument between a husband and wife, based not on real
conflict but on unstated expectations and perceived faults.

Each character must act for plausible reasons, based on valid
motivations; each must have his or her own goals, aspirations, or fears.
It is not necessary to resolve the conflict; submissions here are not
meant to be full stories. And it doesn't have to be a major conflict; it
could be a minor conflict that interferes with some bigger goal.

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These exercises were written by IWW members and administrators to provide structured practice opportunities for its members. You are welcome to use them for practice as well. Please mention that you found them at the Internet Writers Workshop (http://www.internetwritingwor kshop.org/).